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454<br />

MEDIEVAL ENGLAND<br />

more sophisticated form and there are signs that the Burgundian<br />

traits arc being modified by the influence of the native Anglo/<br />

Romanesque, chiefly by the introduction of mouldings of<br />

Anglo-Norman character. The church at Fountains also,<br />

while clearly related to that of the great French Cistercian<br />

churches, shows one important departure undoubtedly deriw<br />

ing from the later Anglo/Norman practice, that is, the church<br />

was given a very distinct crossing/space at the intersection ofthe<br />

four main limbs ofthe church. Such a crossing clearly implies<br />

a tower, and this is the more remarkable as towers were one of<br />

the architectural features expressly forbidden by the regulations<br />

ofthe order. The naves ofRievaulx and Fountains belong pre^<br />

sumably to the 1130*5 or possibly early 1 140*5. In the Cistercian<br />

churches ofthe 1 150*5 and 6o*s, such as Kirkstall in the north<br />

and Buildwas in Shropshire, the Anglo-Norman traits are far<br />

more marked, and not only in the mouldings but also in the in-<br />

troduction ofthe ribbed vault, which is used together with the<br />

pointed barrel form.<br />

The prestige of the Cistercian order in the north, parti/<br />

cularly during the lifetime and immediately after the death of<br />

St, Ailred of Rievaulx, had a<br />

great influence which was not<br />

confined to the Houses of the order alone, and in 1170 a new<br />

architectural phase makes its appearance at Roche abbey, a<br />

Cistercian house in south Yorkshire (PL 79 b). This represents<br />

a second importation ofFrench ideas, this time not Burgundian<br />

Romanesque but north French Gothic. The new fashion set at<br />

Roche soon spread to other buildings, such as the Canon's<br />

dhtirch at Rifxm and the great new Cistercian house at Byland,<br />

aed from chore spread throughout northern England and<br />

Scotland, as much in the buildings ofthe Aegustinian canons<br />

as in those of die Cistercians themselves. This architectural<br />

movement in the north was dharacterized by a quality of ele'<br />

and sophisticated Puritanism which may possibly be<br />

iated with the personality of St. Aikcd and his followers,<br />

bin ii is to m^c ^ cvm **<br />

iotetdn| ^P n w&ch was<br />

gun within a very few years dfRodhe, the design, though clearly<br />

dkriviog from roe QswciaB building, shows a tendency to

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