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Henri Lefebvre: A Critical Introduction - autonomous learning

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U r b a n i t y<br />

“I would’ve liked to have taught in Moscow,” he admitted in 1988.<br />

But each time he tried, “they always denied it me.”) 13 He journeyed<br />

to Italy, adored Venice and Florence; he traveled throughout North<br />

America and South America, went to New York (with Norbert<br />

Guterman) and Los Angeles, to Montreal and Toronto; he lectured<br />

in Mexico City and Santiago; in San Paulo, Rio, and Brasilia; in<br />

Caracas and Buenos Aires. In Africa, he knew Algiers and Tunis,<br />

Casablanca and Dakar. He toured around Iran and China, discovered<br />

Tehran and Shanghai and Beijing; went to Japan and Tokyo<br />

and onward on to Australia and Sydney.<br />

In 1983 to 1984, at the invitation of literary critic Fredric<br />

Jameson, <strong>Lefebvre</strong> spent a semester in the History of Consciousness<br />

Program at the University of California, Santa Cruz, and deepened<br />

his fascination—and disgust—with West Coast–style urbanization.<br />

“It’s extremely difficult to give an answer to the question of<br />

which city one likes and dislikes,” he once owned up, “for detestable<br />

cities are intriguing. Take Los Angeles. For a European it’s<br />

appalling and unlivable. You can’t get around without a car and<br />

you pay exorbitant sums to park it. … What fascinates and disgusts<br />

me are the streets of luxury shops with superb windows but<br />

which you can’t enter into. … These streets are empty. And not<br />

far from there, you have a street, a neighborhood, where 200,000<br />

Salvadorian immigrants are exploited to death in cellars and lofts.”<br />

Yet there is “singing and dancing,” he says, “something stupendous<br />

and fascinating. You are and yet you’re not in a city, stretching<br />

for 150 kilometers, with twelve million inhabitants. Such wealth!<br />

Such poverty!” At the same time, “you feel that the Hispanics have<br />

a counterculture, and they make the society, the music, painting<br />

(the murals they’ve created are beautiful).” 14 <strong>Lefebvre</strong> took numerous<br />

trips to Los Angeles. One time, he and Jameson (who was<br />

then working on his Bonaventure Hotel/Postmodernism article),<br />

together with UCLA geographer–planner Ed Soja, did a downtown<br />

tour. “He was fascinated,” recalled Soja, “particularly by the<br />

73

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