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LAVENDER, Andy. Hamlet in Pieces: Shakespeare Reworked: Peter Brook,<<strong>br</strong> />

Robert Lepage, Robert Wilson. Nick Hern Books, 2001.<<strong>br</strong> />

LEPAGE, Robert. Interview by author. Tape recording. Quebec City,<<strong>br</strong> />

January 2002.<<strong>br</strong> />

MIRZOEFF, Nicholas. An Introduction to Visual Culture. London:<<strong>br</strong> />

Routledge, 1999.<<strong>br</strong> />

ODDEY, Allison. Devising Theatre: A Practical and Theoretical Handbook.<<strong>br</strong> />

London: Routledge, 1994.<<strong>br</strong> />

PAVIS, Patrice. Afterword to “Contemporary Dramatic Writing<<strong>br</strong> />

and the New Technologies.” In Trans-global Readings: Crossing Theatrical<<strong>br</strong> />

Boundaries. Ed. Caridad Svich (Manchester: Manchester University Press,<<strong>br</strong> />

2003). 187-202.<<strong>br</strong> />

THE SEVEN Streams of the River Ota. Theatre programme. Royal National<<strong>br</strong> />

Theatre. London, September 1996.<<strong>br</strong> />

ZIZE, Slavoj. The Sublime Object of Ideology, London: Verso,<<strong>br</strong> />

1989.<<strong>br</strong> />

MÓIN-MÓIN<<strong>br</strong> />

189<<strong>br</strong> />

Revista de Estudos so<strong>br</strong>e Teatro de Formas Animadas

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