Technology and Terminology of Knapped Stone - IRIT
Technology and Terminology of Knapped Stone - IRIT
Technology and Terminology of Knapped Stone - IRIT
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2. How t o dra w<br />
Computers provide a new drawing tool to add to numerous existing tools (charcoal<br />
crayon, s<strong>of</strong>t lead pencil, ink, watercolour...). How useful is this new tool for illustrations <strong>of</strong><br />
prehistoric material ?<br />
Although still little used, computer-aided design <strong>of</strong>fers a wide range <strong>of</strong> capabilities :<br />
high-end illustration s<strong>of</strong>tware will generate any variety <strong>of</strong> solid or broken line; scanned images<br />
can be modified down to the pixel level; laser printers can generate images <strong>of</strong> impeccable<br />
quality; computer-aided illustration allows anyone to produce graphics without the need to<br />
master normal techniques. However, computers remain a drawing tool like any other : even<br />
though they allow anyone to produce a picture, they can never substitute for the technological<br />
reading <strong>of</strong> an object, which is the indispensable basis for an effective drawing.<br />
In this volume we therefore describe a traditional graphic technique, using pencil <strong>and</strong><br />
Indian ink 109<br />
.<br />
Drawing<br />
1. General principle s<br />
They are organized according to the layout <strong>of</strong> the book.<br />
• Shaping (fig. 37)<br />
When drawing a shaped object, the drawing must show the sequence <strong>of</strong> flaking actions<br />
required to generate the three-dimensional shape <strong>of</strong> the object. Bifacial objects should normally<br />
be drawn from both sides, while multifacial, polyhedric, spheroidal, etc. objects should normally<br />
be shown using multiple views. Hackles <strong>and</strong> negative bulbs should be carefully recorded on these<br />
views. For bifacial pieces, the pr<strong>of</strong>ile should show the symmetry or dissymmetry <strong>of</strong> the object.<br />
Judiciously chosen sections can be used to show the three-dimensional shape achieved by the<br />
knapper. Schematic diagrams can be used to show the shaping methods used.<br />
• Flaking (fig. 39)<br />
Although cores provide the most information, their illustration is <strong>of</strong>ten limited to a single<br />
view <strong>of</strong> the debitage surfaces. It is essential to show the shaping out <strong>of</strong> the volume <strong>of</strong> the core<br />
<strong>and</strong> the preparations for flak e or blade removal, through :<br />
- views <strong>of</strong> the debitage surfaces ;<br />
- views <strong>of</strong> the shaping out surfaces ;<br />
- views <strong>of</strong> the striking platforms <strong>and</strong> any preparation.<br />
Schematic representations can be used to illustrate progressive steps in the exploitation<br />
<strong>of</strong> a core.<br />
Drawings <strong>of</strong> debitage products should show the morphology <strong>of</strong> the object together with<br />
removals that preceded its detachment (fig. 38). From the drawing, one should be able to partly<br />
identify the core from which the object was derived. The butt must be figured, because it <strong>of</strong>ten<br />
shows distinctive features, which allow the discrimination <strong>of</strong> different flaking techniques. Bulb<br />
scars, ripples <strong>and</strong> the morphology <strong>of</strong> the bulb are <strong>of</strong>ten good indicators <strong>of</strong> flaking techniques, <strong>and</strong><br />
should always be illustrated.<br />
The diacritic diagram is used to synthesize the sequence <strong>of</strong> technical steps (see p. 126).<br />
• Retouching<br />
Removals can be accidental, deliberately made by the knapper, or can result from use.<br />
They should be illustrated precisely, clearly recording morphological differences without making<br />
assumptions about their origin. Supplementing descriptive views, sections can be drawn through<br />
retouched areas to show modifications to edge angle or specific morphology as in the case, for<br />
instance, <strong>of</strong> Quina retouch (fig. 34 : 5).<br />
109 Coineau, 1978.<br />
102