- Page 4 and 5: In memory of Cheryl, and Paul
- Page 6 and 7: iv Contents Act III, Scene II - An
- Page 8 and 9: vi Preface even desirable. But anot
- Page 10 and 11: viii Preface Since then, organizati
- Page 12 and 13: x Preface experience of working nex
- Page 15 and 16: ACT I, Scene I GRAND ENTRANCE One c
- Page 17 and 18: Grand Entrance 3 show Dave some gra
- Page 19 and 20: 1 Nice Suit. Would a Snake Wear Suc
- Page 21 and 22: Nice Suit. Would a Snake Wear Such
- Page 23 and 24: Nice Suit. Would a Snake Wear Such
- Page 25 and 26: Nice Suit. Would a Snake Wear Such
- Page 27 and 28: Nice Suit. Would a Snake Wear Such
- Page 29: Nice Suit. Would a Snake Wear Such
- Page 32 and 33: 18 SNAKES IN SUITS acts of most peo
- Page 34 and 35: 20 SNAKES IN SUITS normal lives, no
- Page 36 and 37: 22 SNAKES IN SUITS capacities, and
- Page 38 and 39: 24 SNAKES IN SUITS The result of th
- Page 40 and 41: 26 SNAKES IN SUITS The availability
- Page 42 and 43: 28 SNAKES IN SUITS a score of 25 or
- Page 45 and 46: ACT I, Scene II OFF AND RUNNING Dav
- Page 47: Off and Running 33 big-company aura
- Page 50 and 51: 36 SNAKES IN SUITS and entertaining
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38 SNAKES IN SUITS pushed, and psyc
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40 SNAKES IN SUITS Psychopathy and
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42 SNAKES IN SUITS The Manipulative
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44 SNAKES IN SUITS play games with
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46 SNAKES IN SUITS living off the w
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48 SNAKES IN SUITS of offspring. Th
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50 SNAKES IN SUITS Some psychopaths
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52 SNAKES IN SUITS circumstances, f
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54 SNAKES IN SUITS at understanding
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56 SNAKES IN SUITS date. Unfortunat
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58 SNAKES IN SUITS an outcome of th
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60 SNAKES IN SUITS early morning sh
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4 Psychopathic Manipulation HOW DID
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Psychopathic Manipulation 65 rounds
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Psychopathic Manipulation 67 gave t
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Psychopathic Manipulation 69 use. T
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Psychopathic Manipulation 71 what w
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Psychopathic Manipulation 73 lifest
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Psychopathic Manipulation 75 convin
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Psychopathic Manipulation 77 who wo
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Psychopathic Manipulation 79 an ult
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82 SNAKES IN SUITS “Oh, just some
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5 Enter the Psychopath, Stage Left
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Enter the Psychopath, Stage Left 87
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Enter the Psychopath, Stage Left 89
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Enter the Psychopath, Stage Left 91
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Enter the Psychopath, Stage Left 93
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Enter the Psychopath, Stage Left 95
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Enter the Psychopath, Stage Left 97
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Enter the Psychopath, Stage Left 99
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Enter the Psychopath, Stage Left 10
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Enter the Psychopath, Stage Left 10
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Enter the Psychopath, Stage Left 10
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ACT III, Scene I PANIC TIME Frank l
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Panic Time 109 this material before
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6 Pawns, Patrons, and Patsies ROLES
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Pawns, Patrons, and Patsies 113 dri
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Pawns, Patrons, and Patsies 115 Jac
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Pawns, Patrons, and Patsies 117 Ron
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Pawns, Patrons, and Patsies 119 The
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Pawns, Patrons, and Patsies 121 ers
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Pawns, Patrons, and Patsies 123 est
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Pawns, Patrons, and Patsies 125 tha
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Pawns, Patrons, and Patsies 127 boa
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Pawns, Patrons, and Patsies 129 On
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Pawns, Patrons, and Patsies 131 MAS
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Pawns, Patrons, and Patsies 133 DET
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Pawns, Patrons, and Patsies 135 vio
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Pawns, Patrons, and Patsies 137 iza
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Pawns, Patrons, and Patsies 139 CON
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Pawns, Patrons, and Patsies 141 cur
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144 SNAKES IN SUITS some dollar bil
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7 Darkness and Chaos THE PSYCHOPATH
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Darkness and Chaos 149 and go the e
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Darkness and Chaos 151 one of sever
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Darkness and Chaos 153 How We Respo
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Darkness and Chaos 155 and the long
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Darkness and Chaos 157 with periods
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Darkness and Chaos 159 seen as a tr
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Darkness and Chaos 161 make informe
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Darkness and Chaos 163 positions, a
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Darkness and Chaos 165 Entrepreneur
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Darkness and Chaos 167 sometimes bu
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ACT III, Scene III LET’S DO LUNCH
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Let’s Do Lunch 171 Dave responded
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174 SNAKES IN SUITS them. The secre
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176 SNAKES IN SUITS agree, there we
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178 SNAKES IN SUITS Disordered Pers
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180 SNAKES IN SUITS them when commo
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182 SNAKES IN SUITS People vary on
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184 SNAKES IN SUITS surprised at th
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186 SNAKES IN SUITS and antisocial.
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188 SNAKES IN SUITS terests them at
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190 SNAKES IN SUITS pathic bully is
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192 SNAKES IN SUITS the day-to-day
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194 SNAKES IN SUITS own research an
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196 SNAKES IN SUITS good at establi
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198 SNAKES IN SUITS Cowboys Not Wan
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ACT IV DOUBTS DANCE AWAY Frank wave
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Doubts Dance Away 203 you. It was a
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9 Enemy at the Gates Carla hurried
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Enemy at the Gates 207 “Any devel
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Enemy at the Gates 209 We start by
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Enemy at the Gates 211 get the comp
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Enemy at the Gates 213 that never h
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Enemy at the Gates 215 SCREENING IN
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Enemy at the Gates 217 ing manager
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Enemy at the Gates 219 tions about
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Enemy at the Gates 221 learned duri
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Enemy at the Gates 223 retain contr
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Enemy at the Gates 225 potential hi
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Enemy at the Gates 227 factly asked
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Enemy at the Gates 229 do not decid
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Enemy at the Gates 231 investigatio
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Enemy at the Gates 233 cants often
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Enemy at the Gates 235 tact and lea
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Enemy at the Gates 237 There are ot
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Enemy at the Gates 239 from social
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Enemy at the Gates 241 This is a re
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Enemy at the Gates 243 about subord
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Enemy at the Gates 245 the manageme
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Enemy at the Gates 247 When conside
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Enemy at the Gates 249 dence of the
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Enemy at the Gates 251 knowing what
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Enemy at the Gates 253 In a third c
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Enemy at the Gates 255 often use th
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Enemy at the Gates 257 normal flow
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ACT V, Scene I CIRCLE THE WAGONS
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Circle the Wagons 261 “No, I don
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10 Hot Buttons and Weak Spots PERSO
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Hot Buttons and Weak Spots 265 more
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Hot Buttons and Weak Spots 267 went
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Hot Buttons and Weak Spots 269 the
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Hot Buttons and Weak Spots 271 A Fe
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Hot Buttons and Weak Spots 273 5. U
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Hot Buttons and Weak Spots 275 The
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Hot Buttons and Weak Spots 277 6. U
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Hot Buttons and Weak Spots 279 acce
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Hot Buttons and Weak Spots 281 ners
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Hot Buttons and Weak Spots 283 get
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Hot Buttons and Weak Spots 285 11.
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Hot Buttons and Weak Spots 287 Love
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Hot Buttons and Weak Spots 289 Ange
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292 SNAKES IN SUITS “Well,” beg
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294 SNAKES IN SUITS telling her tha
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11 The Fifth Column PSYCHOPATHS IN
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The Fifth Column 299 in the workpla
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The Fifth Column 301 Rule 1: Do Not
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The Fifth Column 303 Rule 3: Unders
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The Fifth Column 305 Sometimes obje
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The Fifth Column 307 4. AVOID CONFR
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The Fifth Column 309 management. Re
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The Fifth Column 311 If you are ask
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The Fifth Column 313 2. CONSIDER RE
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The Fifth Column 315 1. Get paid up
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The Fifth Column 317 4. KEEP GOOD N
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The Fifth Column 319 ers. But why a
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ACT V, Scene III THE RISE AND THE F
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NOTES Numbers in boldface indicate
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Notes 325 92 “I Felt Like I Was L
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ACKNOWLEDGMENTS When I met my first
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INDEX abandonment phase, of manipul
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Index 331 psychopathic fiction of,
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Index 333 lifestyle domain, 27 life
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Index 335 consistent psychological
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About the Authors PAUL BABIAK, PH.D
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Credits Designed by Sarah Gubkin Co
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About the Publisher Australia Harpe