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The Revelation of Jesus Christ - The Herald

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As introductory to a consideration <strong>of</strong> the most remarkable visions described in chapters<br />

ten and eleven and their fulfillment in history, we would remind the reader that they form<br />

no part <strong>of</strong> the events <strong>of</strong> the sixth trumpet vision. <strong>The</strong> sixth trumpet, as we have seen, has<br />

especially to do with events connected with the activities <strong>of</strong> the Turkish Ottoman power.<br />

<strong>The</strong> history <strong>of</strong> this power, although covering much the same period, is not described in<br />

these two chapters. <strong>The</strong> visions recorded in chapters ten and eleven are <strong>of</strong> such a character<br />

as that they are readily seen to be what may be termed parenthetical; and one <strong>of</strong> the most<br />

remarkable <strong>of</strong> these visions is retrospective. This is the vision <strong>of</strong> the prophesying <strong>of</strong> the<br />

"two witnesses," which occupies the larger portion <strong>of</strong> chapter eleven. It carries the history<br />

back at least to the rise <strong>of</strong> Papacy, which we have interpreted as portrayed in the third<br />

trumpet symbol. <strong>The</strong> scenery <strong>of</strong> the vision we now consider is transferred from Eastern to<br />

Western <strong>Christ</strong>endom. <strong>The</strong> parenthetic events described are recorded between chapter<br />

nine verse twenty-one, and chapter eleven verse fourteen. We quote, omitting the<br />

parenthesis:<br />

"And the rest <strong>of</strong> the men which were not killed by these plagues, yet repented not <strong>of</strong> the<br />

works <strong>of</strong> their hands, that they should not worship devils, and idols <strong>of</strong> gold, and silver,<br />

and brass, and stone, and <strong>of</strong> wood, which neither can see, nor hear, nor walk; neither<br />

repented they <strong>of</strong> their murders, nor <strong>of</strong> their sorceries, nor <strong>of</strong> their fornications, nor <strong>of</strong> their<br />

thefts. . . . <strong>The</strong> second woe is past, and behold the third woe cometh quickly. And the<br />

seventh angel sounded," etc.<br />

<strong>The</strong> symbols employed to describe the person, the surroundings, as also the words <strong>of</strong> this<br />

mighty angel are <strong>of</strong> such a character as to denote that <strong>Christ</strong> is the One represented. As<br />

one has said:<br />

"O what a glorious vision to rejoice the heart <strong>of</strong> the Evangelist! What a contrast to all that<br />

had been figured to his view since first the seven trumpet-angels prepared themselves to<br />

sound! Indeed we may say, with what a superiority <strong>of</strong> glory in it to that <strong>of</strong> any figuration<br />

<strong>of</strong> the future fortunes <strong>of</strong> the Church, from the commencement <strong>of</strong> the <strong>Revelation</strong> until now;<br />

and, as it proved, with nothing comparable to it afterwards, until the vision that<br />

foreshadowed the glories <strong>of</strong> the consummation."<br />

Not that the vision is intended to teach that St. John actually saw <strong>Christ</strong>, but rather that it<br />

was a vision or representation <strong>of</strong> <strong>Christ</strong>. Neither is it intended to teach that <strong>Christ</strong><br />

appeared in person at the time the vision began its fulfillment. This we will endeavor to<br />

show when we consider the time in history that the vision met its fulfillment. It seems<br />

evident also that as in the vision <strong>of</strong> <strong>Christ</strong>'s appearance to St. John, recorded in chapter 1,<br />

the members <strong>of</strong> His Body are in some sense likewise represented in this symbolic angel; as<br />

set forth in the language <strong>of</strong> another:<br />

"<strong>The</strong> feet, described as like furnace-refined copper, would represent . . . the living<br />

members <strong>of</strong> the Body, all down through this Age. . . . Thus understood, the figure <strong>of</strong> a son<br />

<strong>of</strong> man (a human figure) in the midst <strong>of</strong> the seven candlesticks . . . is an impressive picture

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