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PLATE 107 a. Opus Anglicanum. Panel from the orphrey from Marnhull Priory In Dorset shire, now in the Victoria and Albert Museum. The figures are embroidered with silk on a ground of gold thread. The style is that of the early fourteenth century I. Richard Beauchamp, Earl ofWarwick: bronze, cast by William Austen from a wooden model by John Massingham. The tomb was commissioned in 1454, fifteen years after the earl's death, and therefore is in no way a likeness. It is in the Beauchamp Chapel, St. Mary's, Warwick
ART 509 with some ofthe more splendid and individual vestments pre/ served on the Continent, but in the same museum the panels of the Marnhull orphrey show the range of expression and vivid narrative quality that was achieved (PL 107 a). The colours which, somewhat faded, still glow on the em' broidered vestments are more brilliant in the stained glass that survives in some quantity. Canterbury has the greatest collect tion of early thirteenth/century glass, but it is at York that the developments ofthe glaziers' art can best be studied. During the Civil War, a period very dangerous to pictured windows, those ofthe minster were protected by Fairfax; in the replacing of the glass after the war of 1939-45, much cleaning and re/ grouping of scattered fragments was undertaken. York has been doubly fortunate; in preservation, and in the scholarly skill and devotion which has surveyed and its reinterpreted great possessions. In the Five Sisters window ofthe north transept the minster has a notable example of grisaille glass, where leading, tracery, and strips of coloured glass build up a trellis frame/ work through which on a background of greyish glass runs a scroll and leaf pattern. The Five Sisters is work of the later thirteenth century. Early in the fourteenth century the discovery ofthe silver stain process (painting the glass with a preparation of silver, which when feed produced a yellow colour on white glass or green on blue) increased the range ofdetails that could be secured without separate leading of each different colour. By 1 3 3 8 when Robert the Glasier made the York west window this process was freely used. The type of design also had changed. Each light has a large single figure under an elaborate Gothic canopy against a single/coloured background, a type that was to be demonstrated even more finely in the huge east window ofGloucester, glazed between 1 347 and 1 349 to com/ memorate the victory at Crecy (PL 106 a). These stately indv vidualized figures under their elaborate canopies reach their full developmental the glass ofthe ante/chapel ofNew College, Oxford, where a new subtlety of colour, cooler and less vivid but with a brilliant shimmering effect, lends especial distinc/ tion. In the fifteenth century York was once more one of the
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MEDIEVAL ENGLAND A XET; EDITION EDI
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Oxford University Press, Amen House
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vi CONTENTS XVIII. SCIENCE, by A. c
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viii LIST OF ILLUSTRATIONS 85. Glou
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x LIST OF ILLUSTRATIONS 103. Page f
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MI LIST OF ILLUSTRATIONS 123. Lecte
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VOLUME II
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RELIGIOUS LIFE AND ORGANIZATION 383
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PLATE 75
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404 MEDIEVAL ENGLAND original form,
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4 MEDIEVAL ENGLAND cians, and had b
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408 MEDIEVAL ENGLAND specified pers
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410 MEDIEVAL ENGLAND and need not b
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412 MEDIEVAL ENGLAND properties the
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4^4 MEDIEVAL ENGLAND canon law, act
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416 MEDIEVAL ENGLAND Battle only th
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418 MEDIEVALÊNGLAND had been given
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420 MEDIEVAL ENGLAND spotia, a deat
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422 MEDIEVAL ENGLAND extended this
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424 MEDIEVAL ENGLAND king usually g
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426 MEDIEVAL ENGLAND only one benef
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4^8 MEDIEVAL ENGLAND the economic c
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430 MEDIEVAL ENGLAND dained? What t
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43^ MEDIEVAL ENGLAND spending to th
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434 MEDIEVAL ENGLAND only drew mult
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43
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438 MEDIEVAL ENGLAND Devotional Lif
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440 MEDIEVAL ENGLAND not altogether
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44* MEDIEVAL ENGLAND and though onl
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PLATE 76
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ECCLESIASTICAL ARCHITECTURE 445 Ang
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ECCLESIASTICAL ARCHITECTURE 447 the
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FIG, 102 Durham. Halfcross/-section
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Durham Cathedral; nave PLATE 78
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ECCLESIASTICAL ARCHITECTURE 451 tur
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ECCLESIASTICAL ARCHITECTURE 453 arc
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ECCLESIASTICAL ARCHITECTURE 455 gre
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ECCLESIASTICAL ARCHITECTURE 457 kno
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a. Lincoln Cathedral: nave from the
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ECCLESIASTICAL ARCHITECTURE 459 an
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ECCLESIASTICAL ARCHITECTURE 461 bui
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ECCLESIASTICAL ARCHITECTURE 463 the
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PLATE 82 c "o 3 o -S rt O
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ECCLESIASTICAL ARCHITECTURE 465 Hen
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ECCLESIASTICAL ARCHITECTURE 467 of
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ECCLESIASTICAL ARCHITECTURE 469 a n
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ECCLESIASTICAL ARCHITECTURE 471 Red
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ECCLESIASTICAL ARCHITECTURE 473 rem
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Howden Church, Yorkshire: east fron
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ECCLESIASTICAL ARCHITECTURE 475 mul
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, |:: iHf PLATE 86 u o
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Page 131 and 132: ECCLESIASTICAL ARCHITECTURE 479 The
Page 133 and 134: King's College, Cambridge: antC'cha
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Page 139 and 140: XIV. ART T HE emergence ofa genuine
Page 141 and 142: PLATE 90
Page 143 and 144: ART 487 brian manuscripts rapidly b
Page 145 and 146: ART 489 they were found in 1827. Th
Page 147 and 148: a I PLATE 92 a. Detail ofthe Ruthwd
Page 149 and 150: ART 491 and two ivory figures in th
Page 151 and 152: tf. Adoration of the Kings, from Ac
Page 153 and 154: ART 493 Frome and Erdisley, a parti
Page 155 and 156: PLATE 96 e 3SX) a S ^ 7-25 .S o c S
Page 157 and 158: ART 495 were happier in the decorat
Page 159 and 160: Ml is PLATE 98 f ""* u x 13 8 M g S
Page 161 and 162: ART 497 robes, in which the fine pl
Page 163 and 164: a. Angel with censer: south transep
Page 165 and 166: ART 499 none of the delicate percep
Page 167 and 168: PLATE 102 tf. Abraham and Melchised
Page 169 and 170: ART 501 slanting eyes, with their s
Page 171 and 172: 'PLATE 104 tf. Hop'leaves capital:
Page 173 and 174: ART 503 (an early instance of it),
Page 175 and 176: ART 505 brasses in England, those i
Page 177 and 178: ART 507 Hours (B.M. MS. Add. 42131)
Page 179: & Light from Gloucester east window
Page 183 and 184: ART 511 It is in the Beauchamp chap
Page 185: tf. Alabaster effigy of Alice de la
Page 188 and 189: 5*4 MEDIEVAL ENGLAND BRIEGER, P. H.
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Page 192 and 193: 518 MEDIEVAL ENGLAND that all clerg
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Page 196 and 197: 522 MEDIEVAL ENGLAND logy and law.
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Page 204 and 205: 530 MEDIEVAL ENGLAND the few Clunia
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Page 208 and 209: 5H MEDIEVAL ENGLAND did great damag
Page 210 and 211: PLATE 110 a. Winchester College, fo
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Page 220 and 221: PLATE 112 U u
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Page 224 and 225: PLATE 114 Irish majuscule. The Book
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Page 228 and 229: PLATE 116 ^^ V^VVVV4'V1w ISVIIWMJ A
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548 MEDIEVAL ENGLAND and contractio
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550 MEDIEVAL ENGLAND learning, scho
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PLATE Il8 ^'vr^^Â^^^^^^j^^ * Â fc
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55* MEDIEVAL ENGLAND humanistic scr
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554 MEDIEVAL ENGLAND the royal chan
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PLATE 120 *3 s*% " ,a Vs* i \: *\ "
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55
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HANDWRITING 557 whim*, the notion o
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XVII. PRINTED BOOKS, THE BOOKxTJRAD
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gMttg anb? feflg jstm+wty"gg ^gg co
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PRINTED BOOKS, BOOK-TRADE, LIBRARIE
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FIG. 106. Covcrdalc's Bible, 1535.
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PRINTED BOOKS, BOOK/TRADE, LIBRARIE
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~ 18 O i^!0fe fitp p***l fiftsrtrî
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568 MEDIEVAL ENGLAND date from abou
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570 MEDIEVAL ENGLAND Duke Humfrey',
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SJ2 MEDIEVAL ENGLAND external influ
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574 MEDIEVAL ENGLAND successive Cou
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576 MEDIEVAL ENGLAND good picture o
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578 MEDIEVAL ENGLAND and Mesopotami
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58o MEDIEVAL ENGLAND influential wa
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5 82 MEDIEVAL ENGLAND in answer to
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5*4 MEDIEVAL ENGLAND past. He gave
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586 MEDIEVAL ENGLAND phenomenon was
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588 MEDIEVAL ENGLAND heavenly spher
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FIG. 107. Diagrams from the thirtee
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592 MEDIEVAL ENGLAND reform, "every
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PLATE 126 The Merton Astrolabe, c.
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594 MEDIEVAL ENGLAND place to anoth
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596 MEDIEVAL ENGLAND quiries just c
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PLATE 128 a. Bees, from a twelfth/c
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598 MEDIEVAL ENGLAND lettered craft
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PLATE 130 Matthew Paris's map of Gr
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MEDIEVAL ENGLAND staple of English
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602 MEDIEVAL ENGLAND After the grea
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604 MEDIEVAL ENGLAND GUNTHER, R. T.
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606 MEDIEVAL ENGLAND early in the f
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608 MEDIEVAL ENGLAND on swords, or
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PLATE IJ2 " It
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610 MEDIEVAL ENGLAND ribald office,
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MEDIEVAL ENGLAND war game, a contes
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614 MEDIEVAL ENGLAND 3. London Game
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Blind man's bufF Punch and Judy sho
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RECREATIONS 617 mentions hunting as
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; * ? " y ' *, t .1 rVV \ T"**' v j
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RECREATIONS 619 grants of 'free war
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RECREATIONS 621 on the Bayeux Tapes
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^f~; ;fJ v... v>^j3#rs i*;W^^tîlff
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RECREATIONS 623 became heavier unti
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RECREATIONS 625 festivals. Thus the
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RECREATIONS 627 open imprisonment i
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a. Hockey b. Club ball PLATE 139
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RECREATIONS 629 trated by the Frenc
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$12, MEDIEVAL ENGLAND BOOKS FOR REF
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634 INDEX Aquinas, Thomas, St., 533
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636 INDEX bishoprics, 53 & n.; see
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638 INDEX Canterbury (cont.'): Brad
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640 INDEX Cold Harbour, Dowgate (Lo
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Edgehiil (Warws.), battle of, 333.
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644 INDEX Frederick II, emperor, hi
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152-62, 290; his fleet, i8
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648 INDEX Laon: cathedral school at
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650 INDEX maps, 601. March (Cambs.)
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Ogmore (Gkm.) casde, 103. Okehampto
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654 INDEX Raglan (Mon.) castle, 124
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656 INDEX chantry, 538; grammar, 52
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658 INDEX Thornbury (Glos.), 34, 52
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660 Willibald, St., 517. Willibrord
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PRINTED IN GREAT BRITAIN AT THE UNI
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