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Focus on Words

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Pause.<br />

Ask a man a civil questi<strong>on</strong> he treats you like a three penny bit. (To him.) I’ve got better<br />

things to do, my lad, I can assure you. I’m not going to stand here and be insulted <strong>on</strong> a<br />

public highway. Any<strong>on</strong>e can tell you’re a foreigner. I was born just around the corner.<br />

Any<strong>on</strong>e can tell you’re just up from the country for a bit of a luck. I know your sort.<br />

Pause.<br />

She goes to a LADY.<br />

Excuse me lady. I’m thinking of taking this man up to the magistrate’s court, you<br />

heard him make that crack, would you like to be a witness?<br />

The LADY steps into the road.<br />

LADY: Taxi...<br />

She disappears.<br />

WOMAN: We know what sort she is. (Back to positi<strong>on</strong>.) I was the first in this<br />

queue.<br />

Pause.<br />

Born just round the corner. Born and bred. These people from the country haven’t<br />

the faintest idea of how to behave. Peruvians. You’re bloody lucky I d<strong>on</strong>’t put you <strong>on</strong> a<br />

charge. You ask a straightforward questi<strong>on</strong> –<br />

The others suddenly thrust out their arms at a passing bus. They run off left after<br />

it. The woman, al<strong>on</strong>e, clicks her teeth and mutters. A man walks from the right to the<br />

stop, and waits. She looks at him out of the corner of her eye. At length she speaks<br />

shyly, hesitantly, with a slight smile.<br />

Excuse me. Do you know if I can get a bus from here ... to Marble Arch?<br />

Comprehensi<strong>on</strong><br />

1. What is the play about?<br />

2. Where was the old woman going?<br />

3. Which is the climax of the story?<br />

4. What is the message of the story?<br />

5. What devices does the playwright use to achieve his aim?<br />

Tarantino’s dialogue<br />

1. Have you seen Tarantino’s films?<br />

2. Which of them did you like?<br />

3. Did you appreciate his dialogues. If not, why?<br />

Quentin Tarantino is also famous for his dialogues. There<br />

is a kind of poetry about the language of his dialogues too.<br />

What is so good about Pulp Ficti<strong>on</strong> is that it works <strong>on</strong> multiple<br />

levels. On the surface, it can be appreciated as a funny,<br />

sometimes scary, often thrilling look at a group of low-lifes<br />

straight out of a crime/pulp novel. However, up<strong>on</strong> closer<br />

examinati<strong>on</strong>, there is a lot more going <strong>on</strong> in Quentin Tarantino’s<br />

film.<br />

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