Henri Lefebvre: A Critical Introduction - autonomous learning
Henri Lefebvre: A Critical Introduction - autonomous learning
Henri Lefebvre: A Critical Introduction - autonomous learning
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n o t e s<br />
15. Stéphane Mallarmé, preface to “A Roll of the Dice Will Never Abolish<br />
Chance” (1895), in Stéphane Mallarmé—Selected Poetry and Prose,<br />
ed. Mary Ann Caws (New Directions Books, New York, 1982), p. 105.<br />
Mallarmé’s poem sprawls diagonally across the page, with certain verses<br />
interspersed with others; odd words dwell alone just as others interlock and<br />
interweave. Sometimes, you don’t know whether the verses flow over the<br />
page or down the page or in both directions simultaneously.<br />
16. <strong>Henri</strong> Bergson, Creative Evolution (Modern Library, New York, 1944),<br />
p. 337.<br />
17. Ibid., p. 393.<br />
18. La Somme et le Reste—Tome I, p. 234.<br />
19. Ibid., p. 235.<br />
20. Critique of Everyday Life—Volume 2, p. 347.<br />
21. La Somme et le Reste—Tome II, p. 647.<br />
22. Critique of Everyday Life—Volume 2, p. 345.<br />
23. Ibid., p. 351.<br />
24. For more details on Debord’s (1931–94) stormy life and complex thought,<br />
see my Guy Debord (Reaktion Books, London, 2005). On the brink of<br />
insurgency, Debord published The Society of the Spectacle (1967), his bestknown<br />
text, a work that would become the radical book of the decade,<br />
perhaps even the most radical radical book ever written. Utterly original<br />
in composition, its 221 strange, pointed aphorisms blend a youthful Marx<br />
with a left-wing Hegel, a bellicose Machiavelli with a utopian Karl Korsch,<br />
a militaristic Clausewitz with a romantic Georg Lukács. Debord reinvented<br />
Marxian political economy as elegant prose poetry, and with its stirring<br />
refrains, The Society of the Spectacle indicted an emergent world order in<br />
which unity really spelled division, essence appearance, truth falsity.<br />
25. “<strong>Lefebvre</strong> on the Situationist International,” October (Winter 1997):<br />
69–70.<br />
26. <strong>Lefebvre</strong>, Le Temps des Méprises [Times of Contempt] (Éditions Stock,<br />
Paris, 1975), p. 158.<br />
27. Ibid., p. 151.<br />
28. “<strong>Lefebvre</strong> on the Situationist International,” p. 70.<br />
29. Cited in Christophe Bourseiller’s Vie et mort de Guy Debord (Plon, Paris,<br />
1999), pp. 258–59. Nicole gave birth to <strong>Lefebvre</strong>’s sixth child, daughter<br />
Armelle, in 1964. In 1978, at the age of seventy-seven, <strong>Lefebvre</strong> married<br />
Catherine Regulier, then a twenty-one-year-old communist militant.<br />
Estranged from her parents because of her relationship with <strong>Lefebvre</strong>,<br />
Catherine and <strong>Henri</strong> stayed together until the end of his life.<br />
30. Guy Debord, “In Girum Imus Nocte et Consumimur Igni,” in Guy Debord—<br />
Oeuvres Cinématographiques Complètes, 1952–1978 (Gallimard, Paris,<br />
1978), p. 253. Debord’s threnody to Paris, and his denunciation of the<br />
established film world, has a Latin palindrome title with an English translation:<br />
“We go round and around and are consumed by fire.”<br />
31. “<strong>Lefebvre</strong> and the Situationist International.”<br />
32. See Andy Merrifield, Guy Debord, especially chap. 1.<br />
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