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ECCLESIASTICAL ARCHITECTURE 453<br />

arcading into which the open<br />

arches of the windows were<br />

fitted. The arcaded galleries on the internal face ofthe clerestory<br />

wall were linked from bay to bay by low vaulted tunnels<br />

through the intervening masses of masonry. It seems that this<br />

system once imported from Normandy appealed to the desire<br />

for decoration which characterized the architecture of the<br />

twelfth century and was exploited with enthusiasm by English<br />

builders, who continued the system well into the thirteenth<br />

century. One of the latest and most developed examples is the<br />

late thirteenth/century eastern extension of Lincoln cathedral,<br />

where the clerestory consists oftwo planes of tracery, one in the<br />

outer face of the wall glazed, the other on the inner face open.<br />

This system ofthick double walls to the<br />

clerestory, with arcaded<br />

galleries on the inside, seems to have been abandoned com/<br />

paratively early in Normandy in favour ofthe elaborated but'<br />

tress system which was being developed in the Paris area,<br />

and its survival and increased use in England is the more<br />

remarkable.<br />

In the second quarter of the twelfth century the Cistercian<br />

order founded its first House in England. The order was par/<br />

ticularly successful in this country and a series of great houses<br />

grew up, notably in the north, and almost equally in Wales and<br />

on the Welsh borders. The first Cistercian buildings, especi/<br />

ally the two Cistercian abbeys, Rievaulx and Fountains, show<br />

that the new order imported its architectural ideas almost<br />

wholesale from Burgundy, the region of France where the<br />

order took its rise. At Rievaulx we know the form ofthe early<br />

nave from excavations, and at Fountains the nave has, in the<br />

The Rievaulx nave was of extreme<br />

main, survived (PL 79 a).<br />

architectural<br />

severity and very close indeed to such early Bur/<br />

gundian Cistercian churches as Fontenay. Two character/<br />

istics in particular recall Burgundy, the use of pointed barrel<br />

vaults set<br />

transversely<br />

to the direction of the church, and the<br />

consequent employment of the pointed arch for the main<br />

arcades. At Rievaulx the pointed barrel vaults appear to have<br />

been constructed as continuations of the soffits of the arcade<br />

arches. At Fountains both these devices are found in a slightly

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