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Henri Lefebvre: A Critical Introduction - autonomous learning

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a F t e r w o r d<br />

Almost a century on, progressives need the greatest caution<br />

in everything we do; we need to look around on every side before<br />

we can make a single step. The gravity of the situation isn’t lost<br />

on any of us. And yet, at the same time, there’s a sense that we<br />

should, and can, lighten up. After all, even amid the existential<br />

no-exits of Kafka, a black humor radiates, a glint of light warms<br />

a cold corner: as Kafka’s fellow countryman Milan Kundera notes<br />

in his latest book Le Rideau [The Curtain], Kafka “wanted to<br />

descend into the dark depths of a joke [blague].” 11 It was comedy<br />

that let K. deal with tragedy and let him pull back the curtain, rip it<br />

down, and tear it apart. He can still help us see what lies inside and<br />

beyond the wrapping, and H. knew it. Indeed, Kundera’s metaphor<br />

seems apt for H., who ripped down curtains suspended in front of<br />

our Kafkaseque modern world, demasked them, named what lay<br />

behind them, and asked us to look within.<br />

<strong>Lefebvre</strong>’s most Kafkaesque book is Vers le cybernanthrope<br />

(1971), where H. became a land surveyor facing the cybernanthrope’s<br />

tribunal, trapped within the confines of his rational castle,<br />

searching for a way out, confronting curtains of systematized mystification.<br />

In its corridors, the cybernanthropic last man stalks the<br />

Lefebvrian total man in a duel over our collective destiny. But it’s<br />

humor that will win out in the end. The cybernanthrope, H. says, is<br />

neither tragic nor comical: he’s farcical. He’s a product of a farcical<br />

situation and farcical events. Of course, he doesn’t see himself as<br />

farcical, because he’s rather earnest, taking seriously his duties, his<br />

realism. What’s in store for us, H. thinks, is another world war, a<br />

guerilla war that any potential total man needs to keep on waging,<br />

using as arms spirit and satire. We’ll have to be perpetual inventors,<br />

H. says, restless creators and re-creators. We’ll have to cover<br />

our tracks, engage in pranks and jokes, knock cybernanthropes off<br />

balance, keep them guessing. For vanquishing, for even engaging<br />

in battle, we’ll valorize imperfections and disequilibria, troubles<br />

and gaps, excesses and faults. We’ll valorize desire and passion,<br />

169

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