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owner's manual (PDF) - Kawai

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Auto-accompaniment System<br />

The Concert Performer Auto-Accompaniment System (ACC) analyzes your playing and adjusts the<br />

note data recorded in the different Phrases in a pattern to match the root key and chord type you<br />

are playing. The ACC System also shifts the octave for each phrase to keep each section playing<br />

within its musically useful range. To get the most out of this System, any new Style you create can<br />

benefit from some fine tuning of these settings.<br />

When you press the DETAIL SETTINGS button (L5) on the Style Maker Record screen, the Style<br />

Maker Detail Settings screen will be displayed.<br />

Accompaniment Type (ACC Type)<br />

This setting determines how Phrases being played by a particular section in a pattern will be analyzed<br />

by the Auto-accompaniment (ACC) System. There are Two Accompaniment Types: Chordal and<br />

Scalic (melodic). Chordal Phrases usually consist of block chords or arppegiated chords. You<br />

should set this kind Phrase to Chordal. Scalic Phrases usually play melodic phrases that serve to<br />

add interest to the style as well as provide counter melodies and riffs. Melodic Phrases or Phrases<br />

that contain chromatic passages should be set to Scalic. Scalic Phrases can also contain chords but<br />

they will be analyzed differently than chords in a Chordal Phrase. The Bass section is automatically<br />

set to Scalic since it will rarely if ever play chords.<br />

The terms Open and Close apply to Chordal Phrases, and refer to how the CP will regulate the<br />

voicing of a Chordal Phrase. Setting a Section to Open will allow for open-voiced chords, which<br />

might be good for guitar and string sounds. Setting a Section to Close maintains closed voiced<br />

chords, which are better suited to piano parts and other chording or comping instruments.<br />

Range<br />

This determines the chord inversions that a Chordal Phrase will play.<br />

The term “range” here has nothing to do with the span of actual chord notes. It selects which note<br />

in the chord will serve as the basis of the chord inversion.<br />

HI is the initial setting and is recommended as a starting point. MID plays an inversion based on the<br />

next lower note in relation to HI, while LO plays an inversion based two-notes lower.<br />

Crossover<br />

This determines the point where a Scalic Phrase will be transposed to keep the notes in a musically<br />

useful range. When notes in a Scalic Phrase fall below the Crossover point you select they will be<br />

transposed up one octave by the Accompaniment System. For example if you set the Crossover<br />

Creating Your Own Styles P. 87

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