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CHINA ARQUEOLOGIA golden-age-chinese-archayeolog

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Zhou bronzes, the motif is deliberately ambiguous

and can be read either as two dragons represented

in profile, or as one central horned mask (taotie)

with two dragon bodies — or the spliced body of

a single dragon — emerging from it. The frontal

"mask" aspect of the motif is enhanced by the addition

of a three-dimensionally sculptured miniature

buffalo head below the central flange.

This constellation of dragons in profile and a

frontal buffalo head recurs in slightly different form

on the face of the rim handles. Here the buffalo

head is reduced to an abstract chiffre placed between

— and thus separating — the two dragons

ascending toward it. Like their counterparts on the

vessel walls, these dragons have curled tails, sinuous

bodies, and mushroom-shaped horns, but each

sports two legs instead of one.

The slightly bulging legs of this ding feature

relief animal masks with pointed spiraling ram's

horns. A different type of mask adorns the three

lateral handles, notable for its wide, upright horns,

which — like the small buffalo heads on the vessel

body — must have been precast and inserted in the

mold assemblage; the rest of the vessel would have

been cast around them.

The combination of bold relief and sculptural

elements is characteristic of the bronze style of the

latter phase of the Early Western Zhou period

(c. 1000-950 BCE). 3 Its confident execution may

indicate that this is a product of a workshop

attached to the Zhou royal house. LVF

1 Excavated in 1979; published: Chunhua 1980; Hayashi

1984, 2:17, fig. 191; Higuchi and Enjoji 1984, no. 44; Li

Xueqin 1986, i: nos. 135-136; Rawson 1990, part 1:31, fig. 23;

Wenwu jinghua 1990, no. 51.

2 For example, a dragon-shaped handle, 60 (23 s /s) in length,

from Julianghaijia, Fufeng, Shaanxi province (Gao 1994).

3 Hayashi 1984.

233 | BRONZES FROM FENG HAO AND ENVIRONS

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