owner's manual (PDF) - Kawai

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L1 Sets the default tempo for the style. L3 Selects the location to be saved. L4 Names the style. P. 86 15) Press the PRESET TEMPO button (L1) and use the dial to set the default tempo for the style. 16) Press the SAVE TO button (L3) and use the Dial to select the location to save your new Style. 17) Press the NAME button (L4). Use the F2 and F3 buttons to move the cursor and use the F4 and F5 buttons or the Dial to select the characters to name the style. 18) Press the SAVE button (F7). L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5 R 5 F 1 F 2 F 3 F 4 F 5 F 6 F 7 F1 Takes you to the Style Maker Record screen. F2, F3 Moves the cursor. F4, F5 Selects the characters. F7 Saves the style to User Style. <strong>Kawai</strong> Concert Performer Series Digital Piano
Auto-accompaniment System The Concert Performer Auto-Accompaniment System (ACC) analyzes your playing and adjusts the note data recorded in the different Phrases in a pattern to match the root key and chord type you are playing. The ACC System also shifts the octave for each phrase to keep each section playing within its musically useful range. To get the most out of this System, any new Style you create can benefit from some fine tuning of these settings. When you press the DETAIL SETTINGS button (L5) on the Style Maker Record screen, the Style Maker Detail Settings screen will be displayed. Accompaniment Type (ACC Type) This setting determines how Phrases being played by a particular section in a pattern will be analyzed by the Auto-accompaniment (ACC) System. There are Two Accompaniment Types: Chordal and Scalic (melodic). Chordal Phrases usually consist of block chords or arppegiated chords. You should set this kind Phrase to Chordal. Scalic Phrases usually play melodic phrases that serve to add interest to the style as well as provide counter melodies and riffs. Melodic Phrases or Phrases that contain chromatic passages should be set to Scalic. Scalic Phrases can also contain chords but they will be analyzed differently than chords in a Chordal Phrase. The Bass section is automatically set to Scalic since it will rarely if ever play chords. The terms Open and Close apply to Chordal Phrases, and refer to how the CP will regulate the voicing of a Chordal Phrase. Setting a Section to Open will allow for open-voiced chords, which might be good for guitar and string sounds. Setting a Section to Close maintains closed voiced chords, which are better suited to piano parts and other chording or comping instruments. Range This determines the chord inversions that a Chordal Phrase will play. The term “range” here has nothing to do with the span of actual chord notes. It selects which note in the chord will serve as the basis of the chord inversion. HI is the initial setting and is recommended as a starting point. MID plays an inversion based on the next lower note in relation to HI, while LO plays an inversion based two-notes lower. Crossover This determines the point where a Scalic Phrase will be transposed to keep the notes in a musically useful range. When notes in a Scalic Phrase fall below the Crossover point you select they will be transposed up one octave by the Accompaniment System. For example if you set the Crossover Creating Your Own Styles P. 87
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Concert Performer Series Digital Pi
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Important Safety Instructions SAVE
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Do not wipe the product with benzen
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Loop Settings . . . . . . . . . . .
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22 25 29 42 21 26 DISPLAY CONTROL T
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Rear Terminals 49 50 51 52 53 54 55
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To keep things simple, this manual
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Basic Controls This chapter discuss
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Portamento for the Solo Part The So
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Mixer This Mixer screen allows you
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REVERB CHORUS EFFECT Effects You mi
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5) Turn the Dial to change the valu
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Effect Types Chorus Flanger Celeste
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• The LED Indicator on the EFFECT
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L3 Selects the LEFT Part to be Tran
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Piano Only The Piano Only button pr
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L 1 R 1 Use the L or R buttons to s
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Fingered One Finger Full Keyboard T
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• Among the settings contained in
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To create your own Registration: 1)
Page 41 and 42: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 43 and 44: L 1 L 2 R 1 R 2 Use the L, R button
Page 45 and 46: L1 Highlights the Style. L 1 R 1 R1
Page 47 and 48: To use Harmony: 1) Press the HARMON
Page 49 and 50: The current bar number is displayed
Page 51 and 52: 2) Press the REC button. 3) Press t
Page 53 and 54: ADVANCED RECORDER Advanced Recordin
Page 55 and 56: 4) Start recording by pressing the
Page 57 and 58: Track Settings The Track Settings s
Page 59 and 60: 5) Press the L4 button to specify t
Page 61 and 62: To use Punch-in recording: 1) Selec
Page 63 and 64: Step Recording Step Recording is a
Page 65 and 66: 4) If you would like to enter a res
Page 67 and 68: Bar Editing Bar Edit contains many
Page 69 and 70: ○ ○ ○ ○ ○ ○ ○ ○ ○
Page 71 and 72: Delete Delete completely erases and
Page 73 and 74: L 1 R 1 L2 L3 Selects the number of
Page 75 and 76: Merge Merge combines data from two
Page 77 and 78: Velocity Modify Velocity refers to
Page 79 and 80: Transpose This will transpose the n
Page 81 and 82: 5) Select the function that you wou
Page 83 and 84: Advanced Style Edit This allows you
Page 85 and 86: To use Advanced Edit: 1) Select the
Page 87 and 88: RESET Resetting the Style You can r
Page 89 and 90: 4) Press the ENTER button (F7). The
Page 91: 11) To erase any unnecessary or inc
Page 95 and 96: Making a Style with Phrase Combinat
Page 97 and 98: L1 Sets the default tempo for the s
Page 99 and 100: 5) After the CP reads the program,
Page 101 and 102: Creating Your Own Styles P. 95
Page 103 and 104: 3) Press the L1 button and then tur
Page 105 and 106: To make a User Sound: 1) Select the
Page 107 and 108: Editing Sounds P. 101
Page 109 and 110: • The CP can also recognize most
Page 111 and 112: Controlling Playback of a Song As t
Page 113 and 114: If the song you are playing has lyr
Page 115 and 116: L 1 R 1 The L and R buttons select
Page 117 and 118: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 119 and 120: Concert Magic Song Arrangements Con
Page 121 and 122: Playing with the Concert Magic P. 1
Page 123 and 124: L1 Selects the overall tuning of th
Page 125 and 126: Touch Curve When playing a piano, t
Page 127 and 128: 4) Use the Dial to select either Us
Page 129 and 130: To create a User EQ: 1) Select one
Page 131 and 132: Resonance When the sustain pedal is
Page 133 and 134: Pedal Assign The Soft and Sostenuto
Page 135 and 136: 2) Use the L and R buttons to selec
Page 137 and 138: Solo Settings This configures the s
Page 139 and 140: Effect for Sound This function dete
Page 141 and 142: Brief explanation of temperaments T
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Clock Clock is a data code that a M
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On page three of the MIDI Settings
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Power Up Settings This determines w
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Software Version This function is u
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Display Control P. 147
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L 1 L 2 R 1 R 2 Use the L and R but
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Duet Harmonies create one harmony n
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Note: The suggestions given for the
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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L 1 R 1 L2 Loads data from a floppy
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Example: Saving a Style L 1 R 1 L 2
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4) When loading User Style, User Co
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Erasing Data from a Floppy Disk Thi
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L 1 R 1 L2 Formats a 2HD disk. L 2
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Playing an audio CD The operation o
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Recording onto a CD You can record
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Closing (Finalizing) Your CD To lis
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L 1 L 2 R 1 R 2 Use the L and R but
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L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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Playing Piano Music The Concert Per
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Making your Favorites list You can
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DRAWBAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
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GUITAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
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List of Styles SWING & BIG BAND 50
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List of Song Stylists 16 Tons 3 Coi
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Islands In Stream Isn’t It Romant
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The Rose The Way We Were The Way Yo
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Song Title Type Lyrics Song Title T
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Song Title Type Lyrics Largo from S
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Cm9 Cm add9 Cm7 11 Cm9 11 C7 #9 C7
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D. Using the Concert Performer with
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MIDI Data Format 3. Exclusive data
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3.1.6 Key-Based Instrument Controll
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3.3.5.Accompaniment Control *SMF sa
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Specifications CP205 / CP185 Keyboa
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owner's manual (PDF) - Kawai

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