owner's manual (PDF) - Kawai

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P. 152 Mic Effect There are six different Mic Effects available to enhance the audio signal (Voice or instrument sound) coming from the microphone jack. All effects, except the Echo/Vibrato, operate independently of one another. The Mic Effect function is separate from the Effects assigned to the keyboard Parts. Therefore, you can use different effects on the keyboard sounds and on Vocal/instrument sounds from the microphone. Type of Effect Equalizer The equalizer allows you to adjust the tonal Character of the Mic input (voice, instrument, etc) by raising or lowering the volume level of the High, Mid and Low frequencies separately. Raising the Values increases the level of the frequency. Lowering the values reduces the level of the frequency. Gate This effect mutes the signal from the Mic input (Voice, Instrument, etc) when the input level (volume) falls below a specified setting. This is useful for cutting out softer, extraneous background noise (cars, air conditioners, etc) while still allowing the desired, louder signal (Vocal, instrument etc.) to be heard. This can be very useful for recording to the CD-R in a noisy room. Higher Gate settings cut out more background noise. 0 - All sounds are heard. 100 - Almost no sound is heard. Compressor This effect reduces the volume of very loud input levels above the specified threshold. Reducing the loud input levels can enhance soft signal levels that are weak and helps to smooth out the overall volume level of a performance. Threshold - Determines how loud the input must be before it is compressed. Higher settings provide less compression. 0 - All input levels are compressed. 100 - No input level is compressed. Setting Threshold to 50 will compress only the louder input levels for more natural compression. Ratio - Determines how much the input level will be compressed (reduced). Higher values produce more compression. Compression ratios between 1.6 and 5 are best for Vocals. <strong>Kawai</strong> Concert Performer Series Digital Piano
Note: The suggestions given for the Gate and Compressor should be considered starting points. By experimenting you will find the settings that work best for you. Remember often times it is not necessary to use any Gating or Compression at all. Echo Adds delay or echoes to the sound. Time - Determines the delay time between each echo. Higher values add longer delays. Level - Determines the volume of the first echo. Each echo will become softer after that. Higher values create louder echoes. Feedback - Determines how many echoes will be heard after the first echo. Higher settings produce more echoes. Vibrato Adds a controlled vibrato to the sound. Rate - Determines how fast the vibrato will be. Higher values produce faster vibrato. Depth - Determines how strong the vibrato effect will be. Higher values produce deeper vibrato. Note: Echo and Vibrato cannot be used together. Reverb Adds reverberation to the sound simulating the ambience of a stage or concert hall. Reverb can be used along with the above effects. Higher settings add more Reverb. Mic Harmony and Effect P. 153
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Concert Performer Series Digital Pi
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Important Safety Instructions SAVE
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Do not wipe the product with benzen
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Loop Settings . . . . . . . . . . .
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22 25 29 42 21 26 DISPLAY CONTROL T
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Rear Terminals 49 50 51 52 53 54 55
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To keep things simple, this manual
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Basic Controls This chapter discuss
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Portamento for the Solo Part The So
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Mixer This Mixer screen allows you
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REVERB CHORUS EFFECT Effects You mi
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5) Turn the Dial to change the valu
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Effect Types Chorus Flanger Celeste
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• The LED Indicator on the EFFECT
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L3 Selects the LEFT Part to be Tran
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Piano Only The Piano Only button pr
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L 1 R 1 Use the L or R buttons to s
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Fingered One Finger Full Keyboard T
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• Among the settings contained in
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To create your own Registration: 1)
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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L 1 L 2 R 1 R 2 Use the L, R button
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L1 Highlights the Style. L 1 R 1 R1
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To use Harmony: 1) Press the HARMON
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The current bar number is displayed
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2) Press the REC button. 3) Press t
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ADVANCED RECORDER Advanced Recordin
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4) Start recording by pressing the
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Track Settings The Track Settings s
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5) Press the L4 button to specify t
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To use Punch-in recording: 1) Selec
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Step Recording Step Recording is a
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4) If you would like to enter a res
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Bar Editing Bar Edit contains many
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○ ○ ○ ○ ○ ○ ○ ○ ○
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Delete Delete completely erases and
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L 1 R 1 L2 L3 Selects the number of
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Merge Merge combines data from two
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Velocity Modify Velocity refers to
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Transpose This will transpose the n
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5) Select the function that you wou
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Advanced Style Edit This allows you
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To use Advanced Edit: 1) Select the
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RESET Resetting the Style You can r
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4) Press the ENTER button (F7). The
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11) To erase any unnecessary or inc
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Auto-accompaniment System The Conce
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Making a Style with Phrase Combinat
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L1 Sets the default tempo for the s
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5) After the CP reads the program,
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Creating Your Own Styles P. 95
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3) Press the L1 button and then tur
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To make a User Sound: 1) Select the
Page 107 and 108: Editing Sounds P. 101
Page 109 and 110: • The CP can also recognize most
Page 111 and 112: Controlling Playback of a Song As t
Page 113 and 114: If the song you are playing has lyr
Page 115 and 116: L 1 R 1 The L and R buttons select
Page 117 and 118: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 119 and 120: Concert Magic Song Arrangements Con
Page 121 and 122: Playing with the Concert Magic P. 1
Page 123 and 124: L1 Selects the overall tuning of th
Page 125 and 126: Touch Curve When playing a piano, t
Page 127 and 128: 4) Use the Dial to select either Us
Page 129 and 130: To create a User EQ: 1) Select one
Page 131 and 132: Resonance When the sustain pedal is
Page 133 and 134: Pedal Assign The Soft and Sostenuto
Page 135 and 136: 2) Use the L and R buttons to selec
Page 137 and 138: Solo Settings This configures the s
Page 139 and 140: Effect for Sound This function dete
Page 141 and 142: Brief explanation of temperaments T
Page 145 and 146: Clock Clock is a data code that a M
Page 147 and 148: On page three of the MIDI Settings
Page 149 and 150: Power Up Settings This determines w
Page 151 and 152: Software Version This function is u
Page 153 and 154: Display Control P. 147
Page 155 and 156: L 1 L 2 R 1 R 2 Use the L and R but
Page 157: Duet Harmonies create one harmony n
Page 163 and 164: L 1 R 1 L2 Loads data from a floppy
Page 165 and 166: Example: Saving a Style L 1 R 1 L 2
Page 167 and 168: 4) When loading User Style, User Co
Page 169 and 170: Erasing Data from a Floppy Disk Thi
Page 171 and 172: L 1 R 1 L2 Formats a 2HD disk. L 2
Page 173 and 174: Playing an audio CD The operation o
Page 175 and 176: Recording onto a CD You can record
Page 177 and 178: Closing (Finalizing) Your CD To lis
Page 179 and 180: L 1 L 2 R 1 R 2 Use the L and R but
Page 183 and 184: Playing Piano Music The Concert Per
Page 185 and 186: Making your Favorites list You can
Page 187 and 188: DRAWBAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
Page 189 and 190: GUITAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
Page 191 and 192: List of Styles SWING & BIG BAND 50
Page 193 and 194: List of Song Stylists 16 Tons 3 Coi
Page 195 and 196: Islands In Stream Isn’t It Romant
Page 197 and 198: The Rose The Way We Were The Way Yo
Page 199 and 200: Song Title Type Lyrics Song Title T
Page 201 and 202: Song Title Type Lyrics Largo from S
Page 203 and 204: Cm9 Cm add9 Cm7 11 Cm9 11 C7 #9 C7
Page 205 and 206: D. Using the Concert Performer with
Page 207 and 208: MIDI Data Format 3. Exclusive data
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3.1.6 Key-Based Instrument Controll
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3.3.5.Accompaniment Control *SMF sa
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Specifications CP205 / CP185 Keyboa
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