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55* MEDIEVAL ENGLAND<br />

humanistic<br />

script became models for the printed book. Thus<br />

began a new 'battle of the books' which after a strife of<br />

centuries, ended everywhere (except in Germany) in the<br />

victory ofthe humanist letter/forms; and to this result, of course,<br />

the very type ofMedieval England bears witness. But in England<br />

at least, the invention of printing did not immediately curb the<br />

inventiveness of scribes, and early in the sixteenth century a<br />

new hand, based partly on English models, makes its appear/<br />

ance. This is the script which the writing masters call<br />

'secretary hand* (PL 121 1) which was developed and perfected<br />

as the century proceeded. It is, in Denholm/ Young's words,<br />

'the native, current hand for<br />

everyday purposes'; the hand, for<br />

example, of the great collection of State Papers, and as such of<br />

great practical importance to students of the period.<br />

The history of medieval handwriting at its best is<br />

eminently that of the Latin language<br />

and of the Catholic<br />

church: and it falls naturally into three periods. Of these the<br />

first is concerned with those splendid majuscule scripts, whose<br />

roots lie in antiquity, and their gradual replacement, under the<br />

influence ofcursive writing, by the minuscule, the especial con/<br />

tribution of the middle ages to calligraphy. In the second<br />

period, which is conveniently dated by the appearance of the<br />

Caroline minuscule about the year 800 and lasts for four<br />

centuries, the new script reigns supreme for all literary writing.<br />

The third, beginning about 1200, is that of the Gothic script<br />

which after rather less than three centuries was in its turn dis^<br />

carded in the humanistic revival ofthe fifteenth century. In the<br />

second of these periods England was bound up more closely<br />

with the Continent than ever before or since, and shared a<br />

common Latin civilization that was truly European. For<br />

native and vernacular writing the periods, we have seen, need<br />

alteration, the first closing in 1066 and the third beginning<br />

early in the fourteenth century: the middle period almost<br />

a blank<br />

representing the price paid for internationalism. Yet,<br />

however, we distinguish periods, an underlying unity is found

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