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CHINA ARQUEOLOGIA golden-age-chinese-archayeolog

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hindquarters raised — and their open wings and

grimacing mouths suggest that the beasts are ready

to spring at some imaginary attacker. Such creatures

are the fountainhead of a long tradition of

winged protecting beasts (bixie) placed inside or in

front of tombs. As part of a demonic iconography

that began to evolve during the Warring States

period, they may also have been associated with

immortality and travel through limitless space. LVF

to weigh down the mat on which the king was

seated. (Chairs came into common use in China

only during the tenth century CE.)

These beasts combine the features of several

animals — tigers, reptiles, and birds. 4 The ornamentation,

inlaid in gold and silver, serves in part to

accentuate the zoomorphic features; the exuberant

feather pattern on the wings is especially noteworthy.

Elsewhere, abstract spiral designs predominate; in

the center of the back, these spirals take the shape of

two symmetrical, curled, bird-headed animals.

Winged dragons and felines first occur in Chinese

art during the mid-fifth century BCE. Jessica

Rawson has suggested that they derive from the

Near East (see cat. 133); they may have reached

China by way of Iranian or Scythian intermediaries.

By the time of King Cuo, in any event, this iconography

was well established all throughout the area

of Zhou culture, and it would be erroneous to tie its

occurrence in this tomb to the "non-Chinese" identity

of the Zhongshan kings. In artistic terms, the

elegant, dynamic shape of these winged beasts is

light-years away from any known western Asian

prototypes, unmistakably indicating a Late Zhou

sensibility. The aggressive stance of the animals —

clawed feet spaced far apart, front lowered and

1 Excavated in 1978 (MI 0x136); published: Hebei 1979, pi. 3.1;

Tokyo 1981, no. 43; Li Xueqin 1986, 2: no. 108; Thorp i988b,

no. 63; Hayashi i988b: 295, fig. 3-297; Hebei 1995, cover,

1:139-141,143, fig. 51, and 2: color pi. 16.1, pi. 94.1; So 1995:

66, fig. 121.

2 The inscriptions on the four winged mythical beasts are as

follows: i. "Fourteenth ritual cycle, Official Treasury of the

Right, Petty Officer Guo Ying, Worker Jie, Weight." 2.

"Fourteenth ritual cycle, Official Treasury of the Right,

Petty Officer Guo Ying, Worker Jie." 3. "Fourteenth ritual

cycle, Official Treasury of the Left, Petty Officer Sun Gu,

Worker Xi, Weight." 4. "Fourteenth ritual cycle, Official

Treasury of the Left, Petty Officer Sun Gu, Worker Cai"

(Hebei 1995,1:413 and 414-415, figs. 171.3-6 and 172.1-2).

The same names also appear on various other objects

from King Cuo's tomb.

3 In spite of the excavators' assertions (Hebei 1995,1:404),

the treasuries mentioned in the inscriptions consequently

cannot be identical with the workshops in which these

items were manufactured.

4 Hayashi (i988b, 295) classifies them as "running dragons."

358 | CHU AND OTHER CULTURES

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