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trainees shaped the program and character<br />
in an important way: Mirela Ljevakovic, Achim<br />
Sauter, Jan Wilms, Yanna Varbanova, Anna<br />
Schneider and Linn Quante. Paramount is the<br />
interplay between strong characters.<br />
The first trainees were chosen because of<br />
their individual ideas and beliefs, their specific<br />
abilities that are important to the cultural job<br />
market, their openness to delve deep into<br />
an experiment with full enthusiasm, and realise<br />
a first project with colleagues.<br />
“In my opinion the cultural landscape of<br />
Munich needs a space for cultural discussion,<br />
experiment and discourse. A space where<br />
ideas about culture and society will be put<br />
across in a lively, controversial and entertaining<br />
way instead of stale lectures. A place where<br />
interdisciplinary thinking and working is the<br />
norm. The Department of Labour and Economic<br />
Development of the City of Munich has<br />
therefore taken over a host’s role for this<br />
kind of discourse.”<br />
The Department of Arts and Culture of<br />
the City of Munich has taken on an important<br />
role with the establishment of a guest studio<br />
at Platform3. The invitation of international<br />
curators and creatives aims for the creation of<br />
new networks, exchange and also a connection<br />
between the Munich scene and the international<br />
artistic landscape.<br />
“Nowadays cultural production can no<br />
longer restrict itself to a regional context if it<br />
wants to be successful and sustainable. At<br />
the top of the list with regards to the artistic<br />
promotion of contemporary art in Munich is<br />
the initiation of international exchange, here<br />
it takes the shape of a guest studio. (…) Exchange<br />
with international, non-European countries<br />
should be promoted. From the beginning<br />
this is the intention. Of course in-depth connection<br />
with institutes in the EU is also soughtafter<br />
in order to initiate exhibition series<br />
and talks through this exchange program for<br />
studios.”<br />
At this point important goals have been<br />
set for the future. In cooperation with many<br />
individuals, the model, Platform3, has turned<br />
into reality and can begin to shine beyond<br />
Munich.<br />
1 The quotations of this text come from a first introduction to<br />
Platform3 by Elisabeth Hartung in December 2008 and from the<br />
official opening in March <strong>2009</strong>.<br />
2 The jury consisted of Diana Ebster (Department of Arts and<br />
Culture, Munich), Cornelia Gockel (Freelance journalist and lecturer<br />
at the Academy of Fine Arts, Munich), Matthias Mühling (Curator<br />
of contemporary art at the “Städtische Galerie im Lenbachhaus”,<br />
Munich), Karsten Schmitz (Foundation “Federkiel”) and Elisabeth<br />
Hartung (Concept and content advisor, project management <strong>2009</strong>,<br />
Platform3).<br />
Translated from German into English by Anton Poggio.