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554<br />

MEDIEVAL ENGLAND<br />

the royal chancery, the notaries, both papal and imperial, and<br />

above all the Scriveners Company of London whose 'Com/<br />

mon Paper' or entrance book survives from the year 1390. Into<br />

this book for more than two centuries every member entered in<br />

his own hand his name and his acceptance of the company's<br />

rule a unique record of the development of professional yet<br />

secular handwriting in its 'set* form. 1<br />

As the middle ages advance the classification of handwriting<br />

becomes increasingly difficult. Particularly well/written official<br />

documents ofthe twelfth century are often said by cataloguers to<br />

be written in 'charter hand*, and by the end ofthat century the<br />

new cursive is already well developed. There was a growing<br />

tendency to link letters together; and their forms were greatly<br />

modified as the set hand taught to the apprentices became,<br />

under pressure of time, a free hand. These developments pro/<br />

foundly affected the development of book hand. The sudden<br />

change to smaller writing in the thirteenth century, as we have<br />

seen, reflects the influence of the new court hand, while the<br />

chronicles, and the ever/growing mass of vernacular writing<br />

(as English slowly came into its own) tend to be written more<br />

and more in hybrid scripts half/way between book hand<br />

proper and cursive. In this confusion of scripts we can, perhaps,<br />

distinguish a standard court hand which reaches its height to/<br />

wards the end of the thirteenth century. In the fourteenth and<br />

fifteenth centuries it slowly deteriorated, and at the same time<br />

the spread of education and the appearance ofthe literate lay/<br />

man* gave rise to a miscellaneous mass of documents as ill<br />

written as those oftoday. None the less there was throughout our<br />

period a body of highly trained professional scribes capable of<br />

writing well the standard court hand. But this is not all: for<br />

perhaps the most interesting feature oflater medieval writing, as<br />

has been said above, is the emergence ofelaborate and artificial<br />

set hands in the various departments ofthe 'civil service', which<br />

soon became fixed and traditional, and lasted for centuries.<br />

One of these, the new chancery hand of the late fifteenth and<br />

sixteenth centuries, is illustrated in PL 121 a. And there were<br />

1 See H. Jenkinson, Late Court Hanls in England (Cambridge, 1927).

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