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PLATE 105 The tomb of Lady Idoine Percy, Beverley Minster: detail of canopy. In the spandrels of the cusps of the ogee arch are the shields, held by knights (right) ofEdward III (after 1340) and of Lady Idoine's family, FitzAlan; (left) of the Warenne family and of the lordship of Clun (this last held by a lady). Below the finial, God the Father holds the soul of the deceased in a cloth supported by angels. The larger angels, like those on the other face, may have held emblems of the Passion. Lady Idoine died in 1365, but the tomb may have been carved during her lifetime
ART 503 (an early instance of it), and the crosses show in their figures also an increasing sense of curving rhythms. They have a sway/ ing motion, the head slightly bent in a contrary movement to the hips; the drapery is flatly treated but is edged with small, crumpled folds. The Virgin and Child in the York chapter/ house, though sadly mutilated, shows this mannered charm of the first q uarter ofthe century. Tomb effigies have again survived more plentifully, and have in the female figures the same smooth falling garments, though the recumbent attitude presents a more rigid discipline. This in the male effigies was sometimes avoided by the popular fashion of crossing the legs, so as to give a coiling twist to the whole composition. On the knight's tomb at Dorchester (Oxon.) the movement of legs, arms, and head are conceived in a series of spirals, which give to it a curiously modern, abstract appearance (PL I04&). A new material was now coming into use, alabaster, which was to play a conspicuous part in English carving ofthe later middle ages. An early example is the effigy of Edward II at Gloucester, placed on his tomb some time after his death, one of the un/ doubted masterpieces of the century, though curiously old/ fashioned in its stylized hair and beard and its sidelong glance which recall the conventions ofthe St. Albans School. Above the effigy rises a splendid canopy, and it is in these elaborate and detailed works, and in the small/scale carving of bosses, that fourteentlvcentury invention seems at its happiest. The Percy tomb at Beverley (after 1339, possibly as late as the 6o's), still wonderfully complete and sharply cut, is a marvellously in/ genious piece of pattern/making, and has a delicacy and ele/ gance almost at variance with the stone from which it is wrought (PL 105). The small figures on it have a sureness of touch in their execution, whereas much of the large/scale sculpture of the time, such as that on the west front of Exeter (c. 1 340-80), has a gauche clumsiness. There is in fact much that is disappointing about English figure/carving as it has come down to us from the last quarter ofthe fourteenth and first quarter of the fifteenth centuries. At a time when France was realism and Glaus Sluter was producing a new and vigorous
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MEDIEVAL ENGLAND A XET; EDITION EDI
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Oxford University Press, Amen House
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vi CONTENTS XVIII. SCIENCE, by A. c
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viii LIST OF ILLUSTRATIONS 85. Glou
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x LIST OF ILLUSTRATIONS 103. Page f
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MI LIST OF ILLUSTRATIONS 123. Lecte
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VOLUME II
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RELIGIOUS LIFE AND ORGANIZATION 383
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PLATE 75
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404 MEDIEVAL ENGLAND original form,
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4 MEDIEVAL ENGLAND cians, and had b
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408 MEDIEVAL ENGLAND specified pers
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410 MEDIEVAL ENGLAND and need not b
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412 MEDIEVAL ENGLAND properties the
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4^4 MEDIEVAL ENGLAND canon law, act
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416 MEDIEVAL ENGLAND Battle only th
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418 MEDIEVALÊNGLAND had been given
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420 MEDIEVAL ENGLAND spotia, a deat
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422 MEDIEVAL ENGLAND extended this
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424 MEDIEVAL ENGLAND king usually g
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426 MEDIEVAL ENGLAND only one benef
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4^8 MEDIEVAL ENGLAND the economic c
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430 MEDIEVAL ENGLAND dained? What t
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43^ MEDIEVAL ENGLAND spending to th
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434 MEDIEVAL ENGLAND only drew mult
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43
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438 MEDIEVAL ENGLAND Devotional Lif
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440 MEDIEVAL ENGLAND not altogether
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44* MEDIEVAL ENGLAND and though onl
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PLATE 76
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ECCLESIASTICAL ARCHITECTURE 445 Ang
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ECCLESIASTICAL ARCHITECTURE 447 the
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FIG, 102 Durham. Halfcross/-section
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Durham Cathedral; nave PLATE 78
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ECCLESIASTICAL ARCHITECTURE 451 tur
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ECCLESIASTICAL ARCHITECTURE 453 arc
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ECCLESIASTICAL ARCHITECTURE 455 gre
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ECCLESIASTICAL ARCHITECTURE 457 kno
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a. Lincoln Cathedral: nave from the
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ECCLESIASTICAL ARCHITECTURE 459 an
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ECCLESIASTICAL ARCHITECTURE 461 bui
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ECCLESIASTICAL ARCHITECTURE 463 the
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PLATE 82 c "o 3 o -S rt O
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ECCLESIASTICAL ARCHITECTURE 465 Hen
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ECCLESIASTICAL ARCHITECTURE 467 of
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ECCLESIASTICAL ARCHITECTURE 469 a n
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ECCLESIASTICAL ARCHITECTURE 471 Red
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Page 127 and 128: , |:: iHf PLATE 86 u o
Page 129 and 130: ECCLESIASTICAL ARCHITECTURE 477 rat
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Page 133 and 134: King's College, Cambridge: antC'cha
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Page 139 and 140: XIV. ART T HE emergence ofa genuine
Page 141 and 142: PLATE 90
Page 143 and 144: ART 487 brian manuscripts rapidly b
Page 145 and 146: ART 489 they were found in 1827. Th
Page 147 and 148: a I PLATE 92 a. Detail ofthe Ruthwd
Page 149 and 150: ART 491 and two ivory figures in th
Page 151 and 152: tf. Adoration of the Kings, from Ac
Page 153 and 154: ART 493 Frome and Erdisley, a parti
Page 155 and 156: PLATE 96 e 3SX) a S ^ 7-25 .S o c S
Page 157 and 158: ART 495 were happier in the decorat
Page 159 and 160: Ml is PLATE 98 f ""* u x 13 8 M g S
Page 161 and 162: ART 497 robes, in which the fine pl
Page 163 and 164: a. Angel with censer: south transep
Page 165 and 166: ART 499 none of the delicate percep
Page 167 and 168: PLATE 102 tf. Abraham and Melchised
Page 169 and 170: ART 501 slanting eyes, with their s
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Page 175 and 176: ART 505 brasses in England, those i
Page 177 and 178: ART 507 Hours (B.M. MS. Add. 42131)
Page 179 and 180: & Light from Gloucester east window
Page 181 and 182: ART 509 with some ofthe more splend
Page 183 and 184: ART 511 It is in the Beauchamp chap
Page 185: tf. Alabaster effigy of Alice de la
Page 188 and 189: 5*4 MEDIEVAL ENGLAND BRIEGER, P. H.
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Page 210 and 211: PLATE 110 a. Winchester College, fo
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544 MEDIEVAL ENGLAND together they
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PLATE 114 Irish majuscule. The Book
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54
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PLATE 116 ^^ V^VVVV4'V1w ISVIIWMJ A
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548 MEDIEVAL ENGLAND and contractio
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550 MEDIEVAL ENGLAND learning, scho
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PLATE Il8 ^'vr^^Â^^^^^^j^^ * Â fc
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55* MEDIEVAL ENGLAND humanistic scr
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554 MEDIEVAL ENGLAND the royal chan
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PLATE 120 *3 s*% " ,a Vs* i \: *\ "
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55
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HANDWRITING 557 whim*, the notion o
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XVII. PRINTED BOOKS, THE BOOKxTJRAD
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gMttg anb? feflg jstm+wty"gg ^gg co
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PRINTED BOOKS, BOOK-TRADE, LIBRARIE
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FIG. 106. Covcrdalc's Bible, 1535.
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PRINTED BOOKS, BOOK/TRADE, LIBRARIE
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~ 18 O i^!0fe fitp p***l fiftsrtrî
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568 MEDIEVAL ENGLAND date from abou
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570 MEDIEVAL ENGLAND Duke Humfrey',
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SJ2 MEDIEVAL ENGLAND external influ
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574 MEDIEVAL ENGLAND successive Cou
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576 MEDIEVAL ENGLAND good picture o
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578 MEDIEVAL ENGLAND and Mesopotami
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58o MEDIEVAL ENGLAND influential wa
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5 82 MEDIEVAL ENGLAND in answer to
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5*4 MEDIEVAL ENGLAND past. He gave
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586 MEDIEVAL ENGLAND phenomenon was
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588 MEDIEVAL ENGLAND heavenly spher
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FIG. 107. Diagrams from the thirtee
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592 MEDIEVAL ENGLAND reform, "every
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PLATE 126 The Merton Astrolabe, c.
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594 MEDIEVAL ENGLAND place to anoth
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596 MEDIEVAL ENGLAND quiries just c
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PLATE 128 a. Bees, from a twelfth/c
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598 MEDIEVAL ENGLAND lettered craft
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PLATE 130 Matthew Paris's map of Gr
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MEDIEVAL ENGLAND staple of English
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602 MEDIEVAL ENGLAND After the grea
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604 MEDIEVAL ENGLAND GUNTHER, R. T.
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606 MEDIEVAL ENGLAND early in the f
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608 MEDIEVAL ENGLAND on swords, or
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PLATE IJ2 " It
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610 MEDIEVAL ENGLAND ribald office,
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MEDIEVAL ENGLAND war game, a contes
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614 MEDIEVAL ENGLAND 3. London Game
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Blind man's bufF Punch and Judy sho
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RECREATIONS 617 mentions hunting as
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; * ? " y ' *, t .1 rVV \ T"**' v j
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RECREATIONS 619 grants of 'free war
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RECREATIONS 621 on the Bayeux Tapes
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^f~; ;fJ v... v>^j3#rs i*;W^^tîlff
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RECREATIONS 623 became heavier unti
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RECREATIONS 625 festivals. Thus the
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RECREATIONS 627 open imprisonment i
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a. Hockey b. Club ball PLATE 139
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RECREATIONS 629 trated by the Frenc
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$12, MEDIEVAL ENGLAND BOOKS FOR REF
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634 INDEX Aquinas, Thomas, St., 533
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636 INDEX bishoprics, 53 & n.; see
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638 INDEX Canterbury (cont.'): Brad
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640 INDEX Cold Harbour, Dowgate (Lo
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Edgehiil (Warws.), battle of, 333.
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644 INDEX Frederick II, emperor, hi
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152-62, 290; his fleet, i8
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648 INDEX Laon: cathedral school at
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650 INDEX maps, 601. March (Cambs.)
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Ogmore (Gkm.) casde, 103. Okehampto
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654 INDEX Raglan (Mon.) castle, 124
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656 INDEX chantry, 538; grammar, 52
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658 INDEX Thornbury (Glos.), 34, 52
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660 Willibald, St., 517. Willibrord
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PRINTED IN GREAT BRITAIN AT THE UNI
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