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468<br />

MEDIEVAL ENGLAND<br />

the Westminster treatment; it is, however, profoundly different<br />

from Ely in that the fashion for the great<br />

traceried window is<br />

exploited at Lincoln on a colossal scale. The great east window<br />

ofthe church (P1.8 3 a),<br />

as occasioned by the continuance ofthe<br />

main vessel at full height to the extreme east end, is one of the<br />

largest ever constructed and is the first of the colossal traceried<br />

windows which give a special<br />

character to the buildings ofthe<br />

east and north of England in subsequent years. The Lincoln<br />

window is of eight lights,<br />

treated as a series of lancets sur^<br />

mounted by foiled circles, a geometrical method of compost<br />

tion common in France, and at Lincoln possibly<br />

derived from<br />

Westminster, which was soon to be superseded by far more<br />

varied and ingenious systems of design. Above the main east<br />

window at Lincoln is a second window lighting thespaceabove<br />

the vaults. This window, though<br />

foiled circle motif, has five<br />

lights and, this being an odd number,<br />

still based on the lancet and<br />

indicates one ofthe forces which tended to break up the perfect<br />

geometry of the early traceried patterns.<br />

Later thirteenth'<br />

century windows employed a greater variety of geometrical<br />

motifs, such as trefoils, small dagger/shaped openings, a pro"<br />

digal use of cusping to the lancet shapes themselves, and an<br />

astonishing variety of patterns composed of those elements, a<br />

favourite device being to incorporate one large circular figure<br />

within a surrounding network of trefoils, almost as ifthe motif<br />

ofa small rose window were embodied in the traceried<br />

pattern.<br />

There are good examples of this at Merton College, Oxford,<br />

and rather earlier in the<br />

(PL 8 3 ), at the very end ofthe century,<br />

east window of the lady chapel at Exeter. These varied de^<br />

veloped geometrical traceries were never, in fact, entirely super'<br />

seded, but in the first years ofthe fourteenth century the use of<br />

the doublexcurve or ogee led to a new type of tracery with flow<br />

ing lines and an even greater freedom of composition which<br />

seems to anticipate the flamboyant windows of the fifteenth<br />

century on the Continent. One early form of developed geo^<br />

metrical tracery met most frequently in the west of England has<br />

been called the reticulated, filling the upper part ofthe window<br />

with trefoil or<br />

quatrefoil figures ofequal size, giving the effect of

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