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CHINA ARQUEOLOGIA golden-age-chinese-archayeolog

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at Dunhuang (Gansu province), a key point on the

Silk Road, depict bodhisattvas holding transparent

bowls. 1 In Buddhist reliquary deposits, it is not

uncommon for the innermost container, in which

the relic grains were actually held, to be a tiny glass

phial. The tomb of the young princess Li Jingxun

(see cat. 157) contained a transparent green glass

bottle, 16.3 centimeters high, and several other small

glass vessels. Such depictions and finds clearly indicate

the rarity and high esteem in which glass was

held, despite — or perhaps because of—the very

small quantities actually produced in China.

Some vessels were imported from the west by

sea. The first reference in Chinese sources to Islamic

glass dates to 775 CE, when Lu Sigong, the

commissioner of Lingnan, having put down a rebellion

in Canton, sent a glass dish, 9 cun (inches) in

diameter, to Emperor Daizong. The emperor's delight

turned to rage when it was later discovered

that Lu had given a slightly larger glass dish, i chi

(10 cun, or inches) in diameter, to a disgraced

official, and the emperor was with difficulty

restrained from having Lu executed. 2

Under such circumstances, the group of glass

vessels from the Famen Monastery deposit is truly

remarkable in view of the number of vessels found,

their decoration, and their excellent state of preservation.

Retrieved from the innermost chamber, 3 on

4-6 May 1987, they comprise some twenty vessels,

nineteen of them intact (not all have yet been fully

described 4 ). Two of vessels — a plain, yellow-green

teacup (height 4.9 centimeters, diam. 13 centimeters)

and stand (height 3.7 centimeters, diam. 14

centimeters) — are of Chinese manufacture; the

remainder are imported Mesopotamian Islamic

glass, possibly made in Nishapur and brought to

the Chinese court by one of the many foreign tribute

missions during the Tang dynasty. One dish is

luster-painted in yellow and dark brown. 5

The dish in this exhibition 6 is one of six engraved

and four plain blue dishes in a stack of ten

dishes nested together, which doubtless helped to

keep them intact. Convex at the center (a function

of its attachment to the pontil during the blowing),

the dish is decorated with gilding and engraving.

The gilding is applied in two concentric narrow

bands that circumscribe the central and main fields

of decoration; a third wavy band or ribbon undulates

in the space between them. One other dish

has both gilding and engraving, while the remaining

four blue dishes are engraved but not gilt; all

six, however, use similar incising techniques and in

some cases the same motifs; the central motif of

eight principal petals on this piece, for example,

reappears on another of the engraved dishes, 7 but

on a larger scale so that it fills almost the whole of

the available space within the plain rim. Several of

the dishes feature a five-leaflet motif; all of them

use close-set hatching lines, straight or undulating

(as here, within the small roundels inside and outside

the gilded undulating band), with contrasting

areas of plain blue reserve. The same hatching

techniques and, less frequently, gilding appear on

vessel fragments found in Samarra, in Nishapur, and

in al-Fustat, Egypt. 8 RW

1 Moore 1998, fig. 19.6, following a survey by An Jiayao,

illustrates her line drawings of a number of examples from

the mural paintings in Cave 217 and other Tang caves at

Dunhuang.

2 Ma Wenkuan 1994, 233 - 234, citing the Xin Tang shu (New

Tang history). Moore 1998, 80, gives further details from

the Zizhi tongjian (Comprehensive mirror to aid government),

with the date as 778.

3 Most of them were in the southwest corner of the chamber,

close to the tea-mill and the two tea-baskets.

4 A fragment of a narrow-necked blue bottle (FD 5: 33), and

a fragment of a pale yellow straight-sided cup (FD 5: 37)

have been analyzed, see An 1993, 262. The analysis shows

them to be common sodium glass with relatively high

levels of magnesium oxide and oxide of potassium, similar

to sherds from Nishapur analyzed by Brill and Fenn 1993.

5 See Kroger 1998.

6 Excavated in 1987 (FD 5:012). The dishes are not individually

reported, but see generally Shaanxi 19883,1-26, and,

for additional illustration, An 1990,127, fig. 6.

7 FD 5:008. See An 1990,126, fig. 4.

8 Some of these fragments are illustrated in Brill and Fenn

1993, 259-260, figs. 1-8.

485FAMEN MONASTERY AT FUFENC

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