13.05.2013 Views

historical and political thought in the seventeenth - RePub - Erasmus ...

historical and political thought in the seventeenth - RePub - Erasmus ...

historical and political thought in the seventeenth - RePub - Erasmus ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

240<br />

Chapter 7. The mistress of life<br />

Fur<strong>the</strong>rmore, Boxhorn’s <strong>historical</strong> works display a great antiquarian <strong>in</strong>terest<br />

<strong>in</strong> customs, monuments, <strong>and</strong> settlement patterns. They also show an<br />

awareness of <strong>the</strong> importance of numismatics, 200 geography, <strong>and</strong> chronology<br />

for <strong>the</strong> study of <strong>the</strong> past. 201 Although Boxhorn cannot be considered a ‘professional’<br />

antiquarian like his tutor Scriverius, his antiquarian attitude is evidently<br />

present, which is not so strange, consider<strong>in</strong>g <strong>the</strong> fact that <strong>the</strong>re is a th<strong>in</strong><br />

l<strong>in</strong>e between <strong>the</strong> l<strong>in</strong>guistic endeavours of a humanist scholar to get a grip on<br />

<strong>the</strong> world of <strong>the</strong> word <strong>and</strong> <strong>the</strong> efforts of an antiquarian to unearth <strong>the</strong> world<br />

where <strong>the</strong> people who employed <strong>the</strong> word lived <strong>in</strong>.<br />

But Boxhorn not only focused on customs <strong>and</strong> places. He was predom<strong>in</strong>antly<br />

<strong>in</strong>terested <strong>in</strong> <strong>the</strong> religious <strong>and</strong> <strong>the</strong> <strong>political</strong> ‘spheres’ of <strong>the</strong> past. This had everyth<strong>in</strong>g<br />

to do with his preoccupation with <strong>the</strong> present. Boxhorn travelled <strong>in</strong>to <strong>the</strong><br />

past <strong>in</strong> order to expla<strong>in</strong> contemporary events <strong>and</strong> social relationships. Both <strong>the</strong><br />

Theatrum <strong>and</strong> <strong>the</strong> Nederlantsche historie make clear that for Boxhorn contemporary<br />

events <strong>and</strong> social relationships were <strong>the</strong> outcome of long-term <strong>historical</strong><br />

processes. This expla<strong>in</strong>s Boxhorn’s obsession with ‘orig<strong>in</strong>s’. Indeed, if only two<br />

words had to be given to characterise Boxhorn’s <strong>historical</strong> works, ‘orig<strong>in</strong>s’ <strong>and</strong><br />

‘changes’ would take first place. S<strong>in</strong>ce changes ‘do not happen suddenly’, <strong>the</strong><br />

historian always has to go <strong>the</strong> sources (ad fontes) because ‘noth<strong>in</strong>g is more useful<br />

for <strong>the</strong> right <strong>and</strong> thorough underst<strong>and</strong><strong>in</strong>g of even <strong>the</strong> truth, than to dig up<br />

<strong>and</strong> to have a careful look at <strong>the</strong>se first if small orig<strong>in</strong>s, from which, however,<br />

like <strong>the</strong> outcome has amply shown, great <strong>and</strong> wonderful changes, above <strong>and</strong><br />

aga<strong>in</strong>st all expectations, have emanated’. 202 In order to underst<strong>and</strong> <strong>the</strong> present<br />

it has to be put <strong>in</strong>to a framework of time, <strong>in</strong> which one event leads to ano<strong>the</strong>r.<br />

It is <strong>the</strong> primary task of <strong>the</strong> historian, <strong>the</strong>n, to unravel <strong>the</strong>se str<strong>in</strong>gs of events<br />

<strong>and</strong> thus expla<strong>in</strong> <strong>the</strong> changes <strong>the</strong>y lead to. This begs <strong>the</strong> question to what <strong>the</strong>se<br />

changes actually amount, <strong>and</strong> why it is so important to underst<strong>and</strong> <strong>the</strong>m. In<br />

<strong>the</strong> humanist sense of <strong>the</strong> past <strong>the</strong>re was no real difference between <strong>the</strong> past<br />

<strong>and</strong> <strong>the</strong> present. Underst<strong>and</strong><strong>in</strong>g <strong>the</strong> past <strong>and</strong> changes that happened <strong>in</strong> <strong>the</strong><br />

past had value because it meant underst<strong>and</strong><strong>in</strong>g <strong>the</strong> present <strong>and</strong> <strong>the</strong> changes<br />

that people <strong>the</strong>mselves formed a part of.<br />

form an important <strong>and</strong> <strong>in</strong>tegral part of <strong>the</strong> narrative as well as serv<strong>in</strong>g as Boxhorn’s ma<strong>in</strong> primary evidence.<br />

200 For example, <strong>in</strong> a letter to Adriaen Hoffer, November 18, 1643. Boxhorn, Epistolae et poemata, p. 213.<br />

201 In 1660 a chronology appeared at Frankfurt that is attributed to Boxhorn. This chronology is<br />

ordered <strong>in</strong> accordance with <strong>the</strong> <strong>the</strong>ory of <strong>the</strong> four monarchies <strong>and</strong> runs to <strong>the</strong> year 1640. Is this chronology<br />

wrongfully attributed to Boxhorn or is it just a ‘worthless pedagogical’ <strong>in</strong>strument? Marcus Zuerius<br />

Boxhorn, Chronologia sacra et profana (Thomas Matthias Goetsius; Frankfurt, 1660).<br />

202 Boxhorn, “Dedication to <strong>the</strong> States General”, v-vi. ‘Tot rechte en grondige kennisse oock van de<br />

waerheidt is niet dienstiger als op te staen ende naerstich <strong>in</strong> te sien dese eerste wel kle<strong>in</strong>e beg<strong>in</strong>selen,<br />

nemaer uyt de welcke, gelijck de uytcomste genoechsaem geleert heeft, groote ende wonderlijcke ver<strong>and</strong>er<strong>in</strong>gen,<br />

boven ende tegen aller verwacht<strong>in</strong>ge, sijn voortgecomen.’

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!