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XIII. ECCLESIASTICAL<br />

ARCHITECTURE<br />

fHE first<br />

great age of English architecture begins with<br />

T<br />

the last years ofthe eleventh century and, compared with<br />

the building then begun, the architecture ofthe Anglo/<br />

Saxon age seems rather tentative and unformed. This is<br />

not to its decry interest. England is fortunate compared with<br />

other countries in northern Europe in the possession of smv<br />

viving buildings ofthe early Dark Ages and though only one,<br />

Brixworth, is of monumental scale, it is enough to give us an<br />

idea ofthe<br />

quality and character ofthe important buildings of<br />

whose existence we know only from literary<br />

sources. Brixworth<br />

church dates from thelast<br />

quarter oftheseventh century (Fig.ioo<br />

and PL 76). It consists ofa nave offour bays, with arches turned<br />

in Roman brick opening to what are believed to have been a<br />

series of rectangular cells which may have been linked together<br />

to form a kind of aisle, but was almost certainly conceived not<br />

as one continuous passage but as separate compartments open/<br />

ing off the nave. To the east there was a square unaisled pres/<br />

bytery, originally separated from the nave by an arcade ofthree<br />

arches, and it beyond again a narrower apsidal chancel. The<br />

east wall ofthe presbytery is pierced by a single arch leading to<br />

the chancel, flanked by two small windows, and at a later date<br />

pierced also by two openings leading down to a passage round<br />

a crypt beneath the apse. At the west there was a porch, flanked<br />

by chambers to the north and south, though these were sub/<br />

sequendy pulled down, as were the chapels flanking the nave.<br />

The nave and presbytery<br />

are some 30 feet wide in the clear and<br />

even in its truncated state, with the arches ofthe nave walled up,<br />

the interior remains, with the eighth/century sculptured friezes<br />

at Breedon in Leicestershire, to show that the first heroic age of<br />

English church art produced buildings ofa scale and quality

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