02.07.2013 Views

Technology and Terminology of Knapped Stone - IRIT

Technology and Terminology of Knapped Stone - IRIT

Technology and Terminology of Knapped Stone - IRIT

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

2. How t o dra w<br />

Computers provide a new drawing tool to add to numerous existing tools (charcoal<br />

crayon, s<strong>of</strong>t lead pencil, ink, watercolour...). How useful is this new tool for illustrations <strong>of</strong><br />

prehistoric material ?<br />

Although still little used, computer-aided design <strong>of</strong>fers a wide range <strong>of</strong> capabilities :<br />

high-end illustration s<strong>of</strong>tware will generate any variety <strong>of</strong> solid or broken line; scanned images<br />

can be modified down to the pixel level; laser printers can generate images <strong>of</strong> impeccable<br />

quality; computer-aided illustration allows anyone to produce graphics without the need to<br />

master normal techniques. However, computers remain a drawing tool like any other : even<br />

though they allow anyone to produce a picture, they can never substitute for the technological<br />

reading <strong>of</strong> an object, which is the indispensable basis for an effective drawing.<br />

In this volume we therefore describe a traditional graphic technique, using pencil <strong>and</strong><br />

Indian ink 109<br />

.<br />

Drawing<br />

1. General principle s<br />

They are organized according to the layout <strong>of</strong> the book.<br />

• Shaping (fig. 37)<br />

When drawing a shaped object, the drawing must show the sequence <strong>of</strong> flaking actions<br />

required to generate the three-dimensional shape <strong>of</strong> the object. Bifacial objects should normally<br />

be drawn from both sides, while multifacial, polyhedric, spheroidal, etc. objects should normally<br />

be shown using multiple views. Hackles <strong>and</strong> negative bulbs should be carefully recorded on these<br />

views. For bifacial pieces, the pr<strong>of</strong>ile should show the symmetry or dissymmetry <strong>of</strong> the object.<br />

Judiciously chosen sections can be used to show the three-dimensional shape achieved by the<br />

knapper. Schematic diagrams can be used to show the shaping methods used.<br />

• Flaking (fig. 39)<br />

Although cores provide the most information, their illustration is <strong>of</strong>ten limited to a single<br />

view <strong>of</strong> the debitage surfaces. It is essential to show the shaping out <strong>of</strong> the volume <strong>of</strong> the core<br />

<strong>and</strong> the preparations for flak e or blade removal, through :<br />

- views <strong>of</strong> the debitage surfaces ;<br />

- views <strong>of</strong> the shaping out surfaces ;<br />

- views <strong>of</strong> the striking platforms <strong>and</strong> any preparation.<br />

Schematic representations can be used to illustrate progressive steps in the exploitation<br />

<strong>of</strong> a core.<br />

Drawings <strong>of</strong> debitage products should show the morphology <strong>of</strong> the object together with<br />

removals that preceded its detachment (fig. 38). From the drawing, one should be able to partly<br />

identify the core from which the object was derived. The butt must be figured, because it <strong>of</strong>ten<br />

shows distinctive features, which allow the discrimination <strong>of</strong> different flaking techniques. Bulb<br />

scars, ripples <strong>and</strong> the morphology <strong>of</strong> the bulb are <strong>of</strong>ten good indicators <strong>of</strong> flaking techniques, <strong>and</strong><br />

should always be illustrated.<br />

The diacritic diagram is used to synthesize the sequence <strong>of</strong> technical steps (see p. 126).<br />

• Retouching<br />

Removals can be accidental, deliberately made by the knapper, or can result from use.<br />

They should be illustrated precisely, clearly recording morphological differences without making<br />

assumptions about their origin. Supplementing descriptive views, sections can be drawn through<br />

retouched areas to show modifications to edge angle or specific morphology as in the case, for<br />

instance, <strong>of</strong> Quina retouch (fig. 34 : 5).<br />

109 Coineau, 1978.<br />

102

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!