owner's manual (PDF) - Kawai

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HARMONY Harmony When the Auto-Accompaniment is on, you can use Harmony function. The Harmony function automatically adds notes to your right hand (melody) part to help you sound more professional. This function analyzes the notes you play and automatically adds notes from the Accompaniment chord (shown in the Main Screen when the Accompaniment is on), creating a “harmony” part (even if you are only playing single notes in the left and right hands). There are 10 types of Harmony. Block Adds three or four notes based on the chord. Open Adds three or four notes based on the chord. Harmony notes may extend over one octave below the lowest right-hand note. Jazz Adds three or four notes based on the chord. Rockn’ Adds a note at a fifth (or fourth) interval to the lowest note played in the RIGHT Part. Dynamic Adds three or four notes based on the chord. Harmony notes are played within one octave below the lowest note played in the right hand. Duet Adds a note according to the lowest note played in the right hand and based on the chord. Octave Takes the highest note played in the right hand and doubles it an octave down. Octave Duet Adds an Octave note and a Duet note. Vocal 1 Adds a single note above the top note of the right hand based on the chord. Vocal 2 Adds three notes based on the chord. The lowest note will always be the root of the chord.
To use Harmony: 1) Press the HARMONY button. The button will be lit to show that it is active. The Harmony symbol will also appear in the Main Screen. 2) To change the Harmony type, hold down the Harmony button for a moment until the Harmony Select menu is displayed. 3) Choose the Harmony type using the L and R buttons. 4) Press the EXIT button to leave the Harmony Select menu. 5) To turn off the Harmony, press the HARMONY button again. L 1 R 1 L 2 L 3 R 2 R 3 Use the L or R buttons to select your desired Harmony type. L 4 R 4 L 5 R 5 F 1 F 2 F 3 F 4 F 5 F 6 F 7 • The additional notes created by Harmony are added to the RIGHT 1 Part, if that part is on. If the RIGHT 1 Part is off, the additional notes are added to the RIGHT 2 Part. If both parts are off, there will be no Harmony even though the HARMONY button is lit. The Harmony notes are played with the same sound as the part they are added to. • You can volume mix the Harmony separately in the MIXER screen. • If the Accompaniment in not on, you will not be able to activate Harmony
Page 1 and 2: Concert Performer Series Digital Pi
Page 3 and 4: Important Safety Instructions SAVE
Page 5 and 6: Do not wipe the product with benzen
Page 7 and 8: Loop Settings . . . . . . . . . . .
Page 9 and 10: 22 25 29 42 21 26 DISPLAY CONTROL T
Page 11 and 12: Rear Terminals 49 50 51 52 53 54 55
Page 13 and 14: To keep things simple, this manual
Page 15 and 16: Basic Controls This chapter discuss
Page 17 and 18: Portamento for the Solo Part The So
Page 19 and 20: Mixer This Mixer screen allows you
Page 21 and 22: REVERB CHORUS EFFECT Effects You mi
Page 23 and 24: 5) Turn the Dial to change the valu
Page 25 and 26: Effect Types Chorus Flanger Celeste
Page 27 and 28: • The LED Indicator on the EFFECT
Page 29 and 30: L3 Selects the LEFT Part to be Tran
Page 31 and 32: Piano Only The Piano Only button pr
Page 33 and 34: L 1 R 1 Use the L or R buttons to s
Page 35 and 36: Fingered One Finger Full Keyboard T
Page 37 and 38: • Among the settings contained in
Page 39 and 40: To create your own Registration: 1)
Page 41 and 42: L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 43 and 44: L 1 L 2 R 1 R 2 Use the L, R button
Page 45: L1 Highlights the Style. L 1 R 1 R1
Page 49 and 50: The current bar number is displayed
Page 51 and 52: 2) Press the REC button. 3) Press t
Page 53 and 54: ADVANCED RECORDER Advanced Recordin
Page 55 and 56: 4) Start recording by pressing the
Page 57 and 58: Track Settings The Track Settings s
Page 59 and 60: 5) Press the L4 button to specify t
Page 61 and 62: To use Punch-in recording: 1) Selec
Page 63 and 64: Step Recording Step Recording is a
Page 65 and 66: 4) If you would like to enter a res
Page 67 and 68: Bar Editing Bar Edit contains many
Page 69 and 70: ○ ○ ○ ○ ○ ○ ○ ○ ○
Page 71 and 72: Delete Delete completely erases and
Page 73 and 74: L 1 R 1 L2 L3 Selects the number of
Page 75 and 76: Merge Merge combines data from two
Page 77 and 78: Velocity Modify Velocity refers to
Page 79 and 80: Transpose This will transpose the n
Page 81 and 82: 5) Select the function that you wou
Page 83 and 84: Advanced Style Edit This allows you
Page 85 and 86: To use Advanced Edit: 1) Select the
Page 87 and 88: RESET Resetting the Style You can r
Page 89 and 90: 4) Press the ENTER button (F7). The
Page 91 and 92: 11) To erase any unnecessary or inc
Page 93 and 94: Auto-accompaniment System The Conce
Page 95 and 96: Making a Style with Phrase Combinat
Page 97 and 98:
L1 Sets the default tempo for the s
Page 99 and 100:
5) After the CP reads the program,
Page 101 and 102:
Creating Your Own Styles P. 95
Page 103 and 104:
3) Press the L1 button and then tur
Page 105 and 106:
To make a User Sound: 1) Select the
Page 107 and 108:
Editing Sounds P. 101
Page 109 and 110:
• The CP can also recognize most
Page 111 and 112:
Controlling Playback of a Song As t
Page 113 and 114:
If the song you are playing has lyr
Page 115 and 116:
L 1 R 1 The L and R buttons select
Page 117 and 118:
L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 119 and 120:
Concert Magic Song Arrangements Con
Page 121 and 122:
Playing with the Concert Magic P. 1
Page 123 and 124:
L1 Selects the overall tuning of th
Page 125 and 126:
Touch Curve When playing a piano, t
Page 127 and 128:
4) Use the Dial to select either Us
Page 129 and 130:
To create a User EQ: 1) Select one
Page 131 and 132:
Resonance When the sustain pedal is
Page 133 and 134:
Pedal Assign The Soft and Sostenuto
Page 135 and 136:
2) Use the L and R buttons to selec
Page 137 and 138:
Solo Settings This configures the s
Page 139 and 140:
Effect for Sound This function dete
Page 141 and 142:
Brief explanation of temperaments T
Page 143 and 144:
L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 145 and 146:
Clock Clock is a data code that a M
Page 147 and 148:
On page three of the MIDI Settings
Page 149 and 150:
Power Up Settings This determines w
Page 151 and 152:
Software Version This function is u
Page 153 and 154:
Display Control P. 147
Page 155 and 156:
L 1 L 2 R 1 R 2 Use the L and R but
Page 157 and 158:
Duet Harmonies create one harmony n
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Note: The suggestions given for the
Page 161 and 162:
L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
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L 1 R 1 L2 Loads data from a floppy
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Example: Saving a Style L 1 R 1 L 2
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4) When loading User Style, User Co
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Erasing Data from a Floppy Disk Thi
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L 1 R 1 L2 Formats a 2HD disk. L 2
Page 173 and 174:
Playing an audio CD The operation o
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Recording onto a CD You can record
Page 177 and 178:
Closing (Finalizing) Your CD To lis
Page 179 and 180:
L 1 L 2 R 1 R 2 Use the L and R but
Page 181 and 182:
L 1 R 1 L 2 R 2 L 3 R 3 L 4 R 4 L 5
Page 183 and 184:
Playing Piano Music The Concert Per
Page 185 and 186:
Making your Favorites list You can
Page 187 and 188:
DRAWBAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
Page 189 and 190:
GUITAR PAGE 1 PAGE 2 PAGE 3 PAGE 4
Page 191 and 192:
List of Styles SWING & BIG BAND 50
Page 193 and 194:
List of Song Stylists 16 Tons 3 Coi
Page 195 and 196:
Islands In Stream Isn’t It Romant
Page 197 and 198:
The Rose The Way We Were The Way Yo
Page 199 and 200:
Song Title Type Lyrics Song Title T
Page 201 and 202:
Song Title Type Lyrics Largo from S
Page 203 and 204:
Cm9 Cm add9 Cm7 11 Cm9 11 C7 #9 C7
Page 205 and 206:
D. Using the Concert Performer with
Page 207 and 208:
MIDI Data Format 3. Exclusive data
Page 209 and 210:
3.1.6 Key-Based Instrument Controll
Page 211 and 212:
3.3.5.Accompaniment Control *SMF sa
Page 213 and 214:
Specifications CP205 / CP185 Keyboa
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