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452 MEDIEVAL ENGLAND<br />

mouldings which were introduced into architecture in the first<br />

third ofthe twelfth century were exploited largely to increase the<br />

effect ofall over linear surface pattern. This taste for linear pattern<br />

spread over broad surfaces is extremely marked in certain build'<br />

ings ofthe midxtwelfth century, notably in the additions made<br />

to the upper parts ofthe earlier west front at Lincoln and in the<br />

treatment of the broad gable^ends of the transepts at the great<br />

church at Southwell It is<br />

extremely difficult to determine any<br />

regional distribution of these habits of design, except that we<br />

can say that the nave of Gloucester cathedral seems to be a ver/<br />

sion ofthe Tewkesbury nave design, but carried out with a use<br />

ofthe new variety of mouldings to emphasize its various parts,<br />

and that the most completely developed examples of the taste<br />

for<br />

breaking up the main masses of the<br />

building, notably the<br />

great piers of the interior, by minute subdivisions seems more<br />

common in the east ofEngland than in the west. Such interiors<br />

as that of Southwell nave, which show an awareness of the<br />

new taste for enriched<br />

mouldings, seem, however, to have<br />

deliberately rejected the vertical division into bays and to have<br />

held fast to the tradition ofthe unbroken wall surface which at<br />

and elsewhere seems to be a survival of an earlier<br />

Tewkesbury<br />

architectural tradition.<br />

One structural device of great importance to the future of<br />

English medieval architecture was certainly imported from<br />

Normandy, most likely from the Caen area, and appears in the<br />

transept of Winchester in the late eleventh century. This is a<br />

method of giving strength to the clerestory wall by making the<br />

upper walls ofthe building specially thick. So much so that in<br />

many cases the wall above the main piers exceeds the thickness<br />

ofthe<br />

piers themselves and over^sails on to the haunches ofthe<br />

vaults of the side aisles. The middle storeys of the bays are<br />

occupied at tribune level by arches and at clerestory level by an<br />

arcaded gallery, thus leaving the thickened wall as a sort of en^<br />

larged pier between each bay.<br />

This device makes it unneces'<br />

sary to provide a special abutment in between each bay on the<br />

exterior ofthe building and in some cases the whole line ofthe<br />

clerestory wall was treated externally with a pattern<br />

of blind

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