Mirror-touch synaesthesia: the role of shared ... - UCL Discovery
Mirror-touch synaesthesia: the role of shared ... - UCL Discovery
Mirror-touch synaesthesia: the role of shared ... - UCL Discovery
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33<br />
1.5 Synaes<strong>the</strong>sia and models <strong>of</strong> typical cognition<br />
Chapter 1<br />
The preceding sections reviewed evidence for <strong>the</strong> au<strong>the</strong>nticity <strong>of</strong> <strong>synaes<strong>the</strong>sia</strong>.<br />
While this is now well established, <strong>the</strong>re is growing interest in using <strong>the</strong> condition to<br />
inform us about non-synaes<strong>the</strong>tic perceptual and cognitive processing. Following <strong>the</strong><br />
logic <strong>of</strong> cognitive neuropsychology, <strong>the</strong> positive symptoms related to <strong>synaes<strong>the</strong>sia</strong><br />
may be able to constrain <strong>the</strong>ories on multisensory interactions and inform about <strong>the</strong><br />
relationship between multisensory processing and o<strong>the</strong>r aspects <strong>of</strong> cognition (Ward<br />
and Mattingley, 2006; Cohen Kadosh and Henik. 2007).<br />
So far, a number <strong>of</strong> examples have been cited whereby synaes<strong>the</strong>tic<br />
interactions have been shown to rely upon similar neurocognitive mechanisms as<br />
those observed in non-synaes<strong>the</strong>tes and <strong>the</strong>refore may inform us about general<br />
principles <strong>of</strong> multisensory interactions (e.g. feature binding in grapheme-colour<br />
<strong>synaes<strong>the</strong>sia</strong>; cross-modal interactions in <strong>touch</strong>-colour <strong>synaes<strong>the</strong>sia</strong>; heightened<br />
visual-tactile interactions in mirror-<strong>touch</strong> <strong>synaes<strong>the</strong>sia</strong>). Non-random associations,<br />
which are similar to those found in non-synaes<strong>the</strong>tic subjects, have also been found<br />
between pitch and lightness in tone-colour synaes<strong>the</strong>tes (individuals who experience<br />
colour sensations in response to tones) – both synaes<strong>the</strong>tes and non-synaes<strong>the</strong>tes show<br />
a tendency to associate low pitches with dark colours and high pitches with light<br />
colours, although only synaes<strong>the</strong>tes experience <strong>the</strong>se colours consciously (Ward et al.,<br />
2007; also see Parise and Spence, 2009). Evidence <strong>of</strong> non-random associations in<br />
o<strong>the</strong>r variants have also been documented, including number and lightness in digit-<br />
colour <strong>synaes<strong>the</strong>sia</strong> (Cohen Kadosh and Walsh, 2008); word form properties and<br />
colour associations in linguistic-colour <strong>synaes<strong>the</strong>sia</strong> (Barnett, Feeney, Gormley, and<br />
Newell, 2009); and phonology and tastes in lexical-gustatory <strong>synaes<strong>the</strong>sia</strong> (Ward and<br />
Simner, 2003).