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P. 20 Effect Priority Guidelines Reverb and Chorus are global effects. In other words, all of the Parts and the Accompaniment Style must share the same Reverb and Chorus type. However each of these Parts can have a different amount of Reverb and Chorus applied to them. In addition Reverb and Chorus can be independently turned on/off for each part. However, since the CP’s EFFECT section can only have one Effect turned on at a time (in addition to the REVERB and CHORUS), what happens if you have two (or more) Parts active, with entirely different sounds, each with a different Effect setting? In these cases, the CP’s Effects section can only use the Effect settings for one of the Parts. The EFFECT section chooses which Effect settings to use based upon a predetermined priority order for each of the Parts. The Priority order is SOLO > RIGHT 1> RIGHT 2 > LEFT/SPLIT. The preset effect settings for the Priority Part will be used and the other Parts will either share these settings or may have their Effects automatically turned off. This “Priority Part” depends on the current situation. If you only have one Part active, regardless of which Part it is, the preset effect settings for that sound will be used. If you have two or more Parts active, then the CP will treat one of them as the Priority Part, and ignore the settings of the other(s). If the the Effect For Sound is set to “Panel” in the System then the Preset effect settings for each Sound will be ignored and the Part Priority will be ignored. (See Effect For Sound on page 131). Here are some guidelines for Effect Priority: • Priority is given to the Parts in the following order: SOLO>RIGHT1>RIGHT2>LEFT. This means that anytime the SOLO Part is active, its Effect settings will be used, not only for its sound but for any sound in any other Part, that you want to add effects to. Likewise, the only time an active LEFT Part’s settings will be applied is if the other 3 Parts are inactive. • Unlees you change them, the Effect settings will only change in response to a change in the Priority Part being activated/deactivated, or a new sound is assigned to an active Priority Part. In the latter case, the new Effect settings will reflect the Preset effect settings for the new sound. • When the Effect settings change for the Piority Part, the Effects will be automatically turned off for the other Parts. (This is so that your Flute sound on RIGHT2 doesn’t suddenly get effected by the Distortion settings of the Electric Guitar that you’ve just assigned to the SOLO Part!) • You can, however, turn the effect on for any Part by adjusting the Effect On/Off option in the display for that Part. <strong>Kawai</strong> Concert Performer Series Digital Piano
• The LED Indicator on the EFFECT and CHORUS buttons will be on only when the active Priority Part has these effects turned on. Example Assume that your CP is set up according to the following chart: SOLO RIGHT1 RIGHT 2 LEFT INDICATOR Part Inactive Active Inactive Active Effect On On Off On On If you then select a different sound for RIGHT1, the Effect setting for the SOLO, RIGHT2, LEFT will be turned off automatically. This is because RIGHT1 is the Priority Part (note that the SOLO Part is NOT the Priority Part because it was inactive). The chart would now look like this: SOLO RIGHT1 RIGHT 2 LEFT INDICATOR Part Inactive Active Inactive Active Effect Off On Off Off On Even if you now assign a new sound to the SOLO Part, the Effect settings for the other Parts won’t change, because SOLO is still inactive, so therefore would not have priority. Once you make the SOLO Part active, however, it would now be considered the Priority Part. The Effect settings for the other Parts will again be turned off. The Indicator light on the EFFECT button will now reflect the Effect status for the sound assigned to SOLO. SOLO RIGHT1 RIGHT 2 LEFT INDICATOR Part Active Active Inactive Active Effect Off Off Off Off Off At this point, if the Effect that has been called up along with the SOLO sound is one that you’d like to use for the other Parts, simply select Effect On in the LCD display for those Parts. Basic Controls P. 21
Page 1 and 2: Concert Performer Series Digital Pi
Page 3 and 4: Important Safety Instructions SAVE
Page 5 and 6: Do not wipe the product with benzen
Page 7 and 8: Loop Settings . . . . . . . . . . .
Page 9 and 10: 22 25 29 42 21 26 DISPLAY CONTROL T
Page 11 and 12: Rear Terminals 49 50 51 52 53 54 55
Page 13 and 14: To keep things simple, this manual
Page 15 and 16: Basic Controls This chapter discuss
Page 17 and 18: Portamento for the Solo Part The So
Page 19 and 20: Mixer This Mixer screen allows you
Page 21 and 22: REVERB CHORUS EFFECT Effects You mi
Page 23 and 24: 5) Turn the Dial to change the valu
Page 25: Effect Types Chorus Flanger Celeste
Page 29 and 30: L3 Selects the LEFT Part to be Tran
Page 31 and 32: Piano Only The Piano Only button pr
Page 33 and 34: L 1 R 1 Use the L or R buttons to s
Page 35 and 36: Fingered One Finger Full Keyboard T
Page 37 and 38: • Among the settings contained in
Page 39 and 40: To create your own Registration: 1)
Page 41 and 42: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 43 and 44: L 1 L 2 R 1 R 2 Use the L, R button
Page 45 and 46: L1 Highlights the Style. L 1 R 1 R1
Page 47 and 48: To use Harmony: 1) Press the HARMON
Page 49 and 50: The current bar number is displayed
Page 51 and 52: 2) Press the REC button. 3) Press t
Page 53 and 54: ADVANCED RECORDER Advanced Recordin
Page 55 and 56: 4) Start recording by pressing the
Page 57 and 58: Track Settings The Track Settings s
Page 59 and 60: 5) Press the L4 button to specify t
Page 61 and 62: To use Punch-in recording: 1) Selec
Page 63 and 64: Step Recording Step Recording is a
Page 65 and 66: 4) If you would like to enter a res
Page 67 and 68: Bar Editing Bar Edit contains many
Page 69 and 70: ○ ○ ○ ○ ○ ○ ○ ○ ○
Page 71 and 72: Delete Delete completely erases and
Page 73 and 74: L 1 R 1 L2 L3 Selects the number of
Page 75 and 76: Merge Merge combines data from two
Page 77 and 78:
Velocity Modify Velocity refers to
Page 79 and 80:
Transpose This will transpose the n
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5) Select the function that you wou
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Advanced Style Edit This allows you
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To use Advanced Edit: 1) Select the
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RESET Resetting the Style You can r
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4) Press the ENTER button (F7). The
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11) To erase any unnecessary or inc
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Auto-accompaniment System The Conce
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Making a Style with Phrase Combinat
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L1 Sets the default tempo for the s
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5) After the CP reads the program,
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Creating Your Own Styles P. 95
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3) Press the L1 button and then tur
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To make a User Sound: 1) Select the
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Editing Sounds P. 101
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• The CP can also recognize most
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Controlling Playback of a Song As t
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If the song you are playing has lyr
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L 1 R 1 The L and R buttons select
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Concert Magic Song Arrangements Con
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Playing with the Concert Magic P. 1
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L1 Selects the overall tuning of th
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Touch Curve When playing a piano, t
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4) Use the Dial to select either Us
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To create a User EQ: 1) Select one
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Resonance When the sustain pedal is
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Pedal Assign The Soft and Sostenuto
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2) Use the L and R buttons to selec
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Solo Settings This configures the s
Page 139 and 140:
Effect for Sound This function dete
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Brief explanation of temperaments T
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Clock Clock is a data code that a M
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On page three of the MIDI Settings
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Power Up Settings This determines w
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Software Version This function is u
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Display Control P. 147
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L 1 L 2 R 1 R 2 Use the L and R but
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Duet Harmonies create one harmony n
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Note: The suggestions given for the
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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L 1 R 1 L2 Loads data from a floppy
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Example: Saving a Style L 1 R 1 L 2
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4) When loading User Style, User Co
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Erasing Data from a Floppy Disk Thi
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L 1 R 1 L2 Formats a 2HD disk. L 2
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Playing an audio CD The operation o
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Recording onto a CD You can record
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Closing (Finalizing) Your CD To lis
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L 1 L 2 R 1 R 2 Use the L and R but
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Playing Piano Music The Concert Per
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Making your Favorites list You can
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DRAWBAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
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GUITAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
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List of Styles SWING & BIG BAND 50
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List of Song Stylists 16 Tons 3 Coi
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Islands In Stream Isn’t It Romant
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The Rose The Way We Were The Way Yo
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Song Title Type Lyrics Song Title T
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Song Title Type Lyrics Largo from S
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Cm9 Cm add9 Cm7 11 Cm9 11 C7 #9 C7
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D. Using the Concert Performer with
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MIDI Data Format 3. Exclusive data
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3.1.6 Key-Based Instrument Controll
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3.3.5.Accompaniment Control *SMF sa
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Specifications CP205 / CP185 Keyboa
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