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CHINA ARQUEOLOGIA golden-age-chinese-archayeolog

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Two painted lacquer erbei cups

a. Length 15.7 (6'/8), maximum width 12.6 (5)

b. Length 18.1 (7), maximum width 13.3 (5 ! / 4 )

Late Warring States Period, c. early third

century BCE

From Tomb i at Mashan, Jiangling, Hubei Province

Jingzhou Prefecture Museum, Hubei Province

These two oval cups 1 (erbei, or ear cups, so called

because of the two earlike extensions at the rim)

are part of a large set of eating and drinking vessels

found in a compartment at the head of the outer

coffin from Tomb i at Mashan. Carefully packed

inside a bamboo casket, the set is composed of

several lacquered pieces (twelve erbei, two boxes)

and bronze vessels (two erbei, one hu wine container,

two tripod ding, a large ladle and spoon, as

well as ayi and a pan basin for washing the hands).

The earliest erbei known to date were excavated

from an eighth-century BCE tomb in Hubei

province. 2 During the Warring States period, at

least two main types were in use within the Chu

kingdom: the shape of the vessel is the predominant

criterion for defining the typology. The first is

characterized by quite large angular and pointed

projections, while cups of the second type (represented

by these examples) have small rounded

"ears." In both cases, these appendages are generally

raised. The projections on the larger cup are

beveled rather than raised, a subtype represented

only rarely among burial vessels and of later date

than the two conventional forms. 3 That this

beveled erbei is the sole such example among the

Mashan lacquerware earcups (as well as its larger

size) suggests that it was reserved for a specific use

(or user) during meals.

Both cups are decorated with unusual motifs

in somewhat heterogeneous styles. The first cup is

painted with cinnabar red, yellow, and pale yellow.

Touches of gold decorate a dark red background

on the inner surface; the outer surface is painted

in black background (the colors have changed

since the excavation). Two large birds symmetrically

frame a quatrefoil motif at the center, an

318 | CHU AND OTHER CULTURES

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