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Henri Lefebvre: A Critical Introduction - autonomous learning

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M o M e n t s<br />

A week on (February 22, 1960), Debord wrote the same friend a<br />

long, detailed letter, analyzing <strong>Lefebvre</strong>’s “theory of moments.”<br />

(The correspondence would filter into Debord’s critical article<br />

“Théorie des moments et construction des situations,” which<br />

appeared in Internationale Situationniste, no. 4, 1960.) Debord’s<br />

discussion is very technical and very serious: you sense the political<br />

stakes are high here. He thinks <strong>Lefebvre</strong>’s moments are more<br />

durable, more precise, more pure than the Situationists’s notion of<br />

situations, yet this might be a defect. Situations are less definitive,<br />

potentially richer, more open to mélange, which is good—except,<br />

says Debord, how can “one characterize a situation”: Where does<br />

it begin, and where does it end? At what point, and where, does it<br />

become a different situation? 35 Could the lack of specificity hamper<br />

effective praxis? Could too much specificity turn a situation<br />

into a moment? What, he asks, is a unique moment (or situation),<br />

and what is an ephemeral one?<br />

The chief fault of <strong>Lefebvre</strong>, according to Debord, a fault that<br />

perhaps anticipates—or provokes—<strong>Lefebvre</strong>’s “spatial turn” to<br />

come, is that his moment is “first of all temporal, a zone of temporalization.<br />

The situation (closely articulated to place) … is completely<br />

spatiotemporal.” Situations are much more spatial, Debord<br />

thinks, and much more urban in orientation than the Lefebvrian<br />

moment. “In the end,” Debord told Frankin, “for resuming the<br />

problem of an encounter between the theory of moments and an<br />

operational theory of the construction of situations, we would need<br />

to pose these questions: what mix? What interaction? <strong>Lefebvre</strong> is<br />

right in at least this: the moment tends toward the absolute, and<br />

devours itself in that absolute. It is, at the same time, a proclamation<br />

of the absolute and a consciousness of its passage.” 36<br />

* * *<br />

35

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