historical and political thought in the seventeenth - RePub - Erasmus ...
historical and political thought in the seventeenth - RePub - Erasmus ...
historical and political thought in the seventeenth - RePub - Erasmus ...
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Chapter 3. Biography<br />
himself entirely familiar with Tacitus – ‘<strong>in</strong> succum et sangu<strong>in</strong>em’ – <strong>and</strong> often<br />
used Tacitean words <strong>and</strong> phrases to express himself. 191 Boxhorn’s works show<br />
that he <strong>in</strong>deed tried to imitate Tacitus’s difficult variated style <strong>and</strong> that he was<br />
prepared to take great stylistic risks <strong>in</strong> order to achieve, for example, Tacitus’s<br />
brevity (brevitas). One example will suffice to illustrate where Boxhorn’s<br />
attempt to imitate Tacitus’s brevity could lead to. The example is a fragment<br />
from a lecture Boxhorn held on Tacitus after he had been given <strong>the</strong> task to give<br />
public lectures on history <strong>in</strong> 1648.<br />
Alios plerosque praeterita tradentes qui legunt, <strong>in</strong> foro quasi tantum,<br />
& compitis aut trivio, & apud vulgus, quod eventa fere tantum notat<br />
& <strong>in</strong>telligit[, versari sibi videntur]; qui [legunt] vero hunc, <strong>in</strong> ipso Senatu,<br />
<strong>in</strong> Sacrario ipsorum Caesarum, <strong>in</strong>ter consilia ipsa, quantumvis<br />
abdita aut abstrusa, versari, atque adeo ipsa regnatricis domus, &<br />
pr<strong>in</strong>cipis, & imperii, & dom<strong>in</strong>ationis, ut passim ipse loquitur, arcana<br />
penitus <strong>in</strong>trospicere sibi videntur. 192<br />
However, despite his efforts to imitate <strong>the</strong> style of Tacitus, Boxhorn’s style is<br />
less ‘Tacitean’ than that of his patron He<strong>in</strong>sius. 193<br />
Boxhorn admired both Tacitus’s style <strong>and</strong> <strong>the</strong> didactic value of <strong>the</strong> Roman<br />
historian’s work. 194 Yet despite his admiration of Tacitus <strong>and</strong> his use of examples<br />
from <strong>the</strong> Greek <strong>and</strong> Roman past <strong>in</strong> his works, Boxhorn also looked beyond<br />
<strong>the</strong> horizon of antiquity. In <strong>the</strong> <strong>in</strong>augural oration with which he started his new<br />
Cicero vocatus) disserebat, & argumenta objecta, non dist<strong>in</strong>ctionibus philosophicis, quas, ut dixi, ob<br />
barbariem odio habebat, praesc<strong>in</strong>debat, ut ille nodum Gordium, sed libero discursu labefactabat, solvebat<br />
& plane evertebat.’ For a discussion of Boxhorn’s funeral oration on <strong>the</strong> death of William II, see<br />
chapter 5.<br />
191 Baselius, “Historia vitae & obitus ”, ix. ‘Haec ergo frequentia habebat, tum numero tum auditoribus,<br />
maximam partem <strong>in</strong> Cornelium Tacitum, quem delicias suas vocare solebat, & sic sibi familiarem<br />
reddiderat, ut <strong>in</strong> succum & sangu<strong>in</strong>em, quod dicunt eundem versum habens ejus verbis & phrasibus<br />
saepe loqueretur, saepius item scriberet.’<br />
192 Marcus Zuerius Boxhorn, “Oratio, cum Cornelii Taciti Interpretationem aggrederetur”, <strong>in</strong> idem,<br />
Orationes, Varii Argumenti. Series s<strong>in</strong>gularum & argumentum statim <strong>in</strong> ipso aditu leguntur (Johannes Janssonius;<br />
Amsterdam, 1651), XIII, pp. 385-86 [391-92]. The diagonal words between <strong>the</strong> brackets are left<br />
out by Boxhorn. The translation reads: ‘If you read most o<strong>the</strong>r auhors who have written about <strong>the</strong> past,<br />
it seems that you are <strong>in</strong> <strong>the</strong> forum, <strong>and</strong> among <strong>the</strong> people who hang around on street corners or on <strong>the</strong><br />
street, <strong>and</strong> among <strong>the</strong> common people, who generally notice <strong>and</strong> observe only <strong>the</strong> news facts. However,<br />
if you read Tacitus, it seems that you are <strong>in</strong> <strong>the</strong> Senate itself, <strong>in</strong> <strong>the</strong> most private rooms of <strong>the</strong> Caesars<br />
<strong>the</strong>mselves; it seems that you are present at <strong>the</strong>ir actual deliberations, however secluded <strong>and</strong> concealed<br />
<strong>the</strong>y are. And that <strong>in</strong>deed you get a close look at <strong>the</strong> secrets of <strong>the</strong> imperial house, of <strong>the</strong> emperor, of <strong>the</strong><br />
realm, <strong>and</strong> of <strong>the</strong> despotic use of power, as Tacitus himself says at several places.’ I would like to thank<br />
Jan Wasz<strong>in</strong>k for help<strong>in</strong>g me with this text.<br />
193 I owe this observation to Adrie van der Laan. He<strong>in</strong>sius tried to imitate Tacitus’s style <strong>in</strong> his history<br />
of <strong>the</strong> siege of ’s-Hertogenbosch. Ter Horst, Daniel He<strong>in</strong>sius (1580-1655), p. 105.<br />
194 The latter will become clear fur<strong>the</strong>r on <strong>in</strong> this <strong>the</strong>sis, especially <strong>in</strong> chapter 7.<br />
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