25.03.2014 Aufrufe

PLATFORM3 - Räume für zeitgenössische Kunst - 2009

Erfolgreiche ePaper selbst erstellen

Machen Sie aus Ihren PDF Publikationen ein blätterbares Flipbook mit unserer einzigartigen Google optimierten e-Paper Software.

trainees shaped the program and character<br />

in an important way: Mirela Ljevakovic, Achim<br />

Sauter, Jan Wilms, Yanna Varbanova, Anna<br />

Schneider and Linn Quante. Paramount is the<br />

interplay between strong characters.<br />

The first trainees were chosen because of<br />

their individual ideas and beliefs, their specific<br />

abilities that are important to the cultural job<br />

market, their openness to delve deep into<br />

an experiment with full enthusiasm, and realise<br />

a first project with colleagues.<br />

“In my opinion the cultural landscape of<br />

Munich needs a space for cultural discussion,<br />

experiment and discourse. A space where<br />

ideas about culture and society will be put<br />

across in a lively, controversial and entertaining<br />

way instead of stale lectures. A place where<br />

interdisciplinary thinking and working is the<br />

norm. The Department of Labour and Economic<br />

Development of the City of Munich has<br />

therefore taken over a host’s role for this<br />

kind of discourse.”<br />

The Department of Arts and Culture of<br />

the City of Munich has taken on an important<br />

role with the establishment of a guest studio<br />

at Platform3. The invitation of international<br />

curators and creatives aims for the creation of<br />

new networks, exchange and also a connection<br />

between the Munich scene and the international<br />

artistic landscape.<br />

“Nowadays cultural production can no<br />

longer restrict itself to a regional context if it<br />

wants to be successful and sustainable. At<br />

the top of the list with regards to the artistic<br />

promotion of contemporary art in Munich is<br />

the initiation of international exchange, here<br />

it takes the shape of a guest studio. (…) Exchange<br />

with international, non-European countries<br />

should be promoted. From the beginning<br />

this is the intention. Of course in-depth connection<br />

with institutes in the EU is also soughtafter<br />

in order to initiate exhibition series<br />

and talks through this exchange program for<br />

studios.”<br />

At this point important goals have been<br />

set for the future. In cooperation with many<br />

individuals, the model, Platform3, has turned<br />

into reality and can begin to shine beyond<br />

Munich.<br />

1 The quotations of this text come from a first introduction to<br />

Platform3 by Elisabeth Hartung in December 2008 and from the<br />

official opening in March <strong>2009</strong>.<br />

2 The jury consisted of Diana Ebster (Department of Arts and<br />

Culture, Munich), Cornelia Gockel (Freelance journalist and lecturer<br />

at the Academy of Fine Arts, Munich), Matthias Mühling (Curator<br />

of contemporary art at the “Städtische Galerie im Lenbachhaus”,<br />

Munich), Karsten Schmitz (Foundation “Federkiel”) and Elisabeth<br />

Hartung (Concept and content advisor, project management <strong>2009</strong>,<br />

Platform3).<br />

Translated from German into English by Anton Poggio.

Hurra! Ihre Datei wurde hochgeladen und ist bereit für die Veröffentlichung.

Erfolgreich gespeichert!

Leider ist etwas schief gelaufen!