25.03.2014 Aufrufe

PLATFORM3 - Räume für zeitgenössische Kunst - 2009

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The consolidation phase of Platform3 was<br />

characterised by some friction between different<br />

contexts that slowly came together: Art,<br />

social aspects and economy. These frictions<br />

resulted in new energies.<br />

A first step to get things started was<br />

renting a factory floor in Munich’s South. In<br />

the middle of a hardly developed urban area<br />

between the extremely rich south and in a<br />

quirky location between bare fields, offices,<br />

factories and flats, something new could grow.<br />

An inner-city location would have been simply<br />

too expensive for such a big enterprise. Cultural<br />

wasteland was entered, easily reachable<br />

by underground from the city centre. In the<br />

beginning it was too far away from the locations<br />

of art in Munich. Step by step new individuals<br />

where involved as well as the initiators<br />

and organisers; the factory floor was done<br />

up by “Lernen am Bau”, a qualification program<br />

of Wohnforum München. I joined the project as<br />

artistic leader with the job of developing a<br />

concept for content and organisation and providing<br />

a profile and face. Achim Sauter, a young<br />

art agent, joined as an intern. In autumn 2008<br />

the artist studios were announced by an advisory<br />

board. The members of this board are<br />

protagonists in Munich’s cultural landscape 2 .<br />

Besides the high quality of the artistic works,<br />

the multi-faceted approach was important:<br />

The ability to work in a team and the commitment<br />

to the model of collaboration.<br />

“The project Platform3 emphasises openness.<br />

Because of its character it isn’t a hermetically<br />

closed-off space. It’s special because<br />

of its solid infrastructure and openness towards<br />

the outside. A major part is the service agency<br />

which organises and advises and is available<br />

for artists at all times. It’s not an isolated art<br />

island.”<br />

In January <strong>2009</strong>, in the middle of the building<br />

site, interviews took place for cultural<br />

managers who wanted to complete a year’s<br />

traineeship. The building site was buzzing and<br />

the talk was already about visions, the ideas<br />

of young cultural managers, their imaginations<br />

of cultural work and ways of working which<br />

would develop into a then-imaginary space.<br />

Bright, inviting, communicative and open is what<br />

those rooms in a former 70s factory would become.<br />

They would be an expression of what<br />

was to be developed here; a new forum for<br />

artistic work, mediation and cultural discourse,<br />

a forum where different areas could connect<br />

and positively support each other. A cultural<br />

format where new things could be tested –<br />

that relies on collaboration as well as the<br />

precise identification of individual ideas.<br />

“This forum is all about the dialogue of<br />

different people and exchange on culture. It is<br />

central as cultural production always needs<br />

the public and is the core area in the education<br />

of cultural managers and the sponsorship of<br />

artists. The work happening in the context<br />

of Platform3 needs to prove itself to the public.<br />

Every cultural practice aims at the public.”<br />

Continuity is important for the public perception<br />

and the profile of a new institution as<br />

well as a clear curatorial backbone. The latter<br />

additionally has to take into consideration the<br />

individuality of the cultural managers. Different<br />

parts needed to be developed to show the<br />

public the special nature of the project: The<br />

program should be versatile and contain different<br />

formats such as exhibitions, symposia,<br />

lectures, performances and concerts and<br />

develop co-operations and branching out.<br />

The emphasis should be on topics which<br />

are especially relevant in terms of sponsoring<br />

and developing the contemporary art landscape<br />

of Munich and that are internationally<br />

relevant. Platform3 sees itself as a forum for<br />

projects that aren’t firmly built into the cultural<br />

sector institutionally.<br />

“Our program is connected directly to topics<br />

which are inherent with the location and<br />

its responsibilities: responsibilities, possibilities<br />

and visions of cultural work, questions of<br />

cultural economy, the relationship between<br />

local actions and global thinking, questions of<br />

education in the area of culture, the creation<br />

of regional and international networks.”<br />

The character of Platform3 is shaped by<br />

the individuals who work there. The program<br />

is a result of the interaction between different<br />

individuals in front of a basic canvas. Together<br />

with me as the generator and mentor, five<br />

summary<br />

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