download

More documents

Recommendations

Info

PLATE 97 a. The Malmesbury Apostles. One ofa pair of tympana carved on either side ofthe south porch of Malmesbury Abbey, c. 1160. The figures are almost life size. On the right St. Peter can be identified by his large key. The figures are uncouth, the postures naif, but the group has the strong Hnear rhythm that is one of the most characteristic qualities of English twelfth/century art b. Detail from the Gloucester candlestick in the Victoria and Albert Museum. The candlestick is in gilt bell/metal and 23J in. high. It was given to Gloucester by Abbot Peter between 1104 and 1113. It may be taken as a small/scale model of the large paschal candlesticks which are known to have existed in many of the greater churches
ART 495 were happier in the decorative work of capitals and voussoirs, in the small trellised scenes of the outside of the Malmesbury porch or in the subtle variations of the simple foliage capitals that were the only ornaments tolerated by the strict Cistercian houses. A curious trend is noticeable in decorative art: the elaborate intertwinings, inhabited scrolls, and beakheads ofthe Reading school give way to a severely geometric, regular pat' tern, the finest example ofwhich is perhaps Hugh du Puiset's doorway in the castle ofDurham; this in turn is replaced by the new classicism, the magnificent acanthus capitals ofthe rebuilt choir at Canterbury, the freely curving foliage of Wells, inter' spersed with a three^petalled leaf that has a new naturalism of growth. To contemporaries, however, if we may judge from the comments of the chroniclers, art meant above all the shining splendour of metal work, inlaid with enamels and jewels, the great candlesticks, the carved altars and shrines, that gleamed in the great cathedrals and were singularly adapted to their ill/lit mysteriousness. Nitens, 'gleaming*, is the characteristic word; but all this admired output is hardly known to us, save for small models such as the Gloucester candlestick (Victoria and Albert Museum) (PL 97 &), or enamel plaques, mainly dex tached from the object they originally decorated. This love of sparkle and brilliance can, however, still be appreciated by us in one medium, that of stained glass, and in particular at Canterbury where there remains much late twelfth'century glass, displaced, restored, but sufficiently preserved to show its great beauty, the final flowering of our Romanesque style; and in the cathedral's later windows we can follow the develop' ment, in the panes of the miracles of Becket, of the new Gothic mannerisms. For the classic phase of transition is not truly Gothic in its figural representation; rather was it striving after a sense of which was soon to find itself at variance weight and dignity with the narrow, pointed, crocketed tabernacles of Gothic art. These, whether the decoration was drawn or carved, demanded lightness and elegance rather than substance and gravity. In 5526.2
Page 5 and 6:
MEDIEVAL ENGLAND A XET; EDITION EDI
Page 8 and 9:
Oxford University Press, Amen House
Page 10 and 11:
vi CONTENTS XVIII. SCIENCE, by A. c
Page 12 and 13:
viii LIST OF ILLUSTRATIONS 85. Glou
Page 14 and 15:
x LIST OF ILLUSTRATIONS 103. Page f
Page 16 and 17:
MI LIST OF ILLUSTRATIONS 123. Lecte
Page 19 and 20:
VOLUME II
Page 21 and 22:
RELIGIOUS LIFE AND ORGANIZATION 383
Page 23 and 24:
Page 25 and 26:
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39:
Page 42 and 43:
PLATE 75
Page 44 and 45:
404 MEDIEVAL ENGLAND original form,
Page 46 and 47:
4 MEDIEVAL ENGLAND cians, and had b
Page 48 and 49:
408 MEDIEVAL ENGLAND specified pers
Page 50 and 51:
410 MEDIEVAL ENGLAND and need not b
Page 52 and 53:
412 MEDIEVAL ENGLAND properties the
Page 54 and 55:
4^4 MEDIEVAL ENGLAND canon law, act
Page 56 and 57:
416 MEDIEVAL ENGLAND Battle only th
Page 58 and 59:
418 MEDIEVALÊNGLAND had been given
Page 60 and 61:
420 MEDIEVAL ENGLAND spotia, a deat
Page 62 and 63:
422 MEDIEVAL ENGLAND extended this
Page 64 and 65:
424 MEDIEVAL ENGLAND king usually g
Page 66 and 67:
426 MEDIEVAL ENGLAND only one benef
Page 68 and 69:
4^8 MEDIEVAL ENGLAND the economic c
Page 70 and 71:
430 MEDIEVAL ENGLAND dained? What t
Page 72 and 73:
43^ MEDIEVAL ENGLAND spending to th
Page 74 and 75:
434 MEDIEVAL ENGLAND only drew mult
Page 76 and 77:
43
Page 78 and 79:
438 MEDIEVAL ENGLAND Devotional Lif
Page 80 and 81:
440 MEDIEVAL ENGLAND not altogether
Page 82:
44* MEDIEVAL ENGLAND and though onl
Page 85 and 86:
PLATE 76
Page 87 and 88:
ECCLESIASTICAL ARCHITECTURE 445 Ang
Page 89 and 90:
ECCLESIASTICAL ARCHITECTURE 447 the
Page 91 and 92:
FIG, 102 Durham. Halfcross/-section
Page 93 and 94:
Durham Cathedral; nave PLATE 78
Page 95 and 96:
ECCLESIASTICAL ARCHITECTURE 451 tur
Page 97 and 98:
ECCLESIASTICAL ARCHITECTURE 453 arc
Page 99 and 100:
ECCLESIASTICAL ARCHITECTURE 455 gre
Page 101 and 102:
ECCLESIASTICAL ARCHITECTURE 457 kno
Page 103 and 104:
a. Lincoln Cathedral: nave from the
Page 105 and 106: ECCLESIASTICAL ARCHITECTURE 459 an
Page 107 and 108: ECCLESIASTICAL ARCHITECTURE 461 bui
Page 109 and 110: ECCLESIASTICAL ARCHITECTURE 463 the
Page 111 and 112: PLATE 82 c "o 3 o -S rt O
Page 113 and 114: ECCLESIASTICAL ARCHITECTURE 465 Hen
Page 115 and 116: ECCLESIASTICAL ARCHITECTURE 467 of
Page 117 and 118: ECCLESIASTICAL ARCHITECTURE 469 a n
Page 119 and 120: ECCLESIASTICAL ARCHITECTURE 471 Red
Page 121 and 122: ECCLESIASTICAL ARCHITECTURE 473 rem
Page 123 and 124: Howden Church, Yorkshire: east fron
Page 125 and 126: ECCLESIASTICAL ARCHITECTURE 475 mul
Page 127 and 128: , |:: iHf PLATE 86 u o
Page 129 and 130: ECCLESIASTICAL ARCHITECTURE 477 rat
Page 131 and 132: ECCLESIASTICAL ARCHITECTURE 479 The
Page 133 and 134: King's College, Cambridge: antC'cha
Page 135 and 136: ECCLESIASTICAL ARCHITECTURE 481 squ
Page 137 and 138: ECCLESIASTICAL ARCHITECTURE 483 whi
Page 139 and 140: XIV. ART T HE emergence ofa genuine
Page 141 and 142: PLATE 90
Page 143 and 144: ART 487 brian manuscripts rapidly b
Page 145 and 146: ART 489 they were found in 1827. Th
Page 147 and 148: a I PLATE 92 a. Detail ofthe Ruthwd
Page 149 and 150: ART 491 and two ivory figures in th
Page 151 and 152: tf. Adoration of the Kings, from Ac
Page 153 and 154: ART 493 Frome and Erdisley, a parti
Page 155: PLATE 96 e 3SX) a S ^ 7-25 .S o c S
Page 159 and 160: Ml is PLATE 98 f ""* u x 13 8 M g S
Page 161 and 162: ART 497 robes, in which the fine pl
Page 163 and 164: a. Angel with censer: south transep
Page 165 and 166: ART 499 none of the delicate percep
Page 167 and 168: PLATE 102 tf. Abraham and Melchised
Page 169 and 170: ART 501 slanting eyes, with their s
Page 171 and 172: 'PLATE 104 tf. Hop'leaves capital:
Page 173 and 174: ART 503 (an early instance of it),
Page 175 and 176: ART 505 brasses in England, those i
Page 177 and 178: ART 507 Hours (B.M. MS. Add. 42131)
Page 179 and 180: & Light from Gloucester east window
Page 181 and 182: ART 509 with some ofthe more splend
Page 183 and 184: ART 511 It is in the Beauchamp chap
Page 185: tf. Alabaster effigy of Alice de la
Page 188 and 189: 5*4 MEDIEVAL ENGLAND BRIEGER, P. H.
Page 190 and 191: 5*
Page 192 and 193: 518 MEDIEVAL ENGLAND that all clerg
Page 194 and 195: 520 MEDIEVAL ENGLAND during the mid
Page 196 and 197: 522 MEDIEVAL ENGLAND logy and law.
Page 198 and 199: 5*4 MEDIEVAL ENGLAND This suspendiu
Page 200 and 201: 5*6 * MEDIEVAL ENGLAND period. As t
Page 202 and 203: 528 MEDIEVAL ENGLAND citizens of Ox
Page 204 and 205: 530 MEDIEVAL ENGLAND the few Clunia
Page 206 and 207:
532 MEDIEVAL ENGLAND Oxford well il
Page 208 and 209:
5H MEDIEVAL ENGLAND did great damag
Page 210 and 211:
PLATE 110 a. Winchester College, fo
Page 212 and 213:
536 MEDIEVAL ENGLAND 6. The Later M
Page 214 and 215:
538 MEDIEVAL ENGLAND Byngham, as a
Page 216 and 217:
540 MEDIEVAL ENGLAND archdeacon of
Page 218 and 219:
542 MEDIEVAL ENGLAND society rested
Page 220 and 221:
PLATE 112 U u
Page 222 and 223:
544 MEDIEVAL ENGLAND together they
Page 224 and 225:
PLATE 114 Irish majuscule. The Book
Page 226 and 227:
54
Page 228 and 229:
PLATE 116 ^^ V^VVVV4'V1w ISVIIWMJ A
Page 230 and 231:
548 MEDIEVAL ENGLAND and contractio
Page 232 and 233:
550 MEDIEVAL ENGLAND learning, scho
Page 234 and 235:
PLATE Il8 ^'vr^^Â^^^^^^j^^ * Â fc
Page 236 and 237:
55* MEDIEVAL ENGLAND humanistic scr
Page 238 and 239:
554 MEDIEVAL ENGLAND the royal chan
Page 240 and 241:
PLATE 120 *3 s*% " ,a Vs* i \: *\ "
Page 242 and 243:
55
Page 245 and 246:
HANDWRITING 557 whim*, the notion o
Page 247 and 248:
XVII. PRINTED BOOKS, THE BOOKxTJRAD
Page 249 and 250:
gMttg anb? feflg jstm+wty"gg ^gg co
Page 251 and 252:
PRINTED BOOKS, BOOK-TRADE, LIBRARIE
Page 253 and 254:
FIG. 106. Covcrdalc's Bible, 1535.
Page 255 and 256:
PRINTED BOOKS, BOOK/TRADE, LIBRARIE
Page 257:
~ 18 O i^!0fe fitp p***l fiftsrtrî
Page 260 and 261:
568 MEDIEVAL ENGLAND date from abou
Page 262 and 263:
570 MEDIEVAL ENGLAND Duke Humfrey',
Page 264 and 265:
SJ2 MEDIEVAL ENGLAND external influ
Page 266 and 267:
574 MEDIEVAL ENGLAND successive Cou
Page 268 and 269:
576 MEDIEVAL ENGLAND good picture o
Page 270 and 271:
578 MEDIEVAL ENGLAND and Mesopotami
Page 272 and 273:
58o MEDIEVAL ENGLAND influential wa
Page 274 and 275:
5 82 MEDIEVAL ENGLAND in answer to
Page 276 and 277:
5*4 MEDIEVAL ENGLAND past. He gave
Page 278 and 279:
586 MEDIEVAL ENGLAND phenomenon was
Page 280 and 281:
588 MEDIEVAL ENGLAND heavenly spher
Page 282 and 283:
FIG. 107. Diagrams from the thirtee
Page 284 and 285:
592 MEDIEVAL ENGLAND reform, "every
Page 286 and 287:
PLATE 126 The Merton Astrolabe, c.
Page 288 and 289:
594 MEDIEVAL ENGLAND place to anoth
Page 290 and 291:
596 MEDIEVAL ENGLAND quiries just c
Page 292 and 293:
PLATE 128 a. Bees, from a twelfth/c
Page 294 and 295:
598 MEDIEVAL ENGLAND lettered craft
Page 296 and 297:
PLATE 130 Matthew Paris's map of Gr
Page 298 and 299:
MEDIEVAL ENGLAND staple of English
Page 300 and 301:
602 MEDIEVAL ENGLAND After the grea
Page 302 and 303:
604 MEDIEVAL ENGLAND GUNTHER, R. T.
Page 304 and 305:
606 MEDIEVAL ENGLAND early in the f
Page 306 and 307:
608 MEDIEVAL ENGLAND on swords, or
Page 308 and 309:
PLATE IJ2 " It
Page 310 and 311:
610 MEDIEVAL ENGLAND ribald office,
Page 312 and 313:
MEDIEVAL ENGLAND war game, a contes
Page 314 and 315:
614 MEDIEVAL ENGLAND 3. London Game
Page 316 and 317:
Blind man's bufF Punch and Judy sho
Page 319 and 320:
RECREATIONS 617 mentions hunting as
Page 321 and 322:
; * ? " y ' *, t .1 rVV \ T"**' v j
Page 323 and 324:
RECREATIONS 619 grants of 'free war
Page 325 and 326:
RECREATIONS 621 on the Bayeux Tapes
Page 327 and 328:
^f~; ;fJ v... v>^j3#rs i*;W^^tîlff
Page 329 and 330:
RECREATIONS 623 became heavier unti
Page 331 and 332:
RECREATIONS 625 festivals. Thus the
Page 333 and 334:
RECREATIONS 627 open imprisonment i
Page 335 and 336:
a. Hockey b. Club ball PLATE 139
Page 337:
RECREATIONS 629 trated by the Frenc
Page 340 and 341:
$12, MEDIEVAL ENGLAND BOOKS FOR REF
Page 342 and 343:
634 INDEX Aquinas, Thomas, St., 533
Page 344 and 345:
636 INDEX bishoprics, 53 & n.; see
Page 346 and 347:
638 INDEX Canterbury (cont.'): Brad
Page 348 and 349:
640 INDEX Cold Harbour, Dowgate (Lo
Page 350 and 351:
Edgehiil (Warws.), battle of, 333.
Page 352 and 353:
644 INDEX Frederick II, emperor, hi
Page 354 and 355:
152-62, 290; his fleet, i8
Page 356 and 357:
648 INDEX Laon: cathedral school at
Page 358 and 359:
650 INDEX maps, 601. March (Cambs.)
Page 360 and 361:
Ogmore (Gkm.) casde, 103. Okehampto
Page 362 and 363:
654 INDEX Raglan (Mon.) castle, 124
Page 364 and 365:
656 INDEX chantry, 538; grammar, 52
Page 366 and 367:
658 INDEX Thornbury (Glos.), 34, 52
Page 368 and 369:
660 Willibald, St., 517. Willibrord
Page 370:
PRINTED IN GREAT BRITAIN AT THE UNI
show all

download

Create successful ePaper yourself

Delete template?

Save as template?