owner's manual (PDF) - Kawai

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Quantize Quantize automatically shifts the timing of a note. This can be used to correct imperfect timing in a performance by shifting notes that were played either too early or too late so they will fall exactly on the correct beat. For example, you can accurately align any out of time notes to the nearest 8thor 16th-note beat depending on the type of song you are quantizing. Sometimes quantizing all of your notes to exactly the same beat can make your playing sound too stiff. The Advanced Recorder quantize function allows you to set a quantize “Range” so only the notes that were very early or late are quantized. Notes that were almost perfect are not quantized thus keeping more of the original feeling in your music. L1 Selects the track that you wish to quantize. L 1 R 1 L2, L3 Selects the bar range that you want to quantize. Use the Dial to set the bar numbers. L 2 R 2 R2 Selects the note Resolution for quantization. Use the Dial to change the value. L4 Selects the lowest note that you want to quantize. Use the Dial to change the note value. L 3 L 4 R 3 R 4 R3, R4 Sets the Low and High Range for quantization. Use the Dial to change the value. L5 Selects the highest note that you want to quantize. Use the Dial to change the note value. L 5 R 5 F 1 F 2 F 3 F 4 F 5 F 6 F 7 F1 Returns you to the Advanced Recorder menu. F2 Undoes the quantization which was just applied. This option is not always available. F7 Applies the quantization to your recording. • Resolution determines the timing value the quantize function will use to shift the notes you want to quantize. For example, setting a quarter note resolution will shift all of the quantized notes to the nearest quarter beat. Setting an eighth note resolution will shift all of the quantized notes to the nearest eighth beat and so on. In the Advanced Recorder, quantize values are expressed in note values and as a number that indicates how many clock beats each note value contains. The Advanced Recorder divides each beat in a bar into 96 smaller clock beats. A Quarter note is 96 clock beats, an eighth note is 48 clock beats, and a sixteenth note is 24 clock beats and so on. The quantize resolution range is from quarter notes (96 clocks), to 64th note triplets (4 clocks). P. 62 <strong>Kawai</strong> Concert Performer Series Digital Piano
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ • Range sets up timing “borders” around the Resolution value you specify. Notes within these borders will not be quantized and notes outside the borders will be moved to the nearest beat specified by the resolution value (Quarter note, Eighth note, etc.). The negative value represents the placement of the “border” before the beat, and the positive value represents the placement the “border” after the beat. Together, these two “borders” form a timing “range” around the specified beat. Resolution 24 Beat 12 Beat 12 Selecting zero Range results in no “range”, and all notes are shifted to the precise beat. Range 0, 0 « » « » « « Resolution 24 Beat 12 Beat 12 The notes that fall beyond the Range are moved to the closest “border” of the Range. Range -3, 3 « » Resolution 48 Beat 24 Beat 24 The notes that fall inside the Range are not shifted at all. Range 2, 10 « » By experimenting with Resolution and Range settings, you can correct the timing of the notes in your recording while still allowing for a natural, human feel. Recording a Song P. 63
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Concert Performer Series Digital Pi
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Important Safety Instructions SAVE
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Do not wipe the product with benzen
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Loop Settings . . . . . . . . . . .
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22 25 29 42 21 26 DISPLAY CONTROL T
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Rear Terminals 49 50 51 52 53 54 55
Page 13 and 14:
To keep things simple, this manual
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Basic Controls This chapter discuss
Page 17 and 18: Portamento for the Solo Part The So
Page 19 and 20: Mixer This Mixer screen allows you
Page 21 and 22: REVERB CHORUS EFFECT Effects You mi
Page 23 and 24: 5) Turn the Dial to change the valu
Page 25 and 26: Effect Types Chorus Flanger Celeste
Page 27 and 28: • The LED Indicator on the EFFECT
Page 29 and 30: L3 Selects the LEFT Part to be Tran
Page 31 and 32: Piano Only The Piano Only button pr
Page 33 and 34: L 1 R 1 Use the L or R buttons to s
Page 35 and 36: Fingered One Finger Full Keyboard T
Page 37 and 38: • Among the settings contained in
Page 39 and 40: To create your own Registration: 1)
Page 41 and 42: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 43 and 44: L 1 L 2 R 1 R 2 Use the L, R button
Page 45 and 46: L1 Highlights the Style. L 1 R 1 R1
Page 47 and 48: To use Harmony: 1) Press the HARMON
Page 49 and 50: The current bar number is displayed
Page 51 and 52: 2) Press the REC button. 3) Press t
Page 53 and 54: ADVANCED RECORDER Advanced Recordin
Page 55 and 56: 4) Start recording by pressing the
Page 57 and 58: Track Settings The Track Settings s
Page 59 and 60: 5) Press the L4 button to specify t
Page 61 and 62: To use Punch-in recording: 1) Selec
Page 63 and 64: Step Recording Step Recording is a
Page 65 and 66: 4) If you would like to enter a res
Page 67: Bar Editing Bar Edit contains many
Page 71 and 72: Delete Delete completely erases and
Page 73 and 74: L 1 R 1 L2 L3 Selects the number of
Page 75 and 76: Merge Merge combines data from two
Page 77 and 78: Velocity Modify Velocity refers to
Page 79 and 80: Transpose This will transpose the n
Page 81 and 82: 5) Select the function that you wou
Page 83 and 84: Advanced Style Edit This allows you
Page 85 and 86: To use Advanced Edit: 1) Select the
Page 87 and 88: RESET Resetting the Style You can r
Page 89 and 90: 4) Press the ENTER button (F7). The
Page 91 and 92: 11) To erase any unnecessary or inc
Page 93 and 94: Auto-accompaniment System The Conce
Page 95 and 96: Making a Style with Phrase Combinat
Page 97 and 98: L1 Sets the default tempo for the s
Page 99 and 100: 5) After the CP reads the program,
Page 101 and 102: Creating Your Own Styles P. 95
Page 103 and 104: 3) Press the L1 button and then tur
Page 105 and 106: To make a User Sound: 1) Select the
Page 107 and 108: Editing Sounds P. 101
Page 109 and 110: • The CP can also recognize most
Page 111 and 112: Controlling Playback of a Song As t
Page 113 and 114: If the song you are playing has lyr
Page 115 and 116: L 1 R 1 The L and R buttons select
Page 117 and 118: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Concert Magic Song Arrangements Con
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Playing with the Concert Magic P. 1
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L1 Selects the overall tuning of th
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Touch Curve When playing a piano, t
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4) Use the Dial to select either Us
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To create a User EQ: 1) Select one
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Resonance When the sustain pedal is
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Pedal Assign The Soft and Sostenuto
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2) Use the L and R buttons to selec
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Solo Settings This configures the s
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Effect for Sound This function dete
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Brief explanation of temperaments T
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Clock Clock is a data code that a M
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On page three of the MIDI Settings
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Power Up Settings This determines w
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Software Version This function is u
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Display Control P. 147
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L 1 L 2 R 1 R 2 Use the L and R but
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Duet Harmonies create one harmony n
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Note: The suggestions given for the
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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L 1 R 1 L2 Loads data from a floppy
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Example: Saving a Style L 1 R 1 L 2
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4) When loading User Style, User Co
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Erasing Data from a Floppy Disk Thi
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L 1 R 1 L2 Formats a 2HD disk. L 2
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Playing an audio CD The operation o
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Recording onto a CD You can record
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Closing (Finalizing) Your CD To lis
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L 1 L 2 R 1 R 2 Use the L and R but
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Playing Piano Music The Concert Per
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Making your Favorites list You can
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DRAWBAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
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GUITAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
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List of Styles SWING & BIG BAND 50
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List of Song Stylists 16 Tons 3 Coi
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Islands In Stream Isn’t It Romant
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The Rose The Way We Were The Way Yo
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Song Title Type Lyrics Song Title T
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Song Title Type Lyrics Largo from S
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Cm9 Cm add9 Cm7 11 Cm9 11 C7 #9 C7
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D. Using the Concert Performer with
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MIDI Data Format 3. Exclusive data
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3.1.6 Key-Based Instrument Controll
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3.3.5.Accompaniment Control *SMF sa
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Specifications CP205 / CP185 Keyboa
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