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TANG POTTERY

FUNERARY

FIGURES FROM

XI'AN, SHAANXI

PROVINCE

During the Early Tang dynasty (seventh and eighth centuries CE), a large percentage of the

Chinese hereditary aristocracy moved from its ancestral homes to the great cities of Xi'an

and Luoyang. In earlier dynasties, the competition for dominance among these families was

informed by the wealth from inherited lands and titles, as well as by the influence gained from

generations of regional power. Because they were large landholders as well as government

officials, this elite controlled not only a great deal of the political power in China but also much

of the means of production, the natural resources, and the ability to trade for items. This group

was powerful both in politics and, as patrons, in the arts. Their new concentration in these

cities, however, both separated them from local power sources and brought them together with

people of like backgrounds and interests. The accumulation of numerous wealthy, sophisticated,

and worldly individuals with large amounts of leisure time in a few locations created a

true metropolitan elite that demanded an abundance of exotic luxury items; their changing

material demands defined aesthetic taste and fashion. Arts of all kinds flourished under their

patronage, exemplified in the surviving glories of the Tang capital at Xi'an, at the time the

largest and most cosmopolitan city in the world.

The major population centers of the Tang dynasty were located in the north, in what

is now Hebei, Henan, and parts of Shaanxi provinces. Xi'an, located to the west of these population

centers, was the logical point of entry for trade coming over the land routes that connected

China to the West. Along these roads came many of the exotic foreign goods so eagerly

sought by the Tang court. The seventh and eighth centuries mark the point at which the Chinese

were most outward looking; this was particularly true of the hereditary aristocracy. While

still confident of the superiority of Chinese culture, they were also in contact with other

advanced cultures, something relatively new to China. A fascination with the material culture

of peoples beyond their own immediate borders was one of the shared characteristics of the

Tang nobility.

Trade over the inland routes was greatly encouraged by the large numbers of Buddhist

missionaries who traveled between China and the loci of their faith in Kashmir, Afghanistan,

Pakistan, and northern India. Prior to the fall of the Sassanian empire in the seventh century

CE, textiles, glass, and metalwork from Persia found a ready market at the Tang court, as did

music, musical instruments, and musicians from Central Asia. In addition the Chinese sought

wine and exotic fruits such as peaches and grapes from oasis kingdoms in Central Asia. The

major sources for jade, the most precious stone to the Chinese, were in Manasi and Hetian in

modern Xinjiang. It was much sought after as a raw material for use in Chinese workshops to

create a broad range of luxury goods. Exotic animals were also sought, and lions, elephants, and

a whole range of other beasts found their way into the imperial zoos. The most prized animals

were the great horses of Central Asia. In turn, the Chinese exported silk, ceramics, and other

luxury goods.

488 EARLY IMPERIAL CHINA

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