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HANDWRITING 545<br />

more writing on to the skins available. Sheepskins and cal<br />

skins, properly prepared, were hard to come by, and when, as<br />

often, Christian texts were written over those of the Latin<br />

classics (palimpsests) no disrespect was intended to what was<br />

erased. The scribes, in their<br />

poverty, were first<br />

simply putting<br />

things first. Our knowledge ofhow all this came about is onex<br />

sided, since so little is known ofthe writing which the minus-'<br />

cule<br />

displaced the scripts of the notaries and the traditional<br />

products ofa fading classical culture. The only learning known<br />

to us in the eighth century is that of the monasteries, and the<br />

remains of the Frankish<br />

only scripts, apart from the exiguous<br />

and Italian chanceries, are those connected with particular<br />

regions or monasteries. In south Italy, for instance, a local<br />

minuscule arose, which we call Beneventan, associated parties<br />

larly with the abbey ofMonte Cassino: in Spain another, the<br />

so-called Visigothic, and in Frankland another, the Merovinx<br />

gian. Still earlier, Ireland and northern England had evolved<br />

a highly distinctive, ifcrabbed, minuscle with its own charac^<br />

teristic system ofabbreviations based, like all abbreviations, on<br />

those used in Roman law-books. The insular scribes, however,<br />

with whom parchment seems to have been especially scarce,<br />

were pioneers in admitting abbreviations into the text of their<br />

writings. Different as these local scripts are from one another,<br />

they share the common fault ofbeing extremely difficult to read.<br />

This defect was at last overcome by a new script with a great<br />

future (PL 113). This was the Caroline minuscule, a hand of<br />

great beauty and supremely legible, the emergence of which is<br />

closely associated with the great religious revival of Charles the<br />

Great's reign. Smaller than majuscule it writing, achieved its<br />

affect, Dr. Lowe tells us, *by a rigorous elimination of cursive<br />

dements and by keeping letters distinct and properly aligned*.<br />

It was no sudden discovery, but the achievement of a new<br />

dear style, approaches to which go well back into the eighth<br />

century in various monastic centres. The earliest recognizable<br />

specimens come from Corbie, but it was the great abbey of St.<br />

Martin of Tours which was responsible for its diffusion over<br />

Europe in the ninth century, though rather after the time of its

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