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458<br />

MEDIEVAL ENGLAND<br />

increased, sometimes without any structural justification, and<br />

the effect of linear pattern^making is much more strongly<br />

marked than at Canterbury. Secondly, though the sexpartite<br />

system of vaulting is to be found in the eastern transepts and<br />

rather later in the great transepts themselves which followed the<br />

rexerection ofthe eastern limb ofthe church in the early years of<br />

the thirteenth century, the main vessel of the eastern limb was<br />

vaulted with an original system ofribbed vaults, the purpose of<br />

which seems to have been to provide a consistent pattern ofribs<br />

both for the normal bays ofthe choir itselfand for the larger bay<br />

ofthe eastern crossing and thereby to avoid the interruption of<br />

the pattern of the vaulting, which is a marked feature of the<br />

Canterbury design, where the system changes from sexpartite<br />

to quadripartite at that point.<br />

Work on the church at Lincoln seems to have been conx<br />

tinued steadily throughout the greater part of the thirteenth<br />

century. The great transepts which were in building in the early<br />

years ofthe century, one ofthe most remarkable features ofthe<br />

church, are of exceptional breadth and aisled both east and<br />

west. Work on the nave continued during the 1220*5 and<br />

123 o's, and in the early 1240*5, under the episcopate of the<br />

celebrated Grosseteste, the western parts of the church were<br />

reached and the central lantern tower was rebuilt. The characx<br />

ter of the work remains remarkably consistent throughout in<br />

spite ofimportant changes, notably in the character ofthe vaults<br />

and in the greater richness of the bay design, especially<br />

at the<br />

tribune level and in the clerestory (PL 80 a). At the west end of<br />

the church the remarkable late eleventlvcentury western block,<br />

which had already been enlarged and enriched in the mid'<br />

twelfth century, was profoundly modified by having its<br />

western face framed by a great screen wall which extended<br />

considerably farther to the north and south and rose to a level<br />

parapet line at the height of the twelfth/century gables. These<br />

alterations were in part made necessary by the greater height<br />

of the new thirteentlvcentury nave, but also offered a space<br />

for large chapels built flanking the west end of the church to<br />

the north and south outside the aisles. The nave vault shows

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