10.05.2022 Views

CHINA ARQUEOLOGIA golden-age-chinese-archayeolog

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The high relief of the bronze and jade on the

upper surfaces of the headrest contrasts with the

markedly flatter designs on the side plaques. Each

of the four larger rectangular plaques, two on one

side, two on the other, with angled upper corners,

frames an S-shaped tigerlike creature twisting to

face the viewer. These creatures, displayed in profile

with striated, curling tails, closely resemble the

feline dragons depicted in other works in this exhibition

(cats. 141,145). It seems likely that these

feline creatures derive from animal representations

on gold or bronze plaques and harness ornaments

from present-day Inner Mongolia and southern

Siberia. Transformed into jade, they have been

fully assimilated into their new context. 3

The four smaller plaques that form the bodies

of the main creatures of the headrest are D-shaped

and have narrow slots carved within them; it seems

likely that they were originally parts of pendant

sets. Each comprises two S-shaped dragons backing

onto each other; their contours form the curved

edge of the plaque, and a small flattened diskshaped

object lies between their tails. The plaques

at each end of the headrest also seem to represent

varieties of S-shaped dragons. One bears traces of a

suspension hole, and the head of a dragon looking

back over its body can be discerned; it is possible

that this piece and its simpler tandem at the other

end of the headrest were originally intended for

other uses. Such an interpretation is supported by

jades in the headrest of Dou Wan, a similar (albeit

much less elegant) example. The two long sides

include sections of bi disks cut to fit the rectangle,

and squared fragments similarly compose the top

and two ends; the original patterns (criss-crosses,

animal scroll borders) and composition of these

constituent pieces remain clearly evident in this

adaptation.

A somewhat more complex composition can

be observed on the headrest from the Houloushan

tomb (fig. i). In this example, four creatures form

the metal framework, their feet supporting the

headrest itself, while their heads decorate the

corners of the upper surface. Fragments of two

S-shaped dragon pendants compose the top, and

a piece of another dragon pendant forms one of

the sides; jade plaques have been used to fill in

extra space. The headrest is particularly interesting

for the small, framelike device at the center of

one side, flanked by two monster faces with ring

handles. JR

394 EARLY IMPERIAL CHINA

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!