owner's manual (PDF) - Kawai

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P. 138 MIDI Menu The letters MIDI stand for Musical Instrument Digital Interface, an international standard for connecting MIDI equipped synthesizers, drum machines, and other electronic instruments so that they can exchange data. Personal computers can also be equipped for MIDI communication. Electronic instruments equipped with MIDI can transmit and receive performance data such as, notes, what sound to play, pedal information, volume, etc. through the MIDI In/Out/Thru Jacks. This data can be recorded with a device like a sequencer or a computer. • In this <strong>manual</strong> we will only discuss the basic MIDI functions that pertain directly to the CP. For detailed literature on MIDI, please visit the music department of your local bookstore. On page one of the MIDI Settings menu you can configure the following settings. Right Transmit Channel Sets the MIDI Transmit Channel for the RIGHT hand Parts. You can select MIDI Channels 1-16. Left Transmit Channel Sets the MIDI Transmit Channel for the LEFT/SPLIT Part. You can select MIDI Channels 1-16. Chord Transmit Channel Sets the MIDI Transmit channel the Chord data created by the Accompaniment System when it analyzes the notes you play in the lower section of the keyboard. You can select MIDI Channels 1- 16 and OFF. OFF disables MIDI transmission of the chord data. Chord Detect Channel Sets the MIDI receive channel for chord data being sent to the CP. The Accompaniment System can be controlled remotely on this MIDI channel by an external MIDI controller. You can select MIDI channels 1-16, OFF, All, or MIDI Accordion. When set to ALL the Accompaniment System will respond to any chord data it receives on ANY MIDI channel. Local Control ON/OFF This determines whether the CP’s sound will be played from the piano’s keyboard (“ON”) or only from an external MIDI instrument (“OFF”). Even with local control “off” the CP’s keyboard will still transmit to an external MIDI instrument or personal computer. <strong>Kawai</strong> Concert Performer Series Digital Piano
Clock Clock is a data code that a MIDI instrument uses as the reference for its Tempo settings as well as Style Start/Stop commands. When it is set to INTERNAL, the CP uses its own built-in clock to control tempo settings. When set to EXTERNAL, the CP reads the clock data that it receives via MIDI and uses this data to control the Tempo. To configure the MIDI Settings: 1) On page 2 in the System menu, press the MIDI (L3) button. The LCD screen will display the first MIDI page. 2) Use the L and R buttons to select the setting and use the Dial to change the values. L2 Selects Transmit channel for the RIGHT Part. Choose 1–16. L 1 L 2 R 1 R 2 R2 Turns Local Control on/off. L3 Selects Transmit channel for the LEFT Part. Choose 1–16. L 3 R 3 R3 Selects the Clock source. L4 Selects Transmit channel for the chord data. Choose 1-16 or OFF. L 4 R 4 L5 Selects the chord detect Receive channel. Choose 1–16, OFF, All, or MIDI Accordion. L 5 R 5 F 1 F 2 F 3 F 4 F 5 F 6 F 7 F1-F4 Selects the other MIDI Settings pages. System Menu P. 139
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Concert Performer Series Digital Pi
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Important Safety Instructions SAVE
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Do not wipe the product with benzen
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Loop Settings . . . . . . . . . . .
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22 25 29 42 21 26 DISPLAY CONTROL T
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Rear Terminals 49 50 51 52 53 54 55
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To keep things simple, this manual
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Basic Controls This chapter discuss
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Portamento for the Solo Part The So
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Mixer This Mixer screen allows you
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REVERB CHORUS EFFECT Effects You mi
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5) Turn the Dial to change the valu
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Effect Types Chorus Flanger Celeste
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• The LED Indicator on the EFFECT
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L3 Selects the LEFT Part to be Tran
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Piano Only The Piano Only button pr
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L 1 R 1 Use the L or R buttons to s
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Fingered One Finger Full Keyboard T
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• Among the settings contained in
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To create your own Registration: 1)
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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L 1 L 2 R 1 R 2 Use the L, R button
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L1 Highlights the Style. L 1 R 1 R1
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To use Harmony: 1) Press the HARMON
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The current bar number is displayed
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2) Press the REC button. 3) Press t
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ADVANCED RECORDER Advanced Recordin
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4) Start recording by pressing the
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Track Settings The Track Settings s
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5) Press the L4 button to specify t
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To use Punch-in recording: 1) Selec
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Step Recording Step Recording is a
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4) If you would like to enter a res
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Bar Editing Bar Edit contains many
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○ ○ ○ ○ ○ ○ ○ ○ ○
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Delete Delete completely erases and
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L 1 R 1 L2 L3 Selects the number of
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Merge Merge combines data from two
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Velocity Modify Velocity refers to
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Transpose This will transpose the n
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5) Select the function that you wou
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Advanced Style Edit This allows you
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To use Advanced Edit: 1) Select the
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RESET Resetting the Style You can r
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4) Press the ENTER button (F7). The
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11) To erase any unnecessary or inc
Page 93 and 94: Auto-accompaniment System The Conce
Page 95 and 96: Making a Style with Phrase Combinat
Page 97 and 98: L1 Sets the default tempo for the s
Page 99 and 100: 5) After the CP reads the program,
Page 101 and 102: Creating Your Own Styles P. 95
Page 103 and 104: 3) Press the L1 button and then tur
Page 105 and 106: To make a User Sound: 1) Select the
Page 107 and 108: Editing Sounds P. 101
Page 109 and 110: • The CP can also recognize most
Page 111 and 112: Controlling Playback of a Song As t
Page 113 and 114: If the song you are playing has lyr
Page 115 and 116: L 1 R 1 The L and R buttons select
Page 117 and 118: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 119 and 120: Concert Magic Song Arrangements Con
Page 121 and 122: Playing with the Concert Magic P. 1
Page 123 and 124: L1 Selects the overall tuning of th
Page 125 and 126: Touch Curve When playing a piano, t
Page 127 and 128: 4) Use the Dial to select either Us
Page 129 and 130: To create a User EQ: 1) Select one
Page 131 and 132: Resonance When the sustain pedal is
Page 133 and 134: Pedal Assign The Soft and Sostenuto
Page 135 and 136: 2) Use the L and R buttons to selec
Page 137 and 138: Solo Settings This configures the s
Page 139 and 140: Effect for Sound This function dete
Page 141 and 142: Brief explanation of temperaments T
Page 143: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 147 and 148: On page three of the MIDI Settings
Page 149 and 150: Power Up Settings This determines w
Page 151 and 152: Software Version This function is u
Page 153 and 154: Display Control P. 147
Page 155 and 156: L 1 L 2 R 1 R 2 Use the L and R but
Page 157 and 158: Duet Harmonies create one harmony n
Page 159 and 160: Note: The suggestions given for the
Page 163 and 164: L 1 R 1 L2 Loads data from a floppy
Page 165 and 166: Example: Saving a Style L 1 R 1 L 2
Page 167 and 168: 4) When loading User Style, User Co
Page 169 and 170: Erasing Data from a Floppy Disk Thi
Page 171 and 172: L 1 R 1 L2 Formats a 2HD disk. L 2
Page 173 and 174: Playing an audio CD The operation o
Page 175 and 176: Recording onto a CD You can record
Page 177 and 178: Closing (Finalizing) Your CD To lis
Page 179 and 180: L 1 L 2 R 1 R 2 Use the L and R but
Page 183 and 184: Playing Piano Music The Concert Per
Page 185 and 186: Making your Favorites list You can
Page 187 and 188: DRAWBAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
Page 189 and 190: GUITAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
Page 191 and 192: List of Styles SWING & BIG BAND 50
Page 193 and 194: List of Song Stylists 16 Tons 3 Coi
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Islands In Stream Isn’t It Romant
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The Rose The Way We Were The Way Yo
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Song Title Type Lyrics Song Title T
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Song Title Type Lyrics Largo from S
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Cm9 Cm add9 Cm7 11 Cm9 11 C7 #9 C7
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D. Using the Concert Performer with
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MIDI Data Format 3. Exclusive data
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3.1.6 Key-Based Instrument Controll
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3.3.5.Accompaniment Control *SMF sa
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Specifications CP205 / CP185 Keyboa
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