03.04.2013 Views

THE STORY OF PHILOSOPHY2 The Lives and Opinions

THE STORY OF PHILOSOPHY2 The Lives and Opinions

THE STORY OF PHILOSOPHY2 The Lives and Opinions

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

HERBERT SPENCER 271<br />

game of billiards, he denounced his opponent for devoting so much time<br />

to such a game as to have become an expert in it. In his Autobiography<br />

he writes reviews of his own early books, to show how it should have<br />

been done. 15<br />

Apparently the magnitude of his task compelled him to look upon life<br />

with more seriousness than it deserves. "I was at the Fete of St. Cloud<br />

on Sunday/' he writes from Paris; "<strong>and</strong> was much amused by the juvenil-<br />

ity of the adults. <strong>The</strong> French never entirely cease to be boys; I saw grayhaired<br />

people riding on whirligigs such as we have at our own fairs. 3 ' 16<br />

He was so busy analyzing <strong>and</strong> describing life that he had no time to live<br />

it. After seeing Niagara Falls he jotted down in his diary: "Much wiiat I<br />

had expected." 17 He describes the most ordinary incidents with the most<br />

magnificent pedantry as when he tells us of the only time he ever<br />

swore. 18 He suffered no crises^ felt no romance (if his memoirs record<br />

him well) ; he had some intimacies, but he writes of them almost<br />

mathematically; he plots the curves of his tepid friendships without any<br />

uplifting touch of passion. A friend said of himself that he could not write<br />

well when dictating to a young woman stenographer; Spencer said that<br />

it did not bother him at all. His secretary says, "<strong>The</strong> passionless thin lips<br />

told of a total lack of sensuality, <strong>and</strong> the light eyes betrayed a lack of<br />

emotional depth." 19 Hence the monotonous levelness of his style : he never<br />

soars, <strong>and</strong> needs no exclamation-points; in a romantic century he st<strong>and</strong>s<br />

like a sculptured lesson in dignity <strong>and</strong> reserve.<br />

He had an exceptionally logical mind; he marshalled his a prioris <strong>and</strong><br />

his a posterioris with the precision of a chess player. He is the clearest<br />

expositor of complex subjects that modern history can show; he wrote of<br />

difficult problems in terms so lucid that for a generation all the world<br />

was interested in philosophy. "It has been remarked," he says, "that I<br />

have an unusual faculty of exposition set forth my data <strong>and</strong> reasonings<br />

<strong>and</strong> conclusions with a clearness <strong>and</strong> coherence not common." 20 He loved<br />

spacious generalizations, <strong>and</strong> made his works interesting rather with his<br />

hypotheses than with his proofs. Huxley said that Spencer's idea of a<br />

tragedy was a theory killed by a fact; 21 <strong>and</strong> there were so many theories<br />

in Spencer's mind that he was bound to have a tragedy every day or two.<br />

Huxley, struck by the feeble <strong>and</strong> undecided gait of Buckle, said of him to<br />

Spencer: "Ah, I see the kind of man; he is top-heavy." "Buckle," Spencer<br />

adds, "had taken in a much larger quantity of matter than he could<br />

organize." 22 With Spencer it was the other way: he organized much more<br />

than he had taken in. He was all for coordination <strong>and</strong> synthesis; he depreciated<br />

Carlyle for lacking a similar turn. <strong>The</strong> fondness for order be-<br />

"Tyndall once said of him what a much better fellow he would be if He had<br />

a good swear now <strong>and</strong> again. Elliott, Herbert Spencer, p. 6x.<br />

'Royce, 188. *Autob., ii, 5 1 1. *% 467. **II, 4.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!