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THE STORY OF PHILOSOPHY2 The Lives and Opinions

THE STORY OF PHILOSOPHY2 The Lives and Opinions

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48 <strong>THE</strong> <strong>STORY</strong> <strong>OF</strong> PHILOSOPHY<br />

political <strong>and</strong> economic decay of Greece brought a weakening of the<br />

Hellenic mind <strong>and</strong> character after Aristotle; but when a new race, after<br />

a millennium of barbaric darkness, found again the leisure <strong>and</strong> ability<br />

for it<br />

speculation, was Aristotle's "Organon" of logic, translated by<br />

Boethius (470-525 A. D.), that became the very mould of medieval<br />

thought, the strict mother of that scholastic philosophy which, though<br />

rendered sterile by encircling dogmas, nevertheless trained the intellect of<br />

adolescent Europe to reasoning <strong>and</strong> subtlety, constructed the terminology<br />

of modern science, <strong>and</strong> laid the bases of that same maturity of mind<br />

which was to outgrow <strong>and</strong> overthrow the very system <strong>and</strong> methods which<br />

had given it birth <strong>and</strong> sustenance.<br />

Logic means, simply, the art <strong>and</strong> method of correct thinking. It is the<br />

logy or method of every science, of every discipline <strong>and</strong> every art; <strong>and</strong><br />

even music harbors it. It is a science because to a considerable extent the<br />

processes of correct thinking can be reduced to rules like physics <strong>and</strong><br />

geometry, <strong>and</strong> taught to any normal mind; it is an art because by practice<br />

it gives to thought, at last, that unconscious <strong>and</strong> immediate accuracy<br />

which guides the fingers of the pianist over his instrument to effortless<br />

harmonies. Nothing is so dull as logic, <strong>and</strong> nothing is so important.<br />

<strong>The</strong>re was a hint of this new science in Socrates' maddening insistence<br />

on definitions, <strong>and</strong> in Plato's constant refining of every concept. Aristotle's<br />

little treatise on Definitions shows how his logic found nourishment at<br />

this source. "If you wish to converse with, me/' said Voltaire, "define<br />

your terms." How many a debate would have been deflated into a para-<br />

graph if the disputants had dared to define their terms ! This is the alpha<br />

term in<br />

<strong>and</strong> omega of logic, the heart <strong>and</strong> soul of it, that every important<br />

serious discourse shall be subjected to strictest scrutiny <strong>and</strong> definition. It<br />

is difficult, <strong>and</strong> ruthlessly tests the mind; but once done it is half of<br />

any task.<br />

How shall we proceed to define an object or a term? Aristotle answers<br />

that every good definition has two parts, st<strong>and</strong>s on two solid feet: first,<br />

it 'assigns the object in question to a class or group whose general characteristics<br />

are also its own so man is, first of all, an animal; <strong>and</strong><br />

secondly, it indicates wherein the object differs from all the other members<br />

in its class so man, in the Aristotelian system, is a rational animal,<br />

ELS ^'specTiTc<br />

""difference" is that unlike all other animals he is rational<br />

into the<br />

(here is the origin of a pretty legend) . Aristotle drops an object<br />

ocean of its class, then takes it out all dripping with generic meaning,<br />

with the marks of its kind <strong>and</strong> group; while its individuality <strong>and</strong> difference<br />

shine out all the more clearly for this juxtaposition with other<br />

objects that resemble it so much <strong>and</strong> are so different.<br />

Passing out from this rear line of logic we come into the great battlefield<br />

on which Aristotle fought out with Plato the dread question of<br />

"universals" ; it was the first conflict in a war which was to last till our

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