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The history of silk, cotton, linen, wool, and other fibrous ... - Cd3wd.com

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260 SHEEP BREEDING AND<br />

for the nymph, whom he had <strong>of</strong>fended*. According to Virgil<br />

{Buc. V. 56-71.) he was raised to the stars, <strong>and</strong> sacrifices<br />

were <strong>of</strong>fered to him by the shepherds.<br />

Daphnis was the frequent subject <strong>of</strong> pastoral poetry, being<br />

regarded as an ideal representation <strong>of</strong> the perfection <strong>of</strong> the<br />

shepherd's culture <strong>and</strong> manner <strong>of</strong> life. Of this we have a<br />

pro<strong>of</strong> in the epigram <strong>of</strong> Callimachus on the death <strong>of</strong> Astacides,<br />

<strong>and</strong> which concludes thus : " We (shepherds) wiU no longer<br />

sing <strong>of</strong> Daphnis, but <strong>of</strong> Astacides." <strong>The</strong> poet's design was to<br />

extol Astacides, by <strong>com</strong>paring him with Daphnis. According<br />

to vElian [I. c.) the first bucohc poems related to the blindness<br />

<strong>of</strong> Daphnis <strong>and</strong> its cause ; <strong>and</strong> the first poet, who <strong>com</strong>posed<br />

verses upon this subject, was Stesichorus <strong>of</strong> Himera in Sicily.<br />

In <strong>The</strong>ocritus the allusions to the beautiful story <strong>of</strong> Daphnia<br />

are very frequentt, <strong>and</strong> his sad fate is described at length by<br />

contending shepherds or goatherds in the First <strong>and</strong> Seventh<br />

Idylls. We shall quote only his dying words, where he calls<br />

on Pan to leave the great Maenalus <strong>and</strong> the long ridges <strong>of</strong><br />

Lycaeus, <strong>and</strong> to <strong>com</strong>e to Sicily in order to receive from his own<br />

h<strong>and</strong> the syiinx, on which he had been accustomed to play.<br />

*Ei/9' (Lva^j Koi Tavic (pip' ciiraKTOto fie\iiTvovv<br />

'Ef KTipoi avpiyya KoKav^ vcpX p^trAoj LXiKTaV<br />

'H yap lyujv vtt' tpcJToj £j aSSv e^KOfiai iifrj.<br />

Come, mighty king, <strong>com</strong>e, Pan, <strong>and</strong> take my pipe,<br />

"Well join'd with wax <strong>and</strong> fitted to my lip ;<br />

For now 'tis useless grown. Love stops my breath,<br />

I cannot pipe, but must be mute in death.<br />

Creech's Translation.<br />

PHny informs us, that in his time the <strong>wool</strong> <strong>of</strong> Apulia was<br />

in the highest repute ;<br />

that throughout the South <strong>of</strong> Italy the<br />

best sheep were bred in the vicinity <strong>of</strong> Tarentum <strong>and</strong> Canu-<br />

sium ; <strong>and</strong> that the <strong>wool</strong> <strong>of</strong> Tarentum was admired for its<br />

tinge <strong>of</strong> black, <strong>and</strong> that <strong>of</strong> Canusium for its fine brown or yel-<br />

low colorl.<br />

* <strong>The</strong>ocritus, Idyll i. 66-141. <strong>and</strong> vii. 72-77.<br />

t Idyll V. 20. See also v. 80. In Idyll vi. Daphnis is one <strong>of</strong> the performers,<br />

<strong>and</strong> gives a description <strong>of</strong> Galatea,<br />

t See Appendix A.

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