6 modules - PI-VR GmbH

More documents

Recommendations

Info

6.4 Rendering6.4.4 SurfaceAnalysisRendering » SurfaceAnalysisThe SurfaceAnalysis module allows to analyze the quality of a surface. The user canexamine the continuity of different types of virtual lines like isophotes that are displayedon the objects in the scene. By this means, discontinuities on surfaces can be detected.The module can be used for analyzing polygonal as well as NURBS data.» Analysis Mode» Activate Surface Analysis: Enables / disables the Surface Analysis rendering mode.You can also activate this rendering mode by selecting it in the Visualization Menu.» Analysis Mode: Selects the analysis mode.• Isophotes: Isophotes are lines which mark spots of same brightness on thesurface. The surface is assumed to be perfectly diffuse reflecting. It is lit fromboth sides by a directional light emitting parallel light beams. The user can setthe direction of the light source. The isophote lines are view-independent197
6 MODULESmeaning that the lines do not change when moving the camera (except whenusing the option “Use Camera View Vector” explained below).• Highlight Lines: Highlight lines mark spots on a surface whose extendedsurface normals intersect light lines (defined below). Highlight lines are viewindependentas well.• Reflection Lines: Reflection lines are reflections of light lines. This analysismode is view-dependent.» Both Highlight Lines and Reflection Lines need light lines to be defined as a kindof virtual light source. You can choose between two different basic shapes onwhich the light lines appear:• Longitudinal Lines on a Sphere: The lines are meridians on a sphere (linesfrom pole to pole) which encloses the scene and is of infinite size. The usercan set the axis of the sphere.• Parallel Linear Lines on a Plane: The lines are parallel straights on a plane.The user can set their position and rotation.» Define Light Source Depending on the chosen Analysis Mode the GUI changesin frame “Define Light Source”.198» For Isophotes:• Show Light Direction: Shows an arrow in the render view for the pickeddirection. It can be modified by using the rotation manipulator to rotate thearrow (does change the direction) and the translation manipulator to moveit (does not change the direction). Please note: The translation does not changethe direction of the light and therefore has no influence on the isophotes.• Direction: Offers the opportunity to enter values manually. Caution: The enteredvalues are automatically normalized if the direction manipulator is enabledvia “Show Light Direction”. If you want to enter X,Y,Z manually without normalization,please disable the manipulator.• Normalize: Normalizes the manually entered direction vector to length 1.• Set to Axis: Sets the direction to X (1, 0, 0), Y (0, 1, 0) or Z (0, 0, 1).
Page 2:
»VRED ProfessionalDocumentation»
Page 5 and 6:
Table of Contents44.5 Devices . . .
Page 7 and 8:
Table of Contents6.3.5 Sequencer .
Page 10 and 11:
1 GETTING STARTEDThis topic provide
Page 12 and 13:
1.2 Installation using Windows1.2 I
Page 14 and 15:
1.2 Installation using Windows6. De
Page 16 and 17:
1.2 Installation using Windows10. C
Page 20 and 21:
2 USING VREDThis chapter contains b
Page 22 and 23:
2.3 Selection2.3 Selection» Shift
Page 26 and 27:
3 MENUS AND TOOLBARSThis chapter pr
Page 28 and 29:
3.1 Menus» VRED Project Binary - .
Page 30 and 31:
3.1 Menus• OpenSG ASCII Geometry
Page 32 and 33:
3.1 Menus» Powerwall Settings: Ope
Page 34 and 35:
3.1 Menus» Ambient Occlusion Rende
Page 36 and 37:
3.1 Menus» Off: Disables realtime
Page 38 and 39:
3.1 Menus» Create Camera VRED prov
Page 40 and 41:
3.1 Menus» TimeLine Opens the Time
Page 42 and 43:
3.1 Menus» TouchSensor The TouchSe
Page 44 and 45:
3.1 Menus» Python Documentation Op
Page 46 and 47:
3.3 Status Bar» Zoom to Selected O
Page 50 and 51:
4 PREFERENCESThis chapter provides
Page 52 and 53:
4.5 Devices4.5 Devices» Space Mous
Page 54 and 55:
4.7 FileIO4.7 FileIOSets the global
Page 56 and 57:
4.7 FileIO4.7.2 IGES/STEP» Loader
Page 58:
4.7 FileIO» Enable Incremental Sav
Page 61 and 62:
4 PREFERENCES• 1 Geometry / 1 Mul
Page 63 and 64:
4 PREFERENCES4.11 Navigator» Navig
Page 65 and 66:
4 PREFERENCES» Near Clipping Plane
Page 67 and 68:
4 PREFERENCES» Color: The color ca
Page 69 and 70:
4 PREFERENCES» Frames per Second:
Page 71 and 72:
4 PREFERENCES» Illumination Mode S
Page 73 and 74:
4 PREFERENCESblur is activated. Sin
Page 75 and 76:
4 PREFERENCES» Comment: If you wan
Page 78 and 79:
5 SCENEGRAPHThe Scenegraph shows al
Page 80 and 81:
5.1 Create» Orthographic Camera: C
Page 82 and 83:
5.2 Edit5.2 Edit» Rename Renames t
Page 84 and 85:
5.2 Edit» Preconditions for mergin
Page 86 and 87:
5.4 Additional options» Hide Hides
Page 90 and 91:
6 MODULES6.1 Scene6.1.1 CameraEdito
Page 92 and 93:
6.1 Scene• Field of View: Sets th
Page 94 and 95:
6.1 Scene• Near Plane: Sets the d
Page 96 and 97:
6.1 Scene» Advanced» Intrinsic Pa
Page 98 and 99:
6.1 Scene» Directional Light A Dir
Page 100 and 101:
6.1 Scene» Shape: Defines the shap
Page 102 and 103:
6.1 Scene» Ctrl + F / Right mouse
Page 104 and 105:
6.1 Scene» Create Group from Selec
Page 106 and 107:
6.1 Scene• Apply to Selected Node
Page 108 and 109:
6.1 Scene» Edit:scrolling through
Page 110 and 111:
6.1 Scene» Type filter: The filter
Page 112 and 113:
6.1 Scene» Instant Mapping If inst
Page 114 and 115:
6.1 Scenethe scene.The Ambient Occl
Page 116 and 117:
6.1 Scene» Clear All: Deletes the
Page 118 and 119:
6.1 Scene117
Page 120 and 121:
6.1 Scene• Normal Consistency: So
Page 122 and 123:
6.1 Scene121
Page 124 and 125:
6.1 Scene· Polygon Level: Hidden p
Page 126 and 127:
6.1 Scene6.1.8 VariantsScene » Var
Page 128 and 129:
6.1 Scene• Right mouse context me
Page 130 and 131:
6.1 Scene6.1.9 VariantSetsScene »
Page 132 and 133:
6.1 Scene» Screenshot: Creates a s
Page 134 and 135:
6.1 Scene6.1.10 OptimizeScene » Op
Page 136 and 137:
6.1 Scene» Octree: Creates an octr
Page 138 and 139:
6.2 Animation» Cut: Cuts selected
Page 140 and 141:
6.2 Animation» Hermite: Specifying
Page 142 and 143:
6.2 Animation6.2.2 TimeLine» 1 Set
Page 144 and 145:
6.2 Animation6.2.3 ClipMakerAnimati
Page 146 and 147:
6.2 Animation» Clip scaling Select
Page 148 and 149: 6.2 Animation6.2.5 AnimationAnimati
Page 150 and 151: 6.3 Interaction6.3 Interaction6.3.1
Page 152 and 153: 6.3 InteractionFor example: The obj
Page 154 and 155: 6.3 Interaction6.3.2 AnnotationInte
Page 156 and 157: 6.3 Interaction6.3.3 ClippingIntera
Page 158 and 159: 6.3 Interactionany displayed clippi
Page 160 and 161: 6.3 Interactionof the measurement l
Page 162 and 163: 6.3 Interaction• First node: Show
Page 164 and 165: 6.3 Interaction» Rename: Renames t
Page 166 and 167: 6.3 Interaction» setSnapshotICCPro
Page 168 and 169: 6.3 Interaction• alpha: Sets the
Page 170 and 171: 6.3 Interaction» pauseAnimation: P
Page 172 and 173: 6.3 Interaction» loadCluster: Load
Page 174 and 175: 6.3 Interaction» Remove Removes a
Page 176 and 177: 6.3 Interaction• Rotation: Sets t
Page 178 and 179: 6.3 Interaction» Start server: Sta
Page 180 and 181: 6.4 Rendering• Use Time Stamp: Ap
Page 182 and 183: 6.4 Rendering• Start Frame: Sets
Page 184 and 185: 6.4 Renderingthe image. It gives th
Page 186 and 187: 6.4 Rendering• Precomputed + IBL:
Page 188 and 189: 6.4 Renderingand materials.• Use
Page 190 and 191: 6.4 Rendering• Logarithmic Scale:
Page 192 and 193: 6.4 Rendering· Passive Stereo· Ac
Page 194 and 195: 6.4 Rendering• Get Network Host I
Page 196 and 197: 6.4 Rendering» VisibleInReflection
Page 200 and 201: 6.4 Rendering• Pick Surface Norma
Page 202 and 203: 6.5 Scripting6.5 Scripting6.5.1 Ter
Page 206 and 207: 7 VREDAPPThis chapter provides you
Page 208 and 209: 7.2 Interface• Navigation mode: T
Page 210: 7.2 Interface» Connections: Lists
Page 213 and 214: 8 CAD CONVERTER CLI212• -if : inp
Page 215 and 216: 8 CAD CONVERTER CLIand approximatio
Page 217 and 218: 8 CAD CONVERTER CLI216· STEP AP214
Page 219 and 220: 8 CAD CONVERTER CLI218· tessqual=3
Page 221: 8 CAD CONVERTER CLI• -aspectRatio
Page 225 and 226: 9 MATERIALS REFERENCE• Illuminate
Page 227 and 228: 9 MATERIALS REFERENCE226• Color:
Page 229 and 230: 9 MATERIALS REFERENCE» Displacemen
Page 231 and 232: 9 MATERIALS REFERENCE230» Override
Page 233 and 234: 9 MATERIALS REFERENCE• IBL + Indi
Page 235 and 236: 9 MATERIALS REFERENCEOn metallic su
Page 237 and 238: 9 MATERIALS REFERENCE• Use ICC Pr
Page 239 and 240: 9 MATERIALS REFERENCE• Repeat Mod
Page 241 and 242: 9 MATERIALS REFERENCE» Roughness:
Page 243 and 244: 9 MATERIALS REFERENCE9.1.4 CarbonMa
Page 245 and 246: 9 MATERIALS REFERENCE» Bump» Use
Page 247 and 248: 9 MATERIALS REFERENCE» Roughness:
Page 249 and 250:
9 MATERIALS REFERENCE9.1.6 Environm
Page 251 and 252:
9 MATERIALS REFERENCE» Blending: D
Page 253 and 254:
9 MATERIALS REFERENCE» Select Medi
Page 255 and 256:
9 MATERIALS REFERENCE» Use Texture
Page 257 and 258:
9 MATERIALS REFERENCE9.1.10 LineChr
Page 259 and 260:
9 MATERIALS REFERENCE• Triplanar:
Page 261 and 262:
9 MATERIALS REFERENCEFor further in
Page 263 and 264:
9 MATERIALS REFERENCE» Flake Size:
Page 265 and 266:
9 MATERIALS REFERENCE9.1.15 PhongMa
Page 267 and 268:
9 MATERIALS REFERENCE• Use ICC Pr
Page 269 and 270:
9 MATERIALS REFERENCE· Mirrored Re
Page 271 and 272:
9 MATERIALS REFERENCEwill be render
Page 273 and 274:
9 MATERIALS REFERENCE· Mirrored Re
Page 275 and 276:
9 MATERIALS REFERENCE9.1.17 Reflect
Page 277 and 278:
9 MATERIALS REFERENCE• Repeat UV:
Page 279 and 280:
9 MATERIALS REFERENCE» Reflectivit
Page 281 and 282:
9 MATERIALS REFERENCE» Bump Textur
Page 283 and 284:
9 MATERIALS REFERENCE• Solid: Ren
Page 285 and 286:
9 MATERIALS REFERENCEquality yields
Page 287 and 288:
9 MATERIALS REFERENCE» Contrast: S
Page 289 and 290:
9 MATERIALS REFERENCE9.1.21 SphereE
Page 291 and 292:
9 MATERIALS REFERENCEexample, the c
Page 293 and 294:
9 MATERIALS REFERENCE9.1.22 SwitchM
Page 295 and 296:
9 MATERIALS REFERENCE» Reflectivit
Page 297 and 298:
9 MATERIALS REFERENCE9.1.24 Triplan
Page 299 and 300:
9 MATERIALS REFERENCE• Link Repea
Page 301 and 302:
9 MATERIALS REFERENCE• Repeat Mod
Page 303 and 304:
9 MATERIALS REFERENCE• Fast: Uses
Page 305 and 306:
9 MATERIALS REFERENCE» Use Texture
Page 307 and 308:
9 MATERIALS REFERENCE• Link Repea
Page 309 and 310:
9 MATERIALS REFERENCE» Cloth Prese
Page 311 and 312:
9 MATERIALS REFERENCE• Use ICC Pr
Page 313 and 314:
9 MATERIALS REFERENCE9.2 OpenGL Mat
Page 315 and 316:
9 MATERIALS REFERENCE9.2.2 PhongMat
Page 317 and 318:
9 MATERIALS REFERENCE9.2.3 ChunkMat
show all

6 modules - PI-VR GmbH

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?