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Henri Lefebvre: A Critical Introduction - autonomous learning

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n o t e s<br />

15. Stéphane Mallarmé, preface to “A Roll of the Dice Will Never Abolish<br />

Chance” (1895), in Stéphane Mallarmé—Selected Poetry and Prose,<br />

ed. Mary Ann Caws (New Directions Books, New York, 1982), p. 105.<br />

Mallarmé’s poem sprawls diagonally across the page, with certain verses<br />

interspersed with others; odd words dwell alone just as others interlock and<br />

interweave. Sometimes, you don’t know whether the verses flow over the<br />

page or down the page or in both directions simultaneously.<br />

16. <strong>Henri</strong> Bergson, Creative Evolution (Modern Library, New York, 1944),<br />

p. 337.<br />

17. Ibid., p. 393.<br />

18. La Somme et le Reste—Tome I, p. 234.<br />

19. Ibid., p. 235.<br />

20. Critique of Everyday Life—Volume 2, p. 347.<br />

21. La Somme et le Reste—Tome II, p. 647.<br />

22. Critique of Everyday Life—Volume 2, p. 345.<br />

23. Ibid., p. 351.<br />

24. For more details on Debord’s (1931–94) stormy life and complex thought,<br />

see my Guy Debord (Reaktion Books, London, 2005). On the brink of<br />

insurgency, Debord published The Society of the Spectacle (1967), his bestknown<br />

text, a work that would become the radical book of the decade,<br />

perhaps even the most radical radical book ever written. Utterly original<br />

in composition, its 221 strange, pointed aphorisms blend a youthful Marx<br />

with a left-wing Hegel, a bellicose Machiavelli with a utopian Karl Korsch,<br />

a militaristic Clausewitz with a romantic Georg Lukács. Debord reinvented<br />

Marxian political economy as elegant prose poetry, and with its stirring<br />

refrains, The Society of the Spectacle indicted an emergent world order in<br />

which unity really spelled division, essence appearance, truth falsity.<br />

25. “<strong>Lefebvre</strong> on the Situationist International,” October (Winter 1997):<br />

69–70.<br />

26. <strong>Lefebvre</strong>, Le Temps des Méprises [Times of Contempt] (Éditions Stock,<br />

Paris, 1975), p. 158.<br />

27. Ibid., p. 151.<br />

28. “<strong>Lefebvre</strong> on the Situationist International,” p. 70.<br />

29. Cited in Christophe Bourseiller’s Vie et mort de Guy Debord (Plon, Paris,<br />

1999), pp. 258–59. Nicole gave birth to <strong>Lefebvre</strong>’s sixth child, daughter<br />

Armelle, in 1964. In 1978, at the age of seventy-seven, <strong>Lefebvre</strong> married<br />

Catherine Regulier, then a twenty-one-year-old communist militant.<br />

Estranged from her parents because of her relationship with <strong>Lefebvre</strong>,<br />

Catherine and <strong>Henri</strong> stayed together until the end of his life.<br />

30. Guy Debord, “In Girum Imus Nocte et Consumimur Igni,” in Guy Debord—<br />

Oeuvres Cinématographiques Complètes, 1952–1978 (Gallimard, Paris,<br />

1978), p. 253. Debord’s threnody to Paris, and his denunciation of the<br />

established film world, has a Latin palindrome title with an English translation:<br />

“We go round and around and are consumed by fire.”<br />

31. “<strong>Lefebvre</strong> and the Situationist International.”<br />

32. See Andy Merrifield, Guy Debord, especially chap. 1.<br />

176

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