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ECCLESIASTICAL ARCHITECTURE 455<br />

greater elaboration, especially in the direction oflinear pattern^<br />

making, and this tendency continues and grows throughout<br />

the later twelfth and early thirteenth centuries. The example of<br />

Ripon is a peculiarly marked one, as Archbishop Roger of<br />

York, who began the rebuilding of the church, had only a few<br />

years earlier carried out works at his own metropolitan church<br />

in York in a most sumptuous and ornamental Anglo-Norman<br />

Romanesque manner. Equally, though the restrained elegance<br />

of the Cistercian fashion ultimately prevailed in this region, it<br />

was not unchallenged, and the evidences of the remains of<br />

sculpture from St. Mary's abbey at York show all and more<br />

than all of that richness of representational decoration against<br />

which St. Bernard and St. Ailred had both inveighed.<br />

In planning, the early and middle years ofthe twelfth century<br />

show a very important development which was to influence<br />

the whole character of English church architecture in sub/<br />

sequent centuries. This was the gradual abandonment of the<br />

apsidal-ended plan, whether the three/apsed or the apse and<br />

ambulatory plan, in favour of a rectangular<br />

treatment of the<br />

eastern<br />

parts<br />

ofthe church. There are three main variations of<br />

this: the simple rectangular presbytery projecting one or two<br />

bays beyond the aisle ends; the treatment whereby both aisles<br />

and the main vessel are carried out and finished offsquare to the<br />

east in a great<br />

flat eastern fagade; and a third system in which<br />

the aisles are returned at right angles round the east end of the<br />

main vessel, forming an ambulatory, sometimes double the<br />

width ofthe aisles themselves, so as to accommodate chapels on<br />

the eastern side. No completely satisfactory explanation ofthis<br />

development away from the apsidal treatment has yet been<br />

found. At Chertsey, at Southwell, and in the reconstruction of<br />

the cathedral of Old Sarum in the 1120'$, rectangular eastern<br />

arrangements were adopted before any question of Cisterican<br />

influence could arise, but it seems unquestionable<br />

that the<br />

influence of the early Cistercian church, which implies a rect"<br />

angular treatment of the presbytery, often even simpler than<br />

any of the types already described aisles<br />

(the of Cistercian<br />

churches were often not carried farther east than the transepts),

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