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Henri Lefebvre: A Critical Introduction - autonomous learning

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n o t e s<br />

borrow their themes from the city. [Gaston] Bachelard has left admirable<br />

pages consecrated to the house [in The Poetics of Space]. Heidegger has<br />

meditated on the Greek city and Logos, on the Greek temple. Yet the metaphors<br />

epitomizing Heideggerian thought don’t come from the city but from<br />

a native and earlier life: the ‘shepherds of being,’ the ‘forest paths.’ … As for<br />

so-called ‘existentialist’ thought, it is based on individual consciousness, on<br />

the subject and the ordeals of subjectivity, rather than on a practical, historical<br />

and social reality.”<br />

11. <strong>Lefebvre</strong>, “Engels et l’utopie,” p. 217; cf. Metromarxism, pp. 42–48.<br />

12. In The Right to the City: Social Justice and the Fight for Public Space<br />

(Guilford, New York, 2003), the urban geographer Don Mitchell puts a<br />

provocative twist on <strong>Lefebvre</strong>’s thesis, immersing it in the North American<br />

legal system. In staking out a beachhead for disenfranchised homeless<br />

people, and other expulsees from the city’s public realm, Mitchell pushes a<br />

Lefebvrian right into a twenty-first-century urban ethic.<br />

13. Cited in Remi Hess, <strong>Henri</strong> <strong>Lefebvre</strong> et l’aventure du siècle, p. 315.<br />

14. <strong>Lefebvre</strong>, “No Salvation away from the Center?” in Writing on Cities —<br />

<strong>Henri</strong> <strong>Lefebvre</strong> trans. and repr. E. Kofman and E. Lebas, p. 208.<br />

15. Personal communication, August 30, 2004. For other Soja insights and reminiscences<br />

of “the dear old man,” see his Thirdspace (Blackwell, Oxford,<br />

1996). Jameson’s essay, “Postmodernism, or the Cultural Logic of Late<br />

Capitalism,” New Left Review 146 (1984): 53–92, replete with <strong>Lefebvre</strong>’s<br />

looming presence, is now a classic. A book-length version, sporting the<br />

same title, was published by Verso in 1991. “The notion of a predominance<br />

of space in the postcontemporary era we owe to <strong>Henri</strong> <strong>Lefebvre</strong>,” wrote<br />

Jameson (p. 364), “(to whom, however, the concept of a postmodern period<br />

or stage is alien).”<br />

16. See <strong>Lefebvre</strong>, The Production of Space (Blackwell, Oxford, 1991),<br />

pp. 73–74.<br />

17. Ibid., p. 77.<br />

18. “Rhythmanalysis of Mediterranean Cities,” in Writings on Cities—<strong>Henri</strong><br />

<strong>Lefebvre</strong>, p. 236.<br />

19. “No Salvation away from the Center?” Writings on Cities—<strong>Henri</strong> <strong>Lefebvre</strong>,<br />

p. 208. Interestingly, <strong>Lefebvre</strong>’s love affair with Florence and Venice was<br />

shared by Guy Debord, who made clandestine visits to Venice (including<br />

a poignant one just before his suicide in 1994) and, during the 1970s, went<br />

into “exile” for several years in Florence’s Oltarno district: “There was this<br />

little Florentine who was so graceful. In the evenings she would cross the<br />

river to come to San Frediano. I fell in love very unexpectedly, perhaps<br />

because of her beautiful, bitter smile. I told her, in brief: ‘Do not stay silent,<br />

for I come before you as a stranger and a traveller. Grant me some refreshment<br />

before I go away and am here no more.’ ” Guy Debord, Panégyrique<br />

(Verso, New York, 1991), p. 47.<br />

20. Writing on Cities—<strong>Henri</strong> <strong>Lefebvre</strong>, p. 208.<br />

21. <strong>Lefebvre</strong>, Rhythmanalysis, trans. Stuart Elden and Gerald Moore<br />

(Continuum Books, London, 2004).<br />

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