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Management of Technology and Innovation in Japan

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6 K. Sakakibara <strong>and</strong> Y. Matsumoto<br />

ble to br<strong>in</strong>g PPCs to the family <strong>and</strong> personal market without the traditional service<br />

network.<br />

The cartridge technology, which allowed for simple-ma<strong>in</strong>tenance <strong>and</strong> supportfree<br />

products, was technically significant, but it was not everyth<strong>in</strong>g. Canon’s all<strong>in</strong>-one<br />

cartridge did not only represent a consumable, but also conta<strong>in</strong>ed central<br />

functions <strong>of</strong> a copier, proprietary technologies <strong>and</strong> patents, with<strong>in</strong> it.<br />

As everyone knows, there is a black cartridge <strong>in</strong> a Canon copier. Because it is<br />

an encapsulated type, detailed contents are not identifiable. It conta<strong>in</strong>s both, highprecision<br />

central mechanisms, such as the image development device, <strong>and</strong> valueadded<br />

consumable items. Intuitively speak<strong>in</strong>g, the cartridge <strong>in</strong> a Canon copier is<br />

“a black box that conta<strong>in</strong>s technology <strong>and</strong> pr<strong>of</strong>it.” The other part <strong>of</strong> the copier, <strong>in</strong><br />

contrast, is a low value-added plastic case <strong>and</strong> both mechanically <strong>and</strong> technologically<br />

simple. It is, so to speak, “a chassis.”<br />

By cont<strong>in</strong>uously <strong>in</strong>troduc<strong>in</strong>g new products employ<strong>in</strong>g the same cartridge technology,<br />

Canon limits exposures <strong>of</strong> its own technology <strong>and</strong> ma<strong>in</strong>ta<strong>in</strong>s the highly<br />

pr<strong>of</strong>itable structure <strong>of</strong> the product l<strong>in</strong>e. The company considers the pr<strong>of</strong>itability <strong>of</strong><br />

each product as a viable technical issue to be addressed dur<strong>in</strong>g the development<br />

<strong>and</strong> eng<strong>in</strong>eer<strong>in</strong>g phase.<br />

The Orig<strong>in</strong> <strong>of</strong> the Idea<br />

The idea that the pr<strong>of</strong>itability structure <strong>of</strong> products is based on development <strong>and</strong><br />

eng<strong>in</strong>eer<strong>in</strong>g issues orig<strong>in</strong>ates from the successes <strong>and</strong> lessons <strong>in</strong> Canon’s camera<br />

bus<strong>in</strong>ess.<br />

Canon was orig<strong>in</strong>ally established as an R&D <strong>and</strong> manufactur<strong>in</strong>g company <strong>of</strong> 35<br />

mm high-quality cameras <strong>in</strong> 1933 when there was no sufficient technology to<br />

manufacture cameras <strong>in</strong> <strong>Japan</strong>. Its <strong>in</strong>itial slogan was “Defeat Leica.” Leica was the<br />

name <strong>of</strong> the world’s best camera manufactured <strong>in</strong> Germany. It is widely recognized<br />

that Leica was the model for the modern camera.<br />

From the beg<strong>in</strong>n<strong>in</strong>g the company focused solely on develop<strong>in</strong>g <strong>and</strong> manufactur<strong>in</strong>g<br />

high-quality cameras <strong>and</strong> ga<strong>in</strong>ed its reputation. In 1961 “Canonet” with an<br />

automatic exposure mechanism became very popular, which contributed to the<br />

development <strong>of</strong> the mid-class camera market <strong>and</strong> caused the subsequent explosive<br />

growth <strong>of</strong> Canon.<br />

In 1962 the former President Takeshi Mitarai, Chief <strong>Technology</strong> Officer Hiroshi<br />

Suzukawa <strong>and</strong> Keizo Yamaji, a technician <strong>in</strong> the lens division, took a trip to<br />

the United States to strengthen the North American camera sales <strong>and</strong> learn ways to<br />

diversify the camera bus<strong>in</strong>ess. They received an unexpected welcom<strong>in</strong>g at the<br />

Eastman Kodak headquarters <strong>in</strong> Rochester, New York. Yamaji described the Kodak<br />

visit as follows (“My Resume” on Nihon Keizai Sh<strong>in</strong>bun, March 14, 1997):<br />

When we visited several <strong>of</strong> the major Eastman Kodak facilities, they brought us<br />

fancy lunches <strong>and</strong> d<strong>in</strong>ners to welcome us. I asked, “Why is this?” “Cameras that you<br />

manufacture are film burners,” was the response.

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