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CHINA ARQUEOLOGIA golden-age-chinese-archayeolog

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1 Excavated in 1978; published: Linru 1981, 4, fig. 1:1; pi. i

(showing repairs); frontispiece (color); Zhang 1981, 21-24;

Zheng 1982, 48-51; Fan 1983, 8-10; Tokyo 1986, no. 30;

Chang i986b, 130 and 137, fig. 98; Yang 1991, no. 14; Yan

1989, 303-307; pi. 12:1; Chang 1990, cat. no. 1682; Wu

1996, pi. 20.

2 The view that the heron signifies a place name has been

proposed by several scholars, including Zheng Jiexiang,

who notes that the word guan (heron) occurs in a much

later text known as Shan hai jing (Classic of mountains and

seas), referring to the "land of the guantou (or huantou)

people," who in early times had been displaced to the

south from the Linru region of Henan (Zheng 1982, 50).

Although it is pleasant to imagine that some 5000 years

ago the Linru area might have been a habitat known for

its waterfowl, all we can say for certain on this point is

that the artist who painted the heron on the Yancun gang

was deeply familiar with his subject.

3 Shandong 1974,118, fig. 94. Several Yancun vessels are

closely analogous to examples belonging to Period IV at

the Zhengzhou site of Dahecun, in Henan, which has been

dated on the basis of radiocarbon analysis to the late

fourth millennium. Finds from Dahecun include an undecorated

gang (W3: i), the same size and shape as cat. 5,

along with distinctive curve-sided ping with pointed

bottoms (Wi: i; W2), compatible with one from Yancun

(Zhengzhou 1979, 344, fig. 36:1-2; 346, fig. 39:5; pis. 11:6,

13:9; compare Linru 1981, 4, fig. i: 10; also see Zheng 1982,

49, fig. 2). Both types of vessels have also been recovered

from Zhangshanzhai, another site in the Linru vicinity

(Fang 1978,138, fig. 2:12-13). The four dendrochronologically

calibrated radiocarbon dates for Dahecun IV

are: 3506±3342 BCE (WB-O3); 3O72±29O2BCE (ZB-O9);

3493±3109 BCE (ZB 84-21) and 3371 ±3101 BCE (ZB84-

22) (Zhongguo 1991,165).

4 Shandong 1974,118, fig. 94:3-4. The emblematic designs

on the Dawenkou pottery and others incised on Liangzhu

jades are discussed by Wu 1985, 34-36; Li Xuegin 1987,

75-80, 85; and Keightley 1989,197-198. The long-legged

wading bird painted on the Yancun gang is not to be

confused with the "sunbirds" inscribed on Liangzhu jades.

5 The inscriptions on the Bei Dan Ge vessels probably

identify the person for whom the vessels were cast. More

complete discussions of the Wuguancun M i inscriptions

may be found in Fitzgerald-Huber 1983, 24-25; Bagley

1987, 52, 429-435. The vessels were previously published

by Guo Baojun 1951,1-61; pis. 1-44; and Chen 1956,

268-269, 3HJ Illustrations of some of the vessels appear

in Henan 1981, nos. 272-274.

6 The Yancun and Dawenkou inscriptions were examined

more fully in a paper titled "Where Have All the Documents

Gone," delivered by the present author at the

Multiple Origins of Writing Symposium, held at the

University of Pennsylvania, 26-27 March 1999.

67 | YANCSHAO CULTURE: BANPO

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