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THE STORY OF PHILOSOPHY2 The Lives and Opinions

THE STORY OF PHILOSOPHY2 The Lives and Opinions

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io8 <strong>THE</strong> <strong>STORY</strong> <strong>OF</strong> PHILOSOPHY<br />

ton, the hypothesis that light travels in curved, not straight lines; deduced<br />

from it the conclusion that a star appearing to be (on the straight-line<br />

theory) in a certain position in the heavens is really a little to one side of<br />

that position; <strong>and</strong> he invited experiment <strong>and</strong> observation to test the con-<br />

clusion. Obviously the function of hypothesis <strong>and</strong> imagination is greater<br />

than Bacon supposed; <strong>and</strong> the proceduce of science is more direct <strong>and</strong><br />

circumscribed than in the Baconian scheme. Bacon himself anticipated<br />

the superannuation of his method; the actual practice of science would<br />

discover better modes of investigation than could be worked out in the<br />

interludes of statesmanship. "<strong>The</strong>se things require some ages for the<br />

ripening of them."<br />

Even a lover of the Baconian spirit must concede, too, that the great<br />

Chancellor, while laying down the law for science, failed to keep abreast<br />

of the science of his time. He rejected Copernicus <strong>and</strong> ignored Kepler<br />

<strong>and</strong> Tycho Brahe; he depreciated Gilbert <strong>and</strong> seemed unaware of Harvey.<br />

In truth, he loved discourse better than research; or perhaps he had<br />

no time for toilsome investigations. Such work as he did in philosophy<br />

<strong>and</strong> science was left in fragments <strong>and</strong> chaos at his death; full of repetitions,<br />

contradictions, aspirations, <strong>and</strong> introductions. Ars longa, vita<br />

brevis<br />

soul.<br />

art is long <strong>and</strong> time is fleeting: this is the tragedy of every great<br />

To assign to so overworked a man, whose reconstruction of philosophy<br />

aad to be crowded into the crevices of a harassed <strong>and</strong> a burdened political<br />

career, the vast <strong>and</strong> complicated creations of Shakespeare, is to waste the<br />

time of students with the parlor controversies of idle theorists. Shakespeare<br />

lacks just that which distinguishes the lordly Chancellor erudition <strong>and</strong><br />

philosophy. Shakespeare has an impressive smattering of many sciences,<br />

<strong>and</strong> a mastery of none; in all of them he speaks with the eloquence of an<br />

amateur. He accepts astrology: "This huge state . . . whereon the stars<br />

in secret influence comment." 108 He is forever making mistakes which<br />

the learned Bacon could not possibly have made : his Hector quotes Aristotle<br />

<strong>and</strong> his Coriolanus alludes to Cato; he supposes the Lupercalia to be<br />

a hill; <strong>and</strong> he underst<strong>and</strong>s Caesar about as profoundly as Caesar is understood<br />

by H. G. Wells. He makes countless references to his early life <strong>and</strong><br />

his matrimonial tribulations. He perpetrates vulgarities, obscenities <strong>and</strong><br />

puns natural enough in the gentle roisterer who could not quite outlive<br />

the Stratford rioter <strong>and</strong> the butcher's son, but hardly to be expected in<br />

the cold <strong>and</strong> calm philosopher. Carlyle calls Shakespeare the greatest of<br />

intellects; but he was rather the greatest of imaginations, <strong>and</strong> the keenest<br />

eye. He is an inescapable psychologist, but he is not a philosopher: he has<br />

no structure of thought unified by a purpose for his own life <strong>and</strong> for man-<br />

kind. He is immersed in love <strong>and</strong> its problems, <strong>and</strong> thinks of philosophy,<br />

through Montaigne's phrases, only when his heart is broken. Otherwise<br />

^Sonnet xv.

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