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PLATE 103 iftmraonnfiin &nwmn ?i)miliamffnm ifitei :i toto mttts itnotiants amisfnm mJmgMania.-nonifi iirhr tomnif fincm nmmi^L immmnn dimim moozinn at n Page from the Ormesby Psalter, MS. Douce 366, f. 55^. In the initial D (blue and gold, pink background) is Christ before the high priest. In the bottom border is the story ofthe unicorn (symbol ofthe Incarnation) which loses its fierceness in the lap of a virgin. The main design ofthe border is in blue and gold, with details in pink and green
ART 501 slanting eyes, with their strongly marked pupils, gaze always sideways. It was a centre with wide influences: certainly the painter ofthe frescoes at Westminster was well conversant with the style; a noble book, the Oscott Psalter, has similar echoes, and might almost be from the hand of the fresco painter; a group ofApocalypses, notably one in Trinity College, Canv bridge (MS. R. 16. 2), andoneintheBibliothequeNationale, Paris (M.S. fr. 403), also have stylistic connexions with the St. Albans School. The illustrated pages bound in with a later Psalter, MS. K. 26 of St. John's College, Cambridge, may be taken as the climax of this style before it loses its individuality in the general acceptance of the rhythm, poses, and physio^ gnomies of French predominance (PL 102 a). Illustrated Apocalypses, with their scenes ofthe terrors ofthe Last Days, the Rider on the White Horse, the Manyheaded Beast, the Mouth of Hell, enjoyed a great vogue at the end of the century. Their sensational but symbolic incidents replaced in popular favour the bestiaries, which had long catered for similar interests and in the early years of the century had at' tracted some ofthe ablest artists. One ofthe Apocalypses (MS. Douce 1 80 in the Bodleian Library), partially composed of finished paintings, partially of uncompleted drawings, must receive special mention, for its angel scenes are among the loveliest of English conceptions and have a placid, dreamlike beauty seldom equalled. More genuinely Gothic in its small, swaying figures and its closely wrought tracery is the Windmill Psalter (now in the Pierpont Morgan Library, MS. 19). The calendar is missing and it is hard to date it at all exactly: but its vigorous figure-' drawing suggests thirteenth' rather than fourteentlvcentury work, and its draperies have something ofthe metallic q uality of an earlier age. Thework ofan able and original artist, its famous initial to the first Psalm, with its fine mesh ofpen work, may be taken as bridging the passage from the Salisbury School to the ofthe first halfofthe four' great highly decorated manuscripts teenth century. These fall into three main groups, the East Anglian, with the Ormesby and Gorleston Psalters as ex>
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MEDIEVAL ENGLAND A XET; EDITION EDI
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Oxford University Press, Amen House
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vi CONTENTS XVIII. SCIENCE, by A. c
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viii LIST OF ILLUSTRATIONS 85. Glou
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x LIST OF ILLUSTRATIONS 103. Page f
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MI LIST OF ILLUSTRATIONS 123. Lecte
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VOLUME II
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RELIGIOUS LIFE AND ORGANIZATION 383
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PLATE 75
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404 MEDIEVAL ENGLAND original form,
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4 MEDIEVAL ENGLAND cians, and had b
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408 MEDIEVAL ENGLAND specified pers
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410 MEDIEVAL ENGLAND and need not b
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412 MEDIEVAL ENGLAND properties the
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4^4 MEDIEVAL ENGLAND canon law, act
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416 MEDIEVAL ENGLAND Battle only th
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418 MEDIEVALÊNGLAND had been given
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420 MEDIEVAL ENGLAND spotia, a deat
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422 MEDIEVAL ENGLAND extended this
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424 MEDIEVAL ENGLAND king usually g
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426 MEDIEVAL ENGLAND only one benef
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4^8 MEDIEVAL ENGLAND the economic c
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430 MEDIEVAL ENGLAND dained? What t
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43^ MEDIEVAL ENGLAND spending to th
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434 MEDIEVAL ENGLAND only drew mult
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43
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438 MEDIEVAL ENGLAND Devotional Lif
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440 MEDIEVAL ENGLAND not altogether
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44* MEDIEVAL ENGLAND and though onl
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PLATE 76
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ECCLESIASTICAL ARCHITECTURE 445 Ang
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ECCLESIASTICAL ARCHITECTURE 447 the
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FIG, 102 Durham. Halfcross/-section
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Durham Cathedral; nave PLATE 78
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ECCLESIASTICAL ARCHITECTURE 451 tur
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ECCLESIASTICAL ARCHITECTURE 453 arc
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ECCLESIASTICAL ARCHITECTURE 455 gre
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ECCLESIASTICAL ARCHITECTURE 457 kno
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a. Lincoln Cathedral: nave from the
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ECCLESIASTICAL ARCHITECTURE 459 an
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ECCLESIASTICAL ARCHITECTURE 461 bui
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ECCLESIASTICAL ARCHITECTURE 463 the
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PLATE 82 c "o 3 o -S rt O
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ECCLESIASTICAL ARCHITECTURE 465 Hen
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ECCLESIASTICAL ARCHITECTURE 467 of
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Page 119 and 120: ECCLESIASTICAL ARCHITECTURE 471 Red
Page 121 and 122: ECCLESIASTICAL ARCHITECTURE 473 rem
Page 123 and 124: Howden Church, Yorkshire: east fron
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Page 127 and 128: , |:: iHf PLATE 86 u o
Page 129 and 130: ECCLESIASTICAL ARCHITECTURE 477 rat
Page 131 and 132: ECCLESIASTICAL ARCHITECTURE 479 The
Page 133 and 134: King's College, Cambridge: antC'cha
Page 135 and 136: ECCLESIASTICAL ARCHITECTURE 481 squ
Page 137 and 138: ECCLESIASTICAL ARCHITECTURE 483 whi
Page 139 and 140: XIV. ART T HE emergence ofa genuine
Page 141 and 142: PLATE 90
Page 143 and 144: ART 487 brian manuscripts rapidly b
Page 145 and 146: ART 489 they were found in 1827. Th
Page 147 and 148: a I PLATE 92 a. Detail ofthe Ruthwd
Page 149 and 150: ART 491 and two ivory figures in th
Page 151 and 152: tf. Adoration of the Kings, from Ac
Page 153 and 154: ART 493 Frome and Erdisley, a parti
Page 155 and 156: PLATE 96 e 3SX) a S ^ 7-25 .S o c S
Page 157 and 158: ART 495 were happier in the decorat
Page 159 and 160: Ml is PLATE 98 f ""* u x 13 8 M g S
Page 161 and 162: ART 497 robes, in which the fine pl
Page 163 and 164: a. Angel with censer: south transep
Page 165 and 166: ART 499 none of the delicate percep
Page 167: PLATE 102 tf. Abraham and Melchised
Page 171 and 172: 'PLATE 104 tf. Hop'leaves capital:
Page 173 and 174: ART 503 (an early instance of it),
Page 175 and 176: ART 505 brasses in England, those i
Page 177 and 178: ART 507 Hours (B.M. MS. Add. 42131)
Page 179 and 180: & Light from Gloucester east window
Page 181 and 182: ART 509 with some ofthe more splend
Page 183 and 184: ART 511 It is in the Beauchamp chap
Page 185: tf. Alabaster effigy of Alice de la
Page 188 and 189: 5*4 MEDIEVAL ENGLAND BRIEGER, P. H.
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Page 192 and 193: 518 MEDIEVAL ENGLAND that all clerg
Page 194 and 195: 520 MEDIEVAL ENGLAND during the mid
Page 196 and 197: 522 MEDIEVAL ENGLAND logy and law.
Page 198 and 199: 5*4 MEDIEVAL ENGLAND This suspendiu
Page 200 and 201: 5*6 * MEDIEVAL ENGLAND period. As t
Page 202 and 203: 528 MEDIEVAL ENGLAND citizens of Ox
Page 204 and 205: 530 MEDIEVAL ENGLAND the few Clunia
Page 206 and 207: 532 MEDIEVAL ENGLAND Oxford well il
Page 208 and 209: 5H MEDIEVAL ENGLAND did great damag
Page 210 and 211: PLATE 110 a. Winchester College, fo
Page 212 and 213: 536 MEDIEVAL ENGLAND 6. The Later M
Page 214 and 215: 538 MEDIEVAL ENGLAND Byngham, as a
Page 216 and 217: 540 MEDIEVAL ENGLAND archdeacon of
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542 MEDIEVAL ENGLAND society rested
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PLATE 112 U u
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544 MEDIEVAL ENGLAND together they
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PLATE 114 Irish majuscule. The Book
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54
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PLATE 116 ^^ V^VVVV4'V1w ISVIIWMJ A
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548 MEDIEVAL ENGLAND and contractio
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550 MEDIEVAL ENGLAND learning, scho
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PLATE Il8 ^'vr^^Â^^^^^^j^^ * Â fc
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55* MEDIEVAL ENGLAND humanistic scr
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554 MEDIEVAL ENGLAND the royal chan
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PLATE 120 *3 s*% " ,a Vs* i \: *\ "
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55
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HANDWRITING 557 whim*, the notion o
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XVII. PRINTED BOOKS, THE BOOKxTJRAD
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gMttg anb? feflg jstm+wty"gg ^gg co
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PRINTED BOOKS, BOOK-TRADE, LIBRARIE
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FIG. 106. Covcrdalc's Bible, 1535.
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PRINTED BOOKS, BOOK/TRADE, LIBRARIE
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~ 18 O i^!0fe fitp p***l fiftsrtrî
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568 MEDIEVAL ENGLAND date from abou
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570 MEDIEVAL ENGLAND Duke Humfrey',
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SJ2 MEDIEVAL ENGLAND external influ
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574 MEDIEVAL ENGLAND successive Cou
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576 MEDIEVAL ENGLAND good picture o
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578 MEDIEVAL ENGLAND and Mesopotami
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58o MEDIEVAL ENGLAND influential wa
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5 82 MEDIEVAL ENGLAND in answer to
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5*4 MEDIEVAL ENGLAND past. He gave
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586 MEDIEVAL ENGLAND phenomenon was
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588 MEDIEVAL ENGLAND heavenly spher
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FIG. 107. Diagrams from the thirtee
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592 MEDIEVAL ENGLAND reform, "every
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PLATE 126 The Merton Astrolabe, c.
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594 MEDIEVAL ENGLAND place to anoth
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596 MEDIEVAL ENGLAND quiries just c
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PLATE 128 a. Bees, from a twelfth/c
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598 MEDIEVAL ENGLAND lettered craft
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PLATE 130 Matthew Paris's map of Gr
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MEDIEVAL ENGLAND staple of English
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602 MEDIEVAL ENGLAND After the grea
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604 MEDIEVAL ENGLAND GUNTHER, R. T.
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606 MEDIEVAL ENGLAND early in the f
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608 MEDIEVAL ENGLAND on swords, or
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PLATE IJ2 " It
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610 MEDIEVAL ENGLAND ribald office,
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MEDIEVAL ENGLAND war game, a contes
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614 MEDIEVAL ENGLAND 3. London Game
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Blind man's bufF Punch and Judy sho
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RECREATIONS 617 mentions hunting as
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; * ? " y ' *, t .1 rVV \ T"**' v j
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RECREATIONS 619 grants of 'free war
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RECREATIONS 621 on the Bayeux Tapes
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^f~; ;fJ v... v>^j3#rs i*;W^^tîlff
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RECREATIONS 623 became heavier unti
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RECREATIONS 625 festivals. Thus the
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RECREATIONS 627 open imprisonment i
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a. Hockey b. Club ball PLATE 139
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RECREATIONS 629 trated by the Frenc
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$12, MEDIEVAL ENGLAND BOOKS FOR REF
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634 INDEX Aquinas, Thomas, St., 533
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636 INDEX bishoprics, 53 & n.; see
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638 INDEX Canterbury (cont.'): Brad
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640 INDEX Cold Harbour, Dowgate (Lo
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Edgehiil (Warws.), battle of, 333.
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644 INDEX Frederick II, emperor, hi
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152-62, 290; his fleet, i8
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648 INDEX Laon: cathedral school at
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650 INDEX maps, 601. March (Cambs.)
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Ogmore (Gkm.) casde, 103. Okehampto
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654 INDEX Raglan (Mon.) castle, 124
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656 INDEX chantry, 538; grammar, 52
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658 INDEX Thornbury (Glos.), 34, 52
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660 Willibald, St., 517. Willibrord
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PRINTED IN GREAT BRITAIN AT THE UNI
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