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Mirror-touch synaesthesia: the role of shared ... - UCL Discovery

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101<br />

Chapter 5<br />

effect for face perception. Performance is measured by an error score. This is<br />

calculated by summing <strong>the</strong> deviations from <strong>the</strong> correct position for each face, with<br />

one error reflecting each position that a face must be moved in order to be in <strong>the</strong><br />

correct location. For example, if a face was one position from <strong>the</strong> correct location<br />

than this leads to an error score <strong>of</strong> one. If it is three positions away this is an error<br />

score <strong>of</strong> three.<br />

Same-Different Expression and Identity Matching Task<br />

This experiment investigated participants’ abilities to match ano<strong>the</strong>r’s facial<br />

identity or facial expressions under identical experimental conditions.<br />

In <strong>the</strong> expression matching task, participants were presented with a “sample”<br />

face (250 msec) followed by a fixation cross (1000 msec), and a “target” face (250<br />

msec). Participants were asked to indicate whe<strong>the</strong>r <strong>the</strong> target facial expression<br />

matched, or was different to, <strong>the</strong> sample facial expression. On half <strong>of</strong> <strong>the</strong> trials, <strong>the</strong><br />

target and sample face expressed <strong>the</strong> same emotion and half <strong>the</strong> sample-target pairs<br />

showed different emotions (Figure 5.1d). A total <strong>of</strong> 72 trials (split between 2 blocks)<br />

were completed. Each image showed one <strong>of</strong> six female models making one <strong>of</strong> six<br />

basic facial expressions: anger, disgust, fear, happiness, sadness or surprise. Each<br />

stimulus was a greyscale image taken from <strong>the</strong> Ekman and Friesen (1976) facial affect<br />

series. Stimuli were cropped with <strong>the</strong> same contour to cover <strong>the</strong> hair and neck using<br />

Adobe Photoshop. In <strong>the</strong> expression task, identity always changed between sample-<br />

target pairs and each expression was presented an equal number <strong>of</strong> times.<br />

In <strong>the</strong> identity matching task, <strong>the</strong> same stimuli and procedure were used.<br />

Participants were asked to indicate whe<strong>the</strong>r <strong>the</strong> sample and target face were <strong>the</strong> same<br />

or a different person. Half <strong>of</strong> <strong>the</strong> trials showed pairs with <strong>the</strong> same identity and half

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